The primary meaning of haurire is ‘to take by scooping, to draw’, and it is used of liquids and of solids which pour. The first section of this paper will try to show that this meaning is frequent and sometimes missed by the commentators. The second section will trace the development of other meanings showing that this root is not applied to drinking and swallowing, except metaphorically, until well into the first century A.D., except once in Livy.

Trinvndinvm, best known as the minimum interval prescribed between the promulgatio and rogatio of a law by the Lex Caecilia Didia of 98 B.C., but also employed in a number of other constitutional and legal contexts, is generally supposed now to mean a period of 24 days R (I shall use this symbol to show that I am following the Roman method of counting, in which the day from which the reckoning starts and the day with which it finished are both included): in other words, it is held to be three Roman eight-day weeks.

Readings from a manuscript which once belonged to Rodolphus Agricola and later to Theodore Ryck were well known to and lightly esteemed by the editors of Tacitus from the late seventeenth to mid nineteenth centuries. Ryck cited over 1,200 of them in his edition of 1687. Later the whereabouts of the manuscript remained long unknown, until it was rediscovered by C. W. Mendell as Leidensis BPL 16. B in the University Library at Leiden.

In the doxographical tradition the concept of a ‘crystalline’ outer-heaven is ascribed to two Presocratic thinkers. Aëtius tells us that Anaximenes held that the stars were fastened like nails in the ‘crystalline’: (2. 14–3 DK. 13 A14) and, again, that Empedocles believed that the fixed stars were attached to the ‘crystalline’, while the planets were unattached: (2. 13. II DK 31 A54.) The ascription of this concept to both these Presocratic philosophers is decidedly odd; for, whereas, in the case of Empedocles’ thought, fire acts as a solidifying agent, Anaximenes, on the other hand, connected solidity with cold and rarity with heat and in his cosmology the heavenly bodies are created by the rarefaction into fire of vapour from the earth. For this reason the concept of a solid outer-heaven is quite incompatible with the little else that is known of his cosmogony and cosmology.

I. We know fairly well how the City Dionysia at Athens was celebrated in classical times. But although the numerous dramatic festivals of the Hellenistic period were in many respects modelled on the Athenian Dionysia, it is not clear how the performances at these festivals were organized. The difficulty arises from the fact that apart from a few great centres which may have had their own theatre production, playwrights, actors, etc., the majority of cities depended on the travelling of Dionysos’.1 It seems that the of Dionysiac artists were formed early in the third century. Three major Dionysiac associations—the Athenian, the Isthmian and Nemean, and the Ionian and Hellespontian—operated in Greece, Asia Minor, and the islands in Hellenistic times. The question is how these associations functioned. Were they theatrical companies as well as professional guilds? Did they undertake the organization of musical and dramatic performances at various festivals? Was there a division of territories between the and were certain festivals dominated by certain guilds?