This article offers a critical analysis of the song “Female Song for the Resurrection of Our Lord,” found in the colonial manuscript titled Cantares mexicanos. While seemingly a Christian hymn, a close reading of this song reveals deep continuities with pre-Hispanic Nahua religious thought, cosmology, and ritual language. Through contextualized textual analysis grounded in ethnohistorical scholarship, the study uncovers the song’s hybrid nature and the Indigenous conceptual models embedded within its Christian language and imagery. The article places the song within the evangelization efforts of sixteenth-century Franciscan friars in New Spain, highlighting the role of Native authors, singers and translators in shaping Indigenous devotional expression. It argues that the analyzed piece functioned not merely as a catechetical tool but as a site of cultural negotiation, where Christian themes were reinterpreted through Indigenous frameworks—most notably, by aligning Saint Francis with the Nahua corn deities, whose cult, associated with regeneration, sustenance, and cyclical vegetation renewal, coincided with Easter celebrations. Though rarely studied, this song contributes meaningfully to debates on syncretism, Indigenous authorship, and resistance in early colonial Christian literature. Emphasizing the agency of Native intermediaries, the article reveals the dialogic nature of missionary textual production and offers a more nuanced understanding of the Cantares mexicanos corpus.

The study of the Indigenous peoples of Mexico and Central America during the colonial era has long been a central pillar in the historiography of Latin America. This essay, a contribution to the TAM Vault series, provides an overview of colonial Mesoamerican ethnohistory through a quantitative and qualitative study of relevant articles and book reviews published in The Americas. My primary goal in writing this essay is to demonstrate how increased attention to Indigenous-language sources, beginning in the 1990s, has transformed the writing of colonial history in Mexico and Central America. By tracking data from relevant publications and analyzing the debates and discussions featured in the journal, I construct a chronological historiography of colonial Mesoamerican ethnohistory from 1944 through 2019.

Daniel James, a preeminent historian of the Argentine working class and Peronism, has fundamentally transformed how we understand Latin American labor history. This oral history interview, conducted by four of his former doctoral students, explores the personal, intellectual, and methodological foundations of his pioneering work. James discusses his working-class upbringing in post-war England as the son of Communist Party militants, his formative experiences at Oxford during the late 1960s, and his introduction to Argentina during the politically charged early 1970s. The conversation traces his evolution from the social history approach of Resistance and Integration: Peronism and the Argentine Working Class (1988) through his methodological innovations in oral history with Doña María’s Story (2000) to his recent collaborative work on photography and memory in Paisajes del pasado (2025). James reflects candidly on the influence of E. P. Thompson, Walter Benjamin, and the Latin American Labor History Workshop on his scholarship, while emphasizing the centrality of relationships, empathy, and historical imagination in his approach to working-class history. The interview also addresses his teaching philosophy, his commitment to graduate mentorship, and his view of history as a moral enterprise aimed at rescuing ordinary people “from the enormous condescension of posterity.” James concludes by outlining two prospective research projects on Argentine photography and political exile.