One of the concerns of postmodern British fiction was the textual and discursive means by which historical events are communicated to the present through story-telling. Much post-millennial fiction still dips into the postmodern toolbox; it is not unusual to read novels with a fragmented and non-linear narrative, for example, but these novels focus instead on the now, while asking what does it mean to be now, to recognise that the past and the present exist simultaneously, and how does this translate into an understanding of temporality. As Lauren Berlant has argued, neoliberal economic policies mobilize instability, and that instability is evident in contemporary fiction’s representations of history, genre and identity. Some novels examined here invoke past and present through an illusion of narrative simultaneity, while others investigate how the powerful can write and rewrite the present and the past and in doing so can disrupt perceptions of temporality.