Most cited
This page lists all time most cited articles for this title. Please use the publication date filters on the left if you would like to restrict this list to recently published content, for example to articles published in the last three years. The number of times each article was cited is displayed to the right of its title and can be clicked to access a list of all titles this article has been cited by.
- Cited by 3
“DARN THAT MERRY WIDOW HAT”: THE ON- AND OFFSTAGE LIFE OF A THEATRICAL COMMODITY, CIRCA 1907–1908
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- 03 November 2009, pp. 189-221
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- Cited by 3
Falstaff, Quin, and the Popularity of the Merry Wives of Windsor in the Eighteenth Century
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- 07 July 2009, pp. 55-66
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- Cited by 3
Which Fiddler Calls the Tune? The Playboy Riots and the Politics of Nationalist Theatre Spectatorship
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- 21 October 2010, pp. 39-52
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- Cited by 3
Virtual Faith
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- 12 September 2006, pp. 271-276
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Sussex's Men in 1594: The Evidence of Titus Andronicus and The Jew of Malta
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- 07 July 2009, pp. 214-223
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- Cited by 3
Rewriting the Body: Aida Overton Walker and the Social Formation of Cakewalking
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- 07 July 2009, pp. 67-92
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- Cited by 3
The People of the “People's Theatre”: The Social Demography of the Britannia Theatre (Hoxton)
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- 07 July 2009, pp. 137-165
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- Cited by 3
The Apprenticeship of Robert Edmond Jones
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- 07 July 2009, pp. 193-212
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Private Women and the Public Realm
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- 07 July 2009, pp. 65-71
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- Cited by 3
Looking White, Acting Black: Cast(e)ing Fredi Washington
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- 01 May 2004, pp. 19-40
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- Cited by 3
The Foundation of the Royal Academy of Music in 1674 and Pierre Perrin's Ariane
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- 26 March 2014, pp. 55-67
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- Cited by 3
Madame Vestris' A Midsummer Night's Dream and The Web of Victorian Tradition
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- 21 October 2010, pp. 1-22
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Theatrical Success and the Chronology of Productions at the Hotel de Bourgogne: New Evidence from Racine and Quinault
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- 07 July 2009, pp. 35-44
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- Cited by 3
ELOQUENT ACTION: THE BODY AND MEANING IN EARLY COMMEDIA DELL'ARTE
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- 03 November 2009, pp. 251-315
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The Sublime and French Seventeenth-Century Theories of the Spectacle: Toward an Aesthetic Approach to Performance
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- 19 April 2017, pp. 209-232
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Caste as Performance: Ayyankali and the Caste Scripts of Colonial Kerala
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- 04 August 2021, pp. 272-294
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Representation and Reality: The Case of Documentary Theatre
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- 07 July 2009, pp. 31-42
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Greek Tragedy and Dionysus
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- 21 October 2010, pp. 3-17
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Richard Mulcaster and the Elizabethan Theatre
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- 07 July 2009, pp. 28-41
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- Cited by 3
World Factory: Theatre, Labor, and China's “New Left”
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- 05 January 2017, pp. 24-47
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