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In the preceding chapter I have endeavoured to show how the hypothesis of Natural Selection originated in the minds of its authors, and must now invite attention to the way in which it was introduced to the world. What has been said earlier with respect to the labours and writings of Hutton, Scrope and Lyell may serve to indicate the great importance of the manner of presentment of new ideas—the logical force and literary skill with which they are brought to the notice of scientific contemporaries and the world at large.
There are some striking passages in Darwin's naive ‘autobiography and letters’ which indicate the beginnings of his ambition for literary distinction. It must always be borne in mind in reading this autobiography, however, that it was not intended by Darwin for publication, but only for the amusement of the members of his own family. But the charming and unsophisticated self-revelations in it will always be a source of delight to the world.
When making his first original observations among the volcanic cones and craters of St Jago in the Cape-de-Verde Islands, he says ‘It then first dawned on me that I might perhaps write a book on the geology of the different countries visited, and this made me thrill with delight.’
Although the Principles of Geology was received by the public with something like enthusiasm—due to the cogency of its reasoning and the charm of its literary style—there were not wanting critics who attacked the author on the ground of his heterodox views. It had come to be so generally understood, that every expression of geological opinion should, by way of apology, be accompanied by an attempt to ‘harmonise’ it with the early chapters of Genesis, that the absence of any references of this kind was asserted to be a proof of ‘infidelity’ on the part of the author.
But Lyell's sincere and earnest efforts to avoid exciting theological prejudice, and the striking illustrations, which he gave in his historical introduction, of the absurdities that had resulted from these prejudices in the past, were not without effect. This was shown in a somewhat remarkable manner in 1831, when, in response to an invitation given to him, he consented to become a candidate for the Chair of Geology at King's College, London, then recently founded.
The election was in the hands of an Archbishop, two Bishops and two Doctors of Divinity, and Lyell relates their decision, as communicated to him, in the following words:—
‘They considered some of my doctrines startling enough, but could not find that they were come by otherwise than in a straightforward manner, and (as I appeared to think) logically deducible from the facts, so that whether the facts were true or not, or my conclusions logical or otherwise, there was no reason to infer that I had made my theory from any hostile feeling towards revelation.’
In two essays ‘On the Coming of Age of the Origin of Species,’ and ‘On the Reception of the Origin of Species,’ published in 1880 and 1887 respectively, Huxley has discussed the course of events following the publication of Darwin's great work, he having the advantage of being one of the chief actors in those events. There is a striking parallelism between the manner that the Principles of Geology had been received thirty years earlier, and the way that the Origin of Species was met, both by Darwin's scientific contemporaries and the reading public.
At the outset, as we have already intimated, Lyell and Darwin were equally fortunate, in that each found a critic, in one of the chief organs of public opinion, who was at the same time both competent and sympathetic. The story of the lucky accident by which this came about in Darwin's case has been told by Huxley himself.
‘The Origin was sent to Mr Lucas, one of the staff of the Times writers at that time, in what was I suppose the ordinary course of business. Mr Lucas, though an excellent journalist,… was as innocent of any knowledge of science as a babe, and bewailed himself to an acquaintance on having to deal with such a book. Whereupon, he was recommended to ask me to get him out of the difficulty, and he applied to me accordingly, explaining, however, that it would be necessary for him formally to adopt anything I might be disposed to write, by prefacing it with two or three paragraphs of his own.’
We have seen in the preceding chapter that, with respect to the origin of plants and animals—including man himself—two very distinct lines of speculation have arisen; these two lines of thought may be expressed by the terms ‘manufacture’—literally making by hand, and ‘development’ or ‘evolution,’ —a gradual unfolding from simpler to more complex forms. Now with respect to the inorganic world two parallel hypotheses of ‘ creation’ have arisen, like those relating to organic nature ; but in the former case the determining factor in the choice of ideas has been, not the avocations of the primitive peoples, but the nature of their surroundings.
The dwellers in the valleys of the Euphrates and Tigris could not but be impressed by the great and destructive floods to which those regions were subject; and the inhabitants of the shores and islands of the Aegean Sea, and of the Italian peninsula, were equally conversant with the devastations wrought by volcanic outbursts and earthquake shocks. As great districts were seen to be depopulated by these catastrophies, might not some even more violent cataclysm of the same kind actually destroy all mankind, with the animals and plants, in the comparatively small area then known as ‘ the world’?
In all ages, and in all parts of the world, we find that primitive man has delighted in speculating on the birth of the world in which he lives, on the origin of the living things that surround him, and especially on the beginnings of the race of beings to which he himself belongs. In a recent very interesting essay, the author of The Golden Bough has collected, from the records of tradition, history and travel, a valuable mass of evidence concerning the legends which have grown out of these speculations. Myths of this kind would appear to fall into two categories, each of which may not improbably be associated with the different pursuits followed by the uncivilised races of mankind.
Tillers of the soil, impressed as they must have been by the great annual miracle of the outburst of vegetable life as spring returns, naturally adopted one of these lines of speculation. From the dead, bare ground they witnessed the upspringing of all the wondrous beauty of the plant-world, and, in their ignorance of the chemistry of vegetable life, they imagined that the herbs, shrubs and trees are all alike built up out of the materials contained in the soil from which they grow. The recognition of the fact that animals feed on plants, or on one another, led to the obvious conclusion that the ultimate materials of animal, as well as of vegetable, structures were to be sought for in the soil.
When the history of the Nineteenth Century—‘ the Wonderful Century,’ as it has, not inaptly, been called—comes to be written, a foremost place must be assigned to that great movement by which evolution has become the dominant factor in scientific progress, while its influence has been felt in every sphere of human speculation and effort. At the beginning of the Century, the few who ventured to entertain evolutionary ideas were regarded by their scientific contemporaries, as wild visionaries or harmless ‘cranks’—by the world at large, as ignorant ‘quacks’ or ‘designing atheists.’ At the end of the Century, evolution had not only become the guiding principle of naturalists, but had profoundly influenced every branch of physical science ; at the same time, suggesting new trains of thought and permeating the language of philologists, historians, sociologists, politicians—and even of theologians.
How has this revolution in thought—the greatest which has occurred in modern times—been brought about? What manner of men were they who were the leaders in this great movement? What the influences that led them to discard the old views and adopt new ones? And, under what circumstances were they able to produce the works which so profoundly affected the opinions of the day? These are the questions with which I propose to deal in the following pages.