This chapter examines the ways in which Judith Wright shaped Australian literary culture, not only through her poetry but also through her work as an editor, anthologist and critic. It contextualises the development of Wright’s poetry in light of her childhood, education and the impact of World War II, arguing that misreadings of her pastoral lyric during Wright’s lifetime failed to appreciate how it undercut settler mythmaking. The chapter discusses Wright’s exploration of a psychic interior during the 1950s and how she became increasingly focused on the settler-colonial mind during the 1960s. It outlines Wright’s engagement with Aboriginal land rights and her leadership in the burgeoning environmental movement. The chapter ascribes much of this change to the influence of Oodgeroo Noonuccal and discusses their poetic correspondence and friendship in the 1970s. The chapter also considers her turn from poetic voice towards practices of observation and listening, arguing that Wright’s attention to ‘the human pattern’ evident in her last volume, Phantom Dwelling, suggests less a silence in her later years than a realignment of her focus and energy.