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14 - Insubordination at the Interaction of Discourse, Grammar, and Prosody

from Part IV - Multimodality and Construction Grammar

Published online by Cambridge University Press:  30 January 2025

Mirjam Fried
Affiliation:
Univerzita Karlova
Kiki Nikiforidou
Affiliation:
University of Athens, Greece

Summary

This chapter explores the interaction between discourse structure, grammar, and prosody, on the example of insubordination, that is, the main clause use of formally subordinate clauses. After an overview of the forms and meanings of insubordinate constructions cross-linguistically, it focuses on a particular illustration of this phenomenon: contrastive insubordinate conditionals (CICC) in Spanish. First, it argues for the constructional status of the pattern and then it explores its discursive and prosodic features. The results of a corpus study show that CICC can occur in five different contexts, with a high preference for dispreferred responses. This is taken as evidence for proposing a network representation, with a schema representing the common form and meaning features of the construction and several instantiations in prototypical and peripheral contexts. Prosodically, the construction is combined with restricted prosodic patterns expressing similar pragmatic functions (focus and contrast). We can thus model prosodic patterns as pairings of a prosodic form and a pragmatic meaning and are inherited by sentence-level constructions expressing compatible pragmatic meanings.

Information

Figure 0

Figure 14.1 Attested nuclear configurations cases and percentages

Figure 1

Figure 14.2 Waveform, spectrogram, and pitch contour of the utterance ¡Pero si merienda verdura! ‘But she eats vegetables!’ produced by a male speaker from Cantabria with the nuclear configuration L+H*L%

Figure 2

Figure 14.3 Waveform, spectrogram, and pitch contour of the utterance ¡Pero si merienda verdura! ‘But she eats vegetables!’ produced by a female speaker from Barcelona with the nuclear configuration L* HL%

Figure 3

Figure 14.4 Waveform, spectrogram, and pitch contour of the utterance ¡Pero si merienda médula! ‘But she eats marrow!’ produced by a male speaker from Seville with the nuclear configuration ¡H*L%

Figure 4

Figure 14.5 Schematic pitch contour representations of the attested nuclear configurations (left) and their meaning (right)

Figure 5

Figure 14.6 Waveform, spectrogram, and pitch contour of the utterances ¡Ni que fuera tu madre! and ¡Como si fuera tu madre! ‘As if I were your mother!’ produced with a focus intonational pattern (L+H* L%)

Figure 6

Figure 14.7 Waveform, spectrogram, and pitch contour of the utterance No soy tu madre ‘I am not your mother’ produced with a focus intonational pattern (L+H* L%)

Figure 7

Figure 14.8 Waveform, spectrogram, and pitch contour of the utterance Que son las nueve ‘I said it’s nine’ produced with a declarative intonational pattern (L* L%) and with a focus intonational pattern (L+H* L%)

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