When women's roles in the war effort brought their empowerment, from TheFlame Within (1936) to Lady in the Dark (1944), the institution of moviepsychiatry reminded women of their place - as passive recipients of malewisdom and treatments. The female movie psychiatrist (The Flame Within) isfrequently no different from the successful but unhappy career woman (Ladyin the Dark) - their career will never bring the same fulfilment as a solidmarriage. The female movie psychiatrist must be ‘cured’ by her love for hermale patient. Dr Constance Peterson (Ingrid Bergman) has no difficultieshelping her male amnesic patient, accused of murder, escape confinement. Shemarries him at the denouement of Spellbound (1945). Rather than list over ahundred films where girl (psychiatrist) falls for boy (patient), thechallenge is to name those that deviate from this storyline. ClassicHollywood depicted women therapists as inadequate, personally andprofessionally: Knock on Wood (1954), A Perfect Furlough (1958), Wild in theCountry (1961), A Very Special Favour (1965) and A Fine Madness (1966).Similar unhappy archetypes continue to yearn for their male patients inmodern films: Mr Jones (1993), 12 Monkeys (1995) and The Jacket (2005).Perfect psychiatrist Dr Lowenstein must be rescued from her miserablepersonal life by an affair with her patient's brother in Prince of Tides(1991). In all these films, the only effective treatment is love. Theaudience are encouraged not to dwell on the boundary violations.