To save content items to your account,
please confirm that you agree to abide by our usage policies.
If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account.
Find out more about saving content to .
To save content items to your Kindle, first ensure no-reply@cambridge.org
is added to your Approved Personal Document E-mail List under your Personal Document Settings
on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part
of your Kindle email address below.
Find out more about saving to your Kindle.
Note you can select to save to either the @free.kindle.com or @kindle.com variations.
‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi.
‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.
Columbarium tombs are among the most recognizable forms of Roman architecture and also among the most enigmatic. The subterranean collective burial chambers have repeatedly sparked the imagination of modern commentators, but their origins and function remain obscure. Columbarium Tombs and Collective Identity in Augustan Rome situates columbaria within the development of Roman funerary architecture and the historical context of the early Imperial period. Contrary to earlier scholarship that often interprets columbaria primarily as economic burial solutions, Dorian Borbonus shows that they defined a community of people who were buried and commemorated collectively. Many of the tomb occupants were slaves and freed slaves, for whom collective burial was one strategy of community building that counterbalanced their exclusion in Roman society. Columbarium tombs were thus sites of social interaction that provided their occupants with a group identity that, this book shows, was especially relevant during the social and cultural transformation of the Augustan era.
The Tabulae Iliacae are a group of carved stone plaques created in the context of early Imperial Rome that use miniature images and text to retell stories from Greek myth and history - chief among them Homer's Iliad and the fall of Troy. In this book, Professor Petrain moves beyond the narrow focus on the literary and iconographic sources of the Tabulae that has characterized earlier scholarship. Drawing on ancient and modern theories of narrative, he explores instead how the tablets transfer the Troy saga across both medium and culture as they create a system of visual storytelling that relies on the values and viewing habits of Roman viewers. The book comprehensively situates the tablets in the urban fabric of Augustan Rome. New photographs of the tablets, together with re-editions and translations of key inscriptions, offer a new, clearer view of these remarkable documents of the Roman appropriation of Greek epic.