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In 'AΘΠ. 22. I Aristotle made the judgement that Cleisthenes' reform gave a constitution to Athens far more democratic than Solon's, and to prove it he marked as Cleisthenic the law about ostracism. As the ostracism was considered a typically democratic institution, it was both persuasive and credible to connect Cleisthenes with a measure so admirably symptomatic of the adjudged new order.
In classical Greek poetry there is a familiar distinction between verse which repeats line upon line, and that which forms patterns liable to closure at intervals, in stanzas or lyric sections. This is often equated with the distinction between spoken and sung verse, but the equation is only approximate. At an earlier stage all verse had some musical accompaniment—so much can be deduced from a number of passages in Homer, and is in any case implicit in the nature of quantitative verse. By Hellenistic times it seems that, in new composition, the more complex lyric structures had died out, while of the simpler ones more and more were being taken over as spoken verse. In the fifth century—and this can probably be extended to at least the late sixth and most of the fourth—only two kinds of verse are known to have dispensed with music altogether in performance: the heroic hexameter and the iambic trimeter.
In his valuable contribution to the Fondation Hardt Entretiens of 1960 on Hesiod Professor La Penna dealt with the famous ‘theodicy of labour’ in Virgil, Georgics I. 118–59. He recalled that, whereas Hesiod made Prometheus' trickery the reason for Zeus' hiding fire and the other goods and so rendering labour necessary, Virgil omits mention of Prometheus or of any element of guilt (121–4):
(Proposed text) Atque etiam in ipsis uocalibus grammatici est uidere an ahquas pro consonantibus usus acceperit, quia ‘iam’ sicut ‘tarn’ scribitur et ‘uos’ ut ‘cos’, at quae ut uocales iunguntur aut unam longam faciunt, ut ueteres scri-pserunt, qui geminatione earum uelut apice utebantur, aut duas,—nisi quis putat etiam ex tribus uocalibus syllabam fieri, si non aliquae officio consonantium fungantur. quaeret hoc etiam, quo modo duabus demum uocalibus in se coeundi natura sit, cum consonantium nulla nisi alteram frangat. atqui littera i sibi insidit— ‘conicit’ enim est ab illo ‘iacit’—et u, quo modo nunc scribitur ‘uulgus’ et ‘seruus’. sciat etiam Ciceroni placuisse ‘aiio Maiiamque’ geminata ‘i’ scribere: quod si est, etiam ‘i’ iungetur ut consonans.
Glos, who had been in command of the fleet and was married to the daughter of Tiribazus, fearful that it might be thought that he had cooperated with Tiribazus in his plan and that he would be punished by the King, resolved to safeguard his position by a new project of action. Since he was well supplied with money and soldiers and had furthermore won the commanders of the triremes to himself by acts of kindness, he resolved to revolt from the King.
The article on crater cratera creterra in T.L.L. iv. 1108–10 is imperfect: several examples are omitted and no clear and coherent account of these forms is given.
crater appears first in Ennius' Annales (511 Vahl.); and very likely it was Ennius who, finding cratera too ordinary for poetry, transliterated . For several centuries crater remained a poets' word. It may have been introduced into prose by the elder Pliny, who affects poetic vocabulary; in later prose it is found more frequently than either cratera or creter
In 346 the Athenians were sadly deceived by Philip. The long war for Amphipolis had taken its toll and the people wanted relief, but the real motive of those who wanted peace in 346, both Philocrates with his principal abettor Demosthenes, and Eubulus and Aeschines, was to try to keep Philip out of Greece itself.2 In Elaphebolion the only debate was about means, whether, as Aeschines wanted, to try to get Phocis included in a Common Peace, or, as Demosthenes with a clearer view of what Philip would accept urged, to make a separate peace and alliance and leave the salvation of Phocis to the future: he probably thought that, if Philip should afterwards attack Phocis, Athens could choose between her allies and, as in 352, rush to the aid of Phocis.