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5894 results in Classical art and architecture

Page 89 of 295

The Classical Journal
  • Volume 26, September–December 1822
  • Edited by Abraham John Valpy, Edmund Henry Barker
  • Published online:
    05 June 2015
    Print publication:
    28 February 2013
    First published in:
    1822
  • A precursor of modern academic journals, this quarterly periodical, published between 1810 and 1829 and now reissued in forty volumes, was founded and edited by Abraham John Valpy (1787–1854). Educated at Pembroke College, Oxford, Valpy established himself in London as an editor and publisher, primarily of classical texts. Edmund Henry Barker (1788–1839), who had studied at Trinity College, Cambridge, became a contributor and then co-editor of this journal, which fuelled a scholarly feud with the editors of the Museum criticum (1813–26), a rival periodical (also reissued in the Cambridge Library Collection). Although its coverage overlapped with that of its competitor, the Classical Journal also included general literary and antiquarian articles as well as Oxford and Cambridge prize poems and examination papers. It remains a valuable resource, illuminating the development of nineteenth-century classical scholarship and academic journals. Volume 26 contains the September and December issues for 1822.

The Classical Journal
  • Volume 13, March–June 1816
  • Edited by Abraham John Valpy, Edmund Henry Barker
  • Published online:
    05 June 2015
    Print publication:
    28 February 2013
    First published in:
    1816
  • A precursor of modern academic journals, this quarterly periodical, published between 1810 and 1829 and now reissued in forty volumes, was founded and edited by Abraham John Valpy (1787–1854). Educated at Pembroke College, Oxford, Valpy established himself in London as an editor and publisher, primarily of classical texts. Edmund Henry Barker (1788–1839), who had studied at Trinity College, Cambridge, became a contributor and then co-editor of this journal, which fuelled a scholarly feud with the editors of the Museum criticum (1813–26), a rival periodical (also reissued in the Cambridge Library Collection). Although its coverage overlapped with that of its competitor, the Classical Journal also included general literary and antiquarian articles as well as Oxford and Cambridge prize poems and examination papers. It remains a valuable resource, illuminating the development of nineteenth-century classical scholarship and academic journals. Volume 13 contains the March and June issues for 1816.

The Classical Journal
  • Volume 18, September–December 1818
  • Edited by Abraham John Valpy, Edmund Henry Barker
  • Published online:
    05 June 2015
    Print publication:
    28 February 2013
    First published in:
    1818
  • A precursor of modern academic journals, this quarterly periodical, published between 1810 and 1829 and now reissued in forty volumes, was founded and edited by Abraham John Valpy (1787–1854). Educated at Pembroke College, Oxford, Valpy established himself in London as an editor and publisher, primarily of classical texts. Edmund Henry Barker (1788–1839), who had studied at Trinity College, Cambridge, became a contributor and then co-editor of this journal, which fuelled a scholarly feud with the editors of the Museum criticum (1813–26), a rival periodical (also reissued in the Cambridge Library Collection). Although its coverage overlapped with that of its competitor, the Classical Journal also included general literary and antiquarian articles as well as Oxford and Cambridge prize poems and examination papers. It remains a valuable resource, illuminating the development of nineteenth-century classical scholarship and academic journals. Volume 18 contains the September and December issues for 1818.

The Classical Journal
  • Volume 38, September–December 1828
  • Edited by Abraham John Valpy, Edmund Henry Barker
  • Published online:
    05 June 2015
    Print publication:
    28 February 2013
    First published in:
    1828
  • A precursor of modern academic journals, this quarterly periodical, published between 1810 and 1829 and now reissued in forty volumes, was founded and edited by Abraham John Valpy (1787–1854). Educated at Pembroke College, Oxford, Valpy established himself in London as an editor and publisher, primarily of classical texts. Edmund Henry Barker (1788–1839), who had studied at Trinity College, Cambridge, became a contributor and then co-editor of this journal, which fuelled a scholarly feud with the editors of the Museum criticum (1813–26), a rival periodical (also reissued in the Cambridge Library Collection). Although its coverage overlapped with that of its competitor, the Classical Journal also included general literary and antiquarian articles as well as Oxford and Cambridge prize poems and examination papers. It remains a valuable resource, illuminating the development of nineteenth-century classical scholarship and academic journals. Volume 38 contains the September and December issues for 1828.

Viewing Inscriptions in the Late Antique and Medieval World
  • Edited by Antony Eastmond
  • Published online:
    05 May 2015
    Print publication:
    20 April 2015
  • Inscriptions convey meaning not just by their contents but also by other means, such as choice of script, location, scale, spatial organisation, letterform, legibility and clarity. The essays in this book consider these visual qualities of inscriptions, ranging across the Mediterranean and the Near East from Spain to Iran and beyond, including Norman Sicily, Islamic North Africa, Byzantium, medieval Italy, Georgia and Armenia. While most essays focus on Late Antiquity and the Middle Ages, they also look back at Achaemenid Iran and forward to Mughal India. Topics discussed include real and pseudo-writing, multilingual inscriptions, graffiti, writing disguised as images and images disguised as words. From public texts set up on mountainsides or on church and madrasa walls to intimate craftsmen's signatures, barely visible on the undersides of precious objects, the inscriptions discussed in this volume reveal their meanings as textual and visual devices.

Page 89 of 295