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63204 results in Music

Page 1 of 3161

Yugoslav Avant-Garde Music, 1945–1991
  • Laura Emmery
  • Coming soon
  • Expected online publication date:
    July 2026
    Print publication:
    31 July 2026
  • Informed by fascinating interviews, photographs, and previously unexamined archival materials, this book reveals a compelling story of Yugoslav avant-garde and experimental music from 1945 until 1991, ending with the year when all artistic activities came to a sudden halt with the start of the Yugoslav wars. It examines the political, social, and cultural events that gave rise to the flourishing avant-garde scene in the country and follows the emergence and development of Yugoslav cultural programs in the postwar period that made the republic a magnet for cultural exchange, through to the sudden and violent dissolution of those programs with the collapse of the political state. The book is the first full-length book in English on the subject, and provides an indispensable, interdisciplinary resource that will contribute to the preservation of this legacy. This title is also available as Open Access on Cambridge Core.

Rethinking Beethoven and the Enlightenment
  • Edited by Nicholas Chong, Daniel K. L. Chua
  • Coming soon
  • Expected online publication date:
    May 2026
    Print publication:
    31 May 2026
  • In the history of Western music, no single figure has been as closely tied to the Enlightenment as Beethoven: he is regarded as the composer who embodies ideals such as freedom and humanism that many celebrate as the Enlightenment's legacy. This view, however, rests on a very narrow conception of the Enlightenment that aggressively stresses secularism and political liberalism. More recent historical research has shown that the Enlightenment's outlook on political and religious issues was more diverse and nuanced than traditional accounts have depicted it. The essays in this volume consider how new ways of thinking about the Enlightenment can alter the way we understand Beethoven and his music. By rethinking Beethoven and the Enlightenment, this book questions the Beethoven we know in both the popular and scholarly imagination and redefines the role the composer plays in the history of Western music.

The Making of the Dominican Liturgy and Its Chant
  • Eleanor J. Giraud
  • Coming soon
  • Expected online publication date:
    April 2026
    Print publication:
    31 May 2026
  • The founding and establishment of the Dominican order of friars was one of the defining developments of the first half of the thirteenth century. After a period of rapid growth and spread, the order set about establishing and promulgating forms of worship for use in all of its communities. This liturgy became highly influential and was used well beyond the Dominicans' own churches. This book considers the making of the Dominican liturgy and its chant from two perspectives: first, the material production of Dominican liturgical books, and second, the crafting of a unique Dominican liturgical tradition. This is explored through the microcosm of three thirteenth-century exemplars, which acted as a blueprint for the Dominican liturgy for centuries to come. This study of the physical and conceptual making of the liturgy, considered in dialogue, illuminates the development of the Dominican liturgy, granting us new insights into the practices and values of those involved.

The Cambridge History of Music in Spain
  • Edited by Walter A. Clark, Ana Llorens, Álvaro Torrente
  • Coming soon
  • Expected online publication date:
    April 2026
    Print publication:
    30 April 2026
  • Spain's musical history has often resided on – or been consigned to – the margins of historical narratives about mainstream European culture. As a result, Spanish music is universally popular but seldom well understood outside Iberia. This volume offers, for the first time in English, a comprehensive survey of music in Spain from the Middle Ages to the modern era, including both classical and popular traditions. With chapters from a group of leading music scholars, the book reevaluates the history of music in Spain, from devotional works of the Middle Ages and Renaissance to masterpieces of the postwar avant-garde. It surveys a deep legacy of classical music as well as a rich heritage of folklore comprising songs and dances from Spain's many regions, especially but not exclusively Andalusian flamenco. Folklore in turn informed the nationalist repertoire with which music lovers are most familiar, including pieces by Albéniz, Granados, Falla, Rodrigo, and many others.

Elizabeth Maconchy in Context
  • Edited by Justin Vickers, Lucy Walker
  • Coming soon
  • Expected online publication date:
    April 2026
    Print publication:
    30 April 2026
  • Elizabeth Maconchy was one of the most prominent and successful composers of the twentieth century, a champion of contemporary music who composed chamber operas, choral music, orchestral works, a range of compositions and operas for children, and a highly-regarded series of string quartets. This collection explores her life and work, her Irishness and her formative years at the Royal College of Music. It examines her intersections with musical and cultural movements, and the persistent and insidious presence of sexism against which she presented a forceful, often humorous stance. There are chapters devoted to her important friendships with composers and teachers, interactions with broadcasters and festival organisers along with a focused section dedicated to the breadth and depth of Maconchy's compositions. The Irish-English composer is revealed a force to be reckoned with who frequently demonstrated a powerful instinct to thrive and survive, often against the odds.

No Future
  • Punk, Politics and British Youth Culture, 1976–1984
  • Matthew Worley
  • Foreword by Paul Morley
  • Coming soon
  • Expected online publication date:
    April 2026
    Print publication:
    14 May 2026
  • 'No Feelings', 'No Fun', 'No Future'. The years 1976 to 1984 saw punk emerge and evolve as a fashion, a musical form, an attitude and an aesthetic. Against a backdrop of social fragmentation, violence, high unemployment and socio-economic change, punk rejuvenated and re-energised British youth culture, inserting marginal voices and political ideas into pop. Rejecting both tired clichés and nostalgic myths, Matthew Worley provides the definitive account of how punk was constructed and utilised from the ground up. He takes youth culture seriously as a way of understanding history, demonstrating how punk not only reflected but directly impacted social and political history through its unique ability to provoke, disrupt and subvert. This revised and updated edition marks fifty years since the birth of punk and includes a new foreword from acclaimed music journalist, Paul Morley. It remains the foremost history of British punk.
Popular Music and Football

Popular Music and Football
  • Nicolai Jørgensgaard Graakjær
  • Coming soon
  • Expected online publication date:
    April 2026
    Print publication:
    30 April 2026
  • Popular music and football rank among the most globally widespread and culturally significant practices in contemporary society. While neither defines the other, their intersections reveal a rich site of musical interaction. This Element investigates how and why popular music and football interact within the context of elite-level national league matches. Grounded in observations from several European case matches over the past decade, the Element examines these interactions as they unfold in stadium environments, focusing on three primary modes: intra-type music interactions, inter-type music interactions, and music–match interactions. In doing so, it engages with one of the most pervasive, multi-layered, and contested arenas for the distribution and significance of popular music in everyday life. Particular attention is given to emotionally charged, identity-infused mega-performances by musical amateurs – many of whom may be otherwise musically inactive and overlooked but embrace the stadium as a space for emotional release and collective expression.
The Chilean <i>Cantora</i>

The Chilean Cantora
  • Women Music Poets in Latin American Post-Colonial Culture
  • María Bernardita Batlle
  • Coming soon
  • Expected online publication date:
    March 2026
    Print publication:
    31 March 2026
  • This Element discusses the figure of the cantora – or woman music poet – and the development of her artistic activity in a context of post-colonial paradigms in Chilean and Latin American societies. Through a historical overview of this multifaceted concept, alongside gender construction in colonial Latin America, this Element offers insights on how the figure of the cantora developed in the confluence between discrimination against festive popular culture and the restrictions imposed on women in a context of an inherited patriarchal order. Moreover, it examines the embodiment of the cantora archetype within the contemporary urban folkloric scene in Chile as a performative exercise of identity construction that is framed in a process of cultural resistance. Revealing how contemporary cantoras are continuing the legacy of their predecessors has become especially relevant at the time of writing in 2020–22, amidst a wave of political protests against long-standing social disparities in Chile.
Opera Remixed

Opera Remixed
  • Toby Young
  • Coming soon
  • Expected online publication date:
    March 2026
    Print publication:
    28 February 2026
  • Opera Remixed critically examines operatic hybridity and considers the opportunities and challenges of disrupting traditional paradigms of classical singing. Accounts of crossover forms like 'popera' and musical theatre explore alternative approaches to operatic vocality, examining how entrenched genre ideologies are challenged by creative agents, practices, and technologies at work near opera's borders. To illustrate these dynamics, the second half of the Element presents a case study of operatic arias reimagined for TikTok as one possible blueprint for how opera might embrace innovation and 'remix' itself for a contemporary audience. Opera Remixed concludes with a critique of the elitist traditions that hinder opera's capacity for renewal, arguing that the art form will only be able to embrace a truly inclusive future by relinquishing constraints of canonical purity.

Hip-Hop and American Culture
  • Edited by Rob Turner
  • Coming soon
  • Expected online publication date:
    March 2026
    Print publication:
    31 March 2026

The Cambridge Companion to Florence B. Price
  • Edited by Samantha Ege, Alexandra Kori Hill
  • Coming soon
  • Expected online publication date:
    March 2026
    Print publication:
    31 March 2026
  • Active in Chicago during the first half of the twentieth century, Florence B. Price was an African American composer, pianist, organist and music teacher, and a central figure in the first generation of Black composers of art music in the US. Price's aesthetic engaged with Black music of the enslavement period, and her gendered racial identity deserves careful consideration, while her geography and era distinguish her trajectory from those of her European and Anglo-American counterparts. This Companion introduces readers to archives and sources on Price, the style and genre of her music, and her artistic communities, and reception. It contextualizes Price's music and life in relation to the sociocultural climate of her time, the Black classical scene to which she belonged, and the compositional aesthetics that informed her craft. It offers an alternative view of music's capacity to uplift and amplify underrepresented voices.

Barbara Strozzi in Context
  • Edited by Beth Glixon, Wendy Heller
  • Coming soon
  • Expected online publication date:
    February 2026
    Print publication:
    28 February 2026
  • Renowned as both a singer and composer, Barbara Strozzi was among the most accomplished and prolific composers of vocal chamber music in the seventeenth century. Her works, which have become increasingly popular in concert and recordings in recent decades, are remarkable for their musical sophistication and extraordinary range of expression-humor, irony, eroticism, pathos, and religious devotion. The adopted daughter of the poet Giulio Strozzi and mother of four children, Barbara Strozzi (who might have been a courtesan) was also for a time a participant in Venice's vibrant libertine intellectual and artistic world. This first English-language volume to focus on the composer brings together invited essays by an international group of scholars from diverse disciplines to explore Strozzi's life, her music, and the complex world she inhabited. Chapters focus not only on Strozzi, but also on other prominent women of the time, and on other issues including financial questions and matters of sexuality.

The Cambridge Companion to Folk Music
  • Edited by Ross Cole
  • Coming soon
  • Expected online publication date:
    February 2026
    Print publication:
    19 February 2026
  • A groundbreaking critical introduction to folk music and song focused on questions of identity, community, representation, politics, and popular culture. Written by a distinguished international team of authors, this Companion is an indispensable resource for rethinking the confluence of sound, heritage, and identity in the twenty-first century. A unique addition to the literature, it highlights the fundamentally hybrid and (post)colonial dynamics that have shaped people's cultures around the globe, from the Appalachian mountains to the Indian subcontinent. It provides students with new critical paradigms essential for understanding how and why certain musical traditions have been characterised as 'folk'-and what continues to inspire folkloric imaginaries today. The twenty specially commissioned chapters explore folk music from a variety of perspectives including ethnography, revivalism, migration, race, class, gender, protest, and the public sphere. Among these chapters are four 'Artist Voices' by world-renowned performers Peggy Seeger, Angeline Morrison, Jon Boden, and Yale Strom.

Four Centuries of Women's Musical Salons
  • A Cross-Cultural History
  • Edited by Jacqueline Avila, Rebecca Cypess
  • Coming soon
  • Expected online publication date:
    February 2026
    Print publication:
    05 March 2026
  • For centuries, women have organized and hosted social gatherings known as 'salons,' which have served as sites of women's creativity and agency in the arts, sciences, and letters – especially music. This volume offers new understandings of women's musical salons across four centuries from North America, Latin America, Europe, North Africa, and the Ottoman Empire, foregrounding an often-overlooked platform of women's musicianship in cross-cultural perspective. Drawing on disciplines including musicology, ethnomusicology, women's and gender studies, cultural and performance studies, film studies, art history, anthropology, and Jewish studies, the authors present a new history of women and music through the lens of musical salon culture. The twenty-five case studies included in the book present an array of practices and manifestations of the institution of musical salons. These cases demonstrate how women from a wide range of social and cultural backgrounds used salons as sites of agency, shaping their musical environments according to their distinctive interests and ideals.

Vienna
  • A Musical History
  • Edited by Simon P. Keefe
  • Coming soon
  • Expected online publication date:
    February 2026
    Print publication:
    05 March 2026
  • What is behind Vienna's world-wide reputation as a 'city of music'? Vienna's images of itself and outside opinions of its significance as a musical city capture internal and external preoccupations with the intricate details and ambitious visions that collectively articulate its unique ambience and status, This wide-ranging study of Viennese music, musicians, traditions, institutions and cultures provides a historical background and conceptual framework for understanding the centuries of musical accomplishments that underlie the city's mystique. The book explores questions of identity and place, and local traditions and practices, before considering musical networks, organizations, associations and businesses, and the musicians who thrived in them. Encompassing classical music from medieval liturgy to Mozart, Beethoven's symphonies to Strauss's waltzes, from Schubert to Schoenberg, the city is also well known for its musical theatre, live music in cafes and hostelries, klezmer, jazz, pop, rock, and hip-hop. The story continues.

The Cambridge Companion to Electronic Dance Music
  • Edited by Hillegonda C Rietveld, Toby Young
  • Coming soon
  • Expected online publication date:
    February 2026
    Print publication:
    28 February 2026
  • Electronic dance music is increasingly the focus of a multitude of academic research projects around the world but has been drastically under-represented in accessible core published material. This innovative scholarly collection provides an important 'first stop' for researchers and students wishing to work in this area. It examines the key features of numerous electronic dance music scenes and (sub)genres alongside discussions of the musical, social and aesthetic experiences of participants to consider how these musical practices create purpose and cultural significance for millions around the world. At the same time, it introduces diverse theoretical approaches to the understanding of electronic dance music cultures and addresses the issues and debates in electronic dance music culture studies. Adopting an interdisciplinary approach drawn from both music and cultural studies – including music aesthetics, technologies, venues, and performativity – from a broad geographical perspective, the volume sheds fresh light on electronic dance music cultures.

The Cambridge Companion to French Art Song
  • Edited by Stephen Rumph
  • Coming soon
  • Expected online publication date:
    February 2026
    Print publication:
    19 February 2026
  • The twenty-first century has witnessed a surge of scholarly interest in the French art song, or mélodie, with a flood of new books, articles, and editions. This Companion draws on the best of this new research, with chapters by world-renowned scholars and performers examining French art song through the practicality of performance, both pianistic and vocal. The book surveys the repertory chronologically from the 1820s into the 1950s, covering all the central composers (Berlioz, Gounod, Fauré, Debussy, Duparc, Chausson, Ravel, Poulenc, Messiaen, and many more). It includes chapters on the role of women in the creation, performance, and diffusion of French song; the analysis of French prosody and poetic forms; the position of the mélodie in French literary history; and the interpretation of mélodie in performance. Scholars, students, performers, and music lovers will find thorough and up-to-date resources to enable them to explore this crucial yet understudied song repertory.

Page 1 of 3161