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Chapter 10 brings together the trends in material production and liturgical revision presented across the book. It first discusses what the three thirteenth-century Dominican liturgical exemplars (Rome, Santa Sabina, XIV L 1; London, British Library, Add. 23935; and Salamanca, San Esteban, SAL.–CL.01) reveal as a microcosm of Dominican and Parisian book production, contributing in particular to our understanding of the working practices of professional music scribes or notators. It then shifts focus to the liturgical contents of the exemplars, charting the types of changes that were made at different stages of the Dominican liturgical revision, and considering what these changes reveal about the agendas of those involved in the revision. Finally, the status of the first exemplar is reconsidered, offering new insights into the process of revising the Dominican liturgy.
This chapter examines a selection of ‘confession inscriptions’ from Asia Minor. These inscriptions attest to a religious hermeneutic or diagnostic practice through which individuals sought to discover which past transgression might have been the cause of divine punishment in the form of a present illness. Even a small childhood incident could set in motion a train of events leading to illness and even death. In retrospect, the initial event needed to be pinpointed: only then could one take part in the ‘juridical procedure’ in which one could atone for one’s transgression and be forgiven by the god(s). The conception of illness in terms of a divinatory sign attests to individuals’ ‘omen-mindedness’, a term denoting a perpetual state of receptiveness to possible supernatural signs. Omen-mindedness implies a set of beliefs in and about the gods. These inscriptions preserve individual accounts of a person’s intimate relationship with the divine – the belief that the gods punished when angered and were forgiving when an individual made amends. The seriously ill interacted with their gods to find a cure; those who were successful recorded the process and thus reveal the character and depth of their belief and the important part of it that was omen-mindedness.
This chapter examines some core commitments of the monotheistic worldview that has dominated the Western sphere and spread to all corners of the Earth over the past 1,000 years. It also addresses the differences between Judaism, Christianity, and Islam, while commenting on what sets apart the form of theism found in some Hindu traditions.
Chapter 1 considers the evolving significance of a putative ideal of religious uniformity for the makeup of political institutions in late antiquity. It suggests that we have the chronology of the Christianisation of late ancient bureaucracies back to front. It was only when those elites became predominantly Christian that religious uniformity within the state became a feasible goal for individual regimes. In that sense, for the Christianisation of the Roman state, the conversion of the Roman aristocracy only represents the beginning of the story. This chapter thus pursues the question of religious uniformity further into late antiquity, by considering the developing understanding of what was required to ensure an appropriately (orthodox) Christian state in the fifth and sixth centuries. It argues that requirements for (orthodox) Christian administrators were not simply an axiomatic assumption of late (and post-)Roman regimes, but a product of shifts in institutional norms and wider cultural assumptions across the fourth to sixth centuries.
This chapter examines scientism. Its advocates maintain that there is nothing outside the domain of science, nor is there any area of human life to which science cannot successfully be applied. A scientific account of anything and everything constitutes the full story of the universe and its inhabitants.
Part III of this book reconstructs expectations of official churchgoing and entanglements with churchmen and Christian institutions in select political environments across the fifth and sixth centuries. Ch. 6 pursues this problem in the best attested of these: the Eastern imperial capital of Constantinople. It begins by charting norms of imperial religious observance. Eastern emperors seem to have attended public churches at major festivals and special occasions. Various reports suggest that when the emperor went to church, those who served them (and the senatorial aristocracy as a collective) were supposed to go too. Within these politics of church attendance, the bishop of Constantinople represents a surprisingly peripheral figure. Although some courtiers and bureaucrats were regular attendees at Hagia Sophia, they seem to have kept themselves at a critical distance from the bishop’s pastoral authority. As with other members of the Constantinopolitan elite, many imperial officials focused their Christian identities on activities within their own households, whether these were dynastic commemorations, building projects, patronage arrangements for clerics, monastic start-ups, or their own ascetic practices. This chapter shows how the religious practices and affiliations of these ‘over-mighty congregants’ were also shaped by the corporate Christianity of the imperial palace, consistory, and Senate.
Calvin and Perception in Early Modern Visual Culture is the first monograph to return John Calvin's Institutes of the Christian Religion (1559) to its original visual culture. AnnMarie Bridges draws on early modern optics, art theory, rhetoric, psychology, and religion to reconstruct the perceptual assumptions of Calvin's earliest readers. Her study reveals the Institutes' unrecognized concern with 'perception'-pre-conscious processing believed to occur in the imagination, capable of distorting sense experience before conscious thought could even occur. Illuminating Calvin's most striking visual metaphors-from the spectacles of scripture to the factory of idols-and through close readings of topics like accommodation, idolatry, faith, and Calvin's Latin prose, Bridges advocates a paradigm shift in how we read Calvin's most cited work, displacing 'knowledge' in favor of 'perception versus delusion.' In so doing, her study invites reflection on perceptual instability in our own cultural moment, where the challenge is not only to know what is true, but even to perceive what is real.
Traditionally, Christians have viewed unbelief as resulting from moral and/or cognitive shortcomings. However, a recent proposal such as John Schellenberg's 'divine hiddenness argument' for atheism has supported the idea that there is no-fault unbelief. In this Element, the author draws on important insights from medieval Christian thought to argue that both believers and non-believers should stop blaming each other based on mere evidence. Believers may recognise that no-fault unbelief can, in a sense, apply to them, too. They may find it perplexing that they neither believe nor achieve communion with God as much as they would like. Proponents of no-fault unbelief might focus on achieving communion with God rather than solely worrying about absolving themselves of blame. Ultimately, believers and non-believers alike might promote spiritual progress by setting aside the primacy of evidence and committing themselves to God and the good.
Drawing connections between the medieval and early modern papacy, this study give vivid examples of its reactive rather than proactive character. D. L. d'Avray identifies unobvious continuities and challenges temporal divides, tracing themes that cut through the conventional periodisation. Using fresh translations and transcriptions of sources from Roman archives, alongside key passages from medieval canon law commentaries, the book defends the central thesis that papal government was predominantly 'responsive' and papal authority was not imposed from the top but emerged through a series of appeals and responses. D'Avray focuses on religious governance, rather than on the secular aspects of papal power, so the book challenges an exaggerated emphasis on the papal states. Offering a sequel to Debating Papal History, c. 250–c. 1300, this volume presents a different way of thinking about papal history over a long period.
The Cambridge Companion to the Byzantine Church explores the intricate dimensions of the Church in Byzantium-its emergence, theology, art, liturgy and histories-and its afterlife, in captivity and in the modern world. Thirty leading theologians and historians of eastern Rome examine how people from Greece to Russia lived out their faith in liturgies, veneration of the saints, and other dimensions of church life, including its iconic art and architecture. The authors provide a rich overview and insights from the latest scholarship on the lives and beliefs of emperors and subjects across the Byzantine empire. The volume thereby fills a prominent gap in current offerings on the development and continuing impacts of the Byzantine church from the fourth to fifteenth centuries, and will serve as a valuable resource for scholars, a companion for students and an introduction for the wider community to this fascinating chapter in the history of Christianity.
This Element examines a phenomenon that reflects a distinctive and insightful Christological imagination, yet one that has received little sustained attention within the field of Christology. Specifically, it focuses on the sphere of deputation, characterized by Jesus' authorization of his disciples to serve as his proxies. In their deputized capacity, Christians engage in activities that reflect the dynamics through which Jesus' presence is enacted in his post-earthly life, albeit within the limits of his prerogatives. Jesus may choose, through such enactment, to act by means of his disciples, both individually and collectively as the church. I argue that attention to this sphere of deputation moves both formal Christology and informal, grassroots Christology beyond the traditional Christological concentration on ontology, function, and significance.