Bullot, N. J. & Reber, R. (2013a) The artful mind meets art history: Toward a psycho-historical framework for the science of art appreciation. Behavioral and Brain Sciences
36(2):123–37. Available at: http://doi.org/10.1017/S0140525X12000489.
Bullot, N. J. & Reber, R. (2013b) A psycho-historical research program for the integrative science of art. Behavioral and Brain Sciences
36(2):163–80. Available at: http://doi.org/10.1017/S0140525X12002464.
Bullot, N. J., Seeley, W. P. & Davies, S. (in press) Art and science: A philosophical sketch of their historical complexity and co-dependence. Journal of Aesthetics and Art Criticism.
Carroll, N. (2001) Beyond aesthetics: Philosophical essays. Cambridge University Press.
Danto, A. C. (2003) The abuse of beauty: Aesthetics and the concept of art. Open Court.
Davies, S. (2006) The philosophy of art. Blackwell.
Goodman, N. (1968) The languages of art. Oxford University Press.
Jones, P. (2007) Ochre and rust: Artefacts and encounters on Australian frontiers. Wakefield.
Mandler, J. M. (1984) Stories, scripts, and scenes. Aspects of schema theory. Erlbaum.
Menninghaus, W. (2003) Disgust. Theory and history of a strong sensation, trans. Eiland, H. & Golb, J.. SUNY Press.
Swami, V. (2013) Context matters: Investigating the impact of contextual information on aesthetic appreciation of paintings by Max Ernst and Pablo Picasso. Psychology of Aesthetics, Creativity, and the Arts
7(3):285–95. Available at: http://doi.org/10.1037/a0030965.
Takahashi, S. (1995) Aesthetic properties of pictorial perception. Psychological Review