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The Figure of the Gypsy (Cigano) as a Signpost for Crises of the Social Hierarchy (Bahia, 1590s–1900s)

Published online by Cambridge University Press:  08 November 2019

Martin Fotta*
Affiliation:
Institut für Ethnologie, Goethe University Campus Westend, Norbert-Wollheim-Platz 1 60629 Frankfurt am Main, Germany
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Abstract

Gypsies (Ciganos in Portuguese) have been present in Brazil since the earliest days of Portuguese colonization. Part of the (free) masses (o povo, “the people”), they were known primarily as itinerant traders of trinkets, slaves, and animals, and were one category of intermediaries who made the internal economy function. Authorities viewed their lifestyle and activities with suspicion. Focusing on the state of Bahia, in the north-eastern region of Brazil, between the late sixteenth and late nineteenth centuries, this article shows that the tenuous position of Gypsies was amenable to transformations reflecting political priorities and ideas about the proper social order. The continued difference of Ciganos and their independent way of making a living were at times problematized by elites, embodying wider tensions between the authorities and the people. The case of Bahian Ciganos is revelatory within Romani-related historiography in that it foregrounds connected developments within locales enmeshed in a metropole–periphery relationship, continuities between imperial and nation-building projects, and the centrality of race on which they were built.

Information

Type
Research Article
Copyright
Copyright © 2019 Internationaal Instituut voor Sociale Geschiedenis
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Figure 1. “Plate 24: Intérieur d'une habitation de Ciganos (Bohémiens)”, in Debret, Voyage pittoresque et historique. An extract of the accompanying commentary (pp. 80–82) reads: “Women are generally well treated by their husbands, and are reluctant to marry into another caste, in order to avoid the contempt or hatred of their relatives. […] Among Gypsies, women, although coquettish, are generally chaste, but less out of virtue than out of fear of revenge and the execution of their caste. […] Bachelors respect married women, and seek out free mulattas and negresses. […] Proud of their wealth, they spend considerable sums on jewellery; but, exposed due to their lowliness to frequent persecutions, they possess only very simple furniture, usually composed of a few trunks and a hammock, indispensable objects that are not obtrusive in the case of emergency relocations.”

Source: Jean-Baptiste Debret, Voyage pittoresque et historique au Brésil, ou Séjour d'un artiste français au Brésil, depuis 1816 jusqu'en 1831 inclusivement, vol. II (Paris, 1834–1839).
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Figure 2. “A Brazilian gypsy” in Wells, Exploring and Travelling, p. 378. The text (pp. 379–384) that this picture illustrates states: “Most of them [Ciganos] were really handsome fellows, with dark olive complexions, bright keen black eyes, good features, long glossy black hair hanging in greasy ringlets that reached to their shoulders; some were dressed in tanned deer-skin suits, others in the ordinary coarse cotton costume of the country. All were well armed with long pistols (garouches); others also carried carbines, knives, and sabres. […] [Several] had just arrived from a long journey from São Paulo, where they had been purchasing mules, and were then taking them to Bahia for sale, or any place along the way. […] The tribe consisted of about fifty men and women, and several children.”

Source: James W. Wells, Exploring and Travelling Three Thousand Miles through Brazil from Rio de Janeiro to Maranhão (Philadelphia, PA, 1886).
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Figure 3. “Plate 23: Boutique de la rue du Val-Longo”, in Debret, Voyage pittoresque et historique. The accompanying commentary (pp. 78–79) reads: “I reproduced here a sales scene. We can see, in the arrangement of the shop, the simplicity of the furniture of a Gypsy, a second-hand seller of negroes, [that he is] of mediocre fortune. […] At this point in time, the negroes deposited there belong to two different owners. The colour of the fabrics that cover them distinguishes them; one is yellow, and the other is dark red. […] A Mineiro [a man from Minas Gerais] haggles over one slave with the Gypsy who is sitting in his chair. […] The neglected clothing of the merchant corresponds to the coarseness of his morals; he also suffers, judging by the discoloured complexion and swelling of his stomach, from the [intestinal] obstruction that he brought from the African coast, which is so disease-filled that foreign troops can hardly remain there for more than three years without being in need of being replaced by others who are healthier.”

Source: Jean-Baptiste Debret, Voyage pittoresque et historique au Brésil, ou Séjour d'un artiste français au Brésil, depuis 1816 jusqu'en 1831 inclusivement, vol. II (Paris, 1834–1839).