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As a student at Cambridge forty years ago I received a good training in the language and literature of classical Greece, and had the good fortune to study paleography under the late E. H. Minns. For all this I am deeply grateful. But I had no training in Byzantine Greek. It was only later, and more or less by accident, that I discovered Byzantine and Modern Greek. It is not my intention to discuss the wider aspects of this question now, but to appeal, on the basis of some passages in the Oresteia, for a new approach to textual criticism, or rather for the renewal of an old approach.
The recurrence of horse-imagery in Alcman's Partheneion (47 ff., 50, 58-59, 92) suggested to Bowra that the chorus may have been the guild of priestesses called Leucippides, who seem from a mysterious gloss in Hesychius to have been known as It is true that the comparison of girls with fillies is common enough in Greek, but the appearance of Helen as of girls like at Ar. Lys. 1308–15 seems, as Bowra says, ‘to hide a ritual use of ’. The existence of this guild of priestesses appears to be established from Paus. 3. 16. 1 and 3. 13. 7. In the latter passage they join with the in offering sacrifice to Dionysus and the unnamed hero who first guided him to Sparta, but it seems reasonable to assume that their principal concern was with the cult of the goddesses Phoebe and Hilaeira, the daughters of Leucippus, from whom, as Pausanias explicitly says (3. 13. 7), they took their name.