To save content items to your account,
please confirm that you agree to abide by our usage policies.
If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account.
Find out more about saving content to .
To save content items to your Kindle, first ensure no-reply@cambridge.org
is added to your Approved Personal Document E-mail List under your Personal Document Settings
on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part
of your Kindle email address below.
Find out more about saving to your Kindle.
Note you can select to save to either the @free.kindle.com or @kindle.com variations.
‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi.
‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.
Paul’s Incarnational Ethic: In Galatians, Paul encourages the Galatians to imitate Jesus’ self-gift by sharing themselves with other believers and by considering what belongs to others in the community as their own.
Conclusion: Love, for Paul, is oriented towards a relationship of shared selves. As such, Paul’s ethics are more properly articulated as an expression not of egoism or of altruism but of ‘nostruism’.
The Self-Sharing Messiah: Paul’s description of the Christ event in Galatians and elsewhere in his letters portray Jesus’ loving action not as self-sacrifice but as his positive participation in human and specifically Israelite condition. His action shares all that belongs to him with believers and establishes believers as competent moral actors and enables them to reciprocate his self-gift.
Chapter 3 samples some ancient conversations across language at the interface of literature and lived experience: lifestyle, in the strictest sense. The title nods at antiquity’s most famous Greco-Roman comparativist, Plutarch; but discussion quickly moves on to the Latin prose miscellanist Aulus Gellius. What can we learn if we press the micro-dramas of philological competition characteristic of Gellius’ so-titled Attic Nights for cultural insights into the ‘parallel lives’ of the Greeks and Romans encountered in them? Next comes a matter earlier raised amid the counterfactual vignettes of Chapter 1: what if we had some stories to tell, against the grain of literary history, about a Greek poet responding to something – anything – written in Latin? Virgil’s fame makes his a good case to ponder here; and the Bay of Naples, where Virgil spent much of his life, invites attention as a microclimate of poetic biculturalism. The last section considers a collection of Greek epigrams assembled by a Greek who enjoyed patronage in first-century CE Rome: in the face of most modern critical work on the Greek Anthology, what happens if the Garland of Philip is read as Roman poetry?
The Self, the Other, and the Telos of Prosocial Action: Paul and Ethicists Ancient and Modern: Ancient ethicists portrayed ideal behaviour as oriented towards the construction of shared selves whose interests are irreducibly common, whereas modern ethicists rejected the possibility of shared selfhood and so interpreted all actions along a spectrum of egoism and altruism. Paul’s letters appear to stand in the former tradition.
The Self-Gift of a Crucified Messiah: Self-gifts in ancient discourse are about offering the self into relationship. The phrase ‘gave himself’ in Galatians 1.4 and 2.20 portrays Jesus as not ‘sacrificing’ himself but as giving himself as gift through his death.
Latin poetry has always been defined by its relationships with poetry in other languages – first with poetry in ancient Greek, more recently with poetry in the European vernaculars. The Introduction defines the book less as a literary history of Latin poetry across languages, as such, than as a set of essays that offer test cases, sometimes limit cases, for such a literary history. What is promised is a book of intertextual juxtapositions, moving between extreme close-ups and broader treatments of intercultural relationality. A special interest is expressed in the possibilities of two-way poetic conversation across languages. The Introduction concludes with trailers for the book’s seven chapters.
Many people read the Crito primarily as a companion piece to the Apology and as one of Plato's statements on the nature of politics and the citizen's relationship to the state. This book challenges both of those assumptions and shows, by close analysis of the characters, the argument and the dramatic features of the dialogue, that it is best read as an exploration of the nature and significance of Socratic moral reasoning. It shows that there is a single argument throughout the dialogue and that the 'Laws of Athens' are best understood as supporting Socrates' attempt to convince Crito that a commitment to the currently best rational argument justifies his submission to the death penalty, despite the injustice of his sentence. The importance of the Crito for later political and legal theory is great, but the reception of the dialogue should not blind us to its original intention and significance.
How can one know if a woman is honourable? In medieval culture, female honour rested most heavily on one thing: sexual continence, or chastity. But how could one be absolutely sure if a given woman was chaste? Practising Shame demonstrates how, in the literature of later medieval England, female honour is a matter of emotional practice and performance – it requires learning how to ‘feel’ in a specific way. In order to safeguard their chastity, women were encouraged to cultivate hypervigilance against the possibility of sexual shame through a combination of inward reflection and outward comportment. Often termed ‘shamefastness’, this practice was believed to reinforce women’s chastity of mind and body, and to communicate that chastity to others through a combination of conventional gestures. At the same time, however, medieval anxiety concerning the potentially misleading nature of appearances rendered these gestures suspect – after all, if good conduct could be learned, then it could also be counterfeited. Practising Shame uncovers the paradoxes and complications that emerged out of the emotional practices linked to female honour, as well as some of the unexpected ways in which those practices might be reappropriated by male authors. Written at the intersection of literary studies, gender studies, and the history of emotions, this book transforms our understanding of the ethical construction of femininity in the past and provides a new framework for thinking about honourable womanhood now and in the years to come.
This edited collection explores how knowledge was preserved and reinvented in the Middle Ages. Unlike previous publications, which are predominantly focused either on a specific historical period or on precise cultural and historical events, this volume, which includes essays spanning from the eighth to the fifteenth centuries, is intended to eschew traditional categorisations of periodisation and disciplines and to enable the establishment of connections and cross-sections between different departments of knowledge, including the history of science (computus, prognostication), the history of art, literature, theology (homilies, prayers, hagiography, contemplative texts), music, historiography and geography. As suggested by its title, the collection does not pretend to aim at inclusiveness or comprehensiveness but is intended to highlight suggestive strands of what is a very wide topic. The chapters in this volume are grouped into four sections: I, Anthologies of Knowledge; II Transmission of Christian Traditions; III, Past and Present; and IV, Knowledge and Materiality, which are intended to provide the reader with a further thematic framework for approaching aspects of knowledge. Aspects of knowledge is mainly aimed to an academic readership, including advanced undergraduate and postgraduate students, and specialists of medieval literature, history of science, history of knowledge, history, geography, theology, music, philosophy, intellectual history, history of the language and material culture.
TV antiquity explores representations of ancient Greece and Rome throughout television history. It is the first comprehensive overview of the genre in television. More specifically, the author argues that serial television set in antiquity offers a perspective on the ancient world quite distinct from their cinematic counterparts. The book traces the historic development of fictional representations of antiquity from the staged black-and-white shows of the 1950s and 1960s to the most recent digital spectacles. A key argument explored throughout the book is that the structure of serial television (with its focus on intimacy and narrative complexity) is at times better suited to explore the complex mythic and historic plots of antiquity. Therefore, the book consciously focuses on multipart television dramas rather than made-for-TV feature films. This enables the author to explore the specific narrative and aesthetic possibilities of this format. The book features a range of insightful case studies, from the high-profile serials I, Claudius (1976) and Rome (2005–8) to lesser-known works like The Caesars (1968) or The Eagle of the Ninth (1976) and popular entertainment shows such as Hercules: The Legendary Journeys (1995–99) and STARZ Spartacus (2010–13). Each of the case studies also teases out broader issues of the specific decade under consideration. Consequently, the book highlights the creative interplay between television genres and production environments and illustrates how cultural and political events have influenced the representations of antiquity in television.