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Sculpting with flow

Published online by Cambridge University Press:  10 January 2018

Leif Ristroph*
Affiliation:
Applied Math Lab, Courant Institute of Mathematical Sciences, New York University, 251 Mercer St., New York, NY 10012, USA
*
Email address for correspondence: lr1090@nyu.edu

Abstract

Flowing air and water are persistent sculptors, gradually working stone, clay, sand and ice into landforms and landscapes. The evolution of shape results from a complex fluid–solid coupling that tends to produce stereotyped forms, and this morphology offers important clues to the history of a landscape and its development. Claudin et al. (J. Fluid Mech., vol. 832, 2017, R2) shed light on how we might read the rippled and scalloped patterns written into dissolving or melting solid surfaces by a flowing fluid. By better understanding the genesis of these patterns, we may explain why they appear in different natural settings, such as the walls of mineral caves dissolving in flowing water, ice caves in wind, and melting icebergs.

Information

Type
Focus on Fluids
Copyright
© 2018 Cambridge University Press 
Figure 0

Figure 1. Natural patterning. (a) Water-driven mineral scallops (reproduced with permission from Johannes Lundberg). (b) and (c) Water-driven iceberg scallops, exposed by turnover (reproduced with permission from Phillip Colla).

Figure 1

Figure 2. Birth of a scalloped pattern. (a) Flow over a melting ice sheet or dissolving mineral bed. The initial bed may contain many ripples of various heights, and the shape evolution selects a specific wavelength $\unicode[STIX]{x1D706}$ and amplitude $A$. (b) The observed pattern may represent the most prominent amplitude (circle) on the boundary between growth and shrinking.