In the spring of 2017, Somali(lander) social media played host to a heated debate about government corruption, socio-economic justice and the future of Somaliland’s democratic project. The debate took place entirely in verse and became known as Miimley (‘in/with m’), as all its poems alliterate in miin (‘m’). In an immediate sense, Miimley went viral as it became a forum for airing several simmering socio-political and economic frustrations and for discussing Somaliland’s democratic trajectory. Yet its popularity also rested on its poetic form: Miimley is a contemporary iteration of a poetry silsilad (chain), a long-established political-literary practice. This article and its accompanying poems introduce readers to Miimley and the current dynamics of Somali poetic debate. After contextualizing Miimley in a political and literary sense, I detail the biographies and contributions of six poets: Xasan Daahir Ismaaciil ‘Weedhsame’, Cabdullaahi Xasan Ganey, Daaha Cabdi Gaas, Deeqa Nuux Yoonis, Layla Cali Faarax ‘Layla Sagal’ and Ibraahin Xasan ‘Sangal’. In so doing, this work offers an insight into the political perspectives of a generation of social media-savvy poets who came of age after the collapse of the central Somali state, while also reflecting on the enduring yet evolving role of poetry in Somali political life.