This article examines the anthropoloy of Ernest Becker through the medium of his notion of creatureliness which represents a dominant focus, especially in his later work. Two elements stand out in this consideration—self-esteem, which as a motivation disguises creaturehood and makes it bearable, and the fear of death, which is the final confirmation of creaturehood. After examining Becker's treatment of these elements, the article explores several dimensions of a religious view of creatureliness which have not been taken up in order to show that Becker is dealing with finitude rather than creatureliness. A fuller treatment of creatureliness would require an approach that does justice to these dimensions, and, if one wishes as Becker does to demonstrate a convergence between religion and the social sciences, it would require a more coherently developed method of correlation. The article concludes with an examination of the spirituality that emerges for Becker out of his perspective on the human.