Most cited
This page lists all time most cited articles for this title. Please use the publication date filters on the left if you would like to restrict this list to recently published content, for example to articles published in the last three years. The number of times each article was cited is displayed to the right of its title and can be clicked to access a list of all titles this article has been cited by.
- Cited by 14
Idiomatic Patterns and Aesthetic Influence in Computer Music Languages
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- Published online by Cambridge University Press:
- 04 March 2020, pp. 53-63
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- Cited by 13
Software Agents in Music and Sound Art Research/Creative Work: current state and a possible direction
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- 29 June 2009, pp. 156-167
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- Cited by 13
Syntax as Sign: The use of ecological models within a semiotic approach to electroacoustic composition
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- 06 July 2010, pp. 125-132
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- Cited by 13
EcoSono: Adventures in interactive ecoacoustics in the world
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- 15 November 2011, pp. 234-244
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- Cited by 13
Electronic, aesthetic and social factors in Net music
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- 29 November 2005, pp. 185-192
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- Cited by 13
Contemporary trends in the use of space in electroacoustic music
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- 29 February 2008, pp. 77-81
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- Cited by 13
Object-based Audio Reproduction and the Audio Scene Description Format
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- 25 October 2010, pp. 219-227
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- Cited by 13
The Pavilion: Into the 21st Century: a space for reflection
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- 09 March 2005, pp. 251-259
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- Cited by 13
Rethinking the BEAST: Recent developments in multichannel composition at Birmingham ElectroAcoustic Sound Theatre
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- 25 October 2010, pp. 239-250
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- Cited by 12
A model for the conservation of interactive electroacoustic repertoire: analysis, reconstruction, and performance in the face of technological obsolescence
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- 17 November 2006, pp. 273-284
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- Cited by 12
Space, and more
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- 30 November 2007, pp. 241-249
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- Cited by 12
Listening to Yourself through the Otherself: On Background Noise Study and other works
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- 28 June 2011, pp. 97-108
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- Cited by 12
A Rise–Fall Temporal Asymmetry of Intensity in Composed and Improvised Electroacoustic Music
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- 06 July 2010, pp. 147-158
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- Cited by 12
Listening Together, Making Place
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- 15 August 2012, pp. 257-265
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- Cited by 12
From Artificial to Extended Intelligence in Music Composition
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- 04 March 2020, pp. 25-32
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- Cited by 12
Pikapika – the collaborative composition of an interactive sonic character
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- 26 June 2003, pp. 229-238
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- Cited by 11
An intelligent hybrid model for chord prediction
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- 11 January 2001, pp. 115-119
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- Cited by 11
The Metasaxophone: concept, implementation, and mapping strategies for a new computer music instrument
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- 17 January 2003, pp. 201-213
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- Cited by 11
In what form can ‘live electronic music’ live on?
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- 17 November 2006, pp. 209-219
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- Cited by 11
Soundscape Composition: Enhancing our understanding of changing soundscapes
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- 22 December 2017, pp. 20-28
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