“About ASIA.” Shakespeare Performance in Asia: A Global Shakespeares Portal. http://web.mit.edu/shakespeare/asia. Accessed 17 April 2013.Google Scholar

“About SPIA.” Shakespeare Performance in Asia: A Global Shakespeares Portal. http://web.mit.edu/shakespeare/asia/about. Accessed 17 April 2013.Google Scholar

Apter, Emily. The Translation Zone: A New Comparative Literature. Princeton: Princeton UP, 2005.Google Scholar

Bharucha, Rustom. “Consumed in Singapore: The Intercultural Spectacle of Lear.” Theater 31.1 (2001): 107–27.CrossRefGoogle Scholar

Bloom, Harold. Shakespeare: The Invention of the Human. London: Fourth Estate, 1999.Google Scholar

Braidotti, Rosi. Transpositions: On Nomadic Ethics. Cambridge: Polity, 2007.Google Scholar

Bristol, Michael. Big-time Shakespeare. London: Routledge, 1996.Google Scholar

Clifford, James. “Notes on Theory and Travel.” Inscriptions 5.5 (1989). http://ccs.ihr.ucsc.edu/inscriptions/volume-5/james-clifford. Accessed 17 April 2013.Google Scholar

Cobb, Hal. “The Pursuit of Character.” Pen America. http://www.pen.org/nonfiction-essay/pursuit-character. Accessed 17 April 2013.Google Scholar

Debord, Guy. Society of the Spectacle. 1967. Trans. Knabb, Ken. London: Rebel Press, 2006.Google Scholar

Desmet, Christy, and Sawyer, Robert J.. Harold Bloom’s Shakespeare. New York: Palgrave Macmillan, 2001.Google Scholar

Desmet, Christy, eds. Shakespeare and Appropriation. London: Routledge, 1999.Google Scholar

Dionne, Craig, and Kapadia, Parmita, eds. Native Shakespeares: Indigenous Appropriations on a Global Stage. Burlington: Ashgate, 2008.Google Scholar

Dobson, Michael. The Making of a National Poet: Shakespeare, Adaptation, and Authorship, 1660–1679. Oxford: Clarendon, 1992.Google Scholar

Dollimore, Jonathan, and Sinfield, Alan, eds. Political Shakespeare: Essays in Cultural Materialism. Manchester: Manchester UP, 1985.Google Scholar

Erickson, Peter, and Hulse, Clark. Representation, Race, and Empire in Early Modern England. Philadelphia: Penn, 2000.Google Scholar

Michel., Foucault “What Is an Author?” Trans. Bouchard, Donald F. and Simon, Sherry. In Language, Counter-Memory, Practice. Ed. Bouchard, Donald F.. Ithaca: Cornell UP, 1977. 124–27.Google Scholar

Halpern, Richard. Shakespeare among the Moderns. Ithaca: Cornell UP, 1997.CrossRefGoogle Scholar

Herold, Niels. “Movers and Losers: Shakespeare in Charge and Shakespeare behind Bars.” Native Shakespeares: Indigenous Appropriations on a Global Stage. Ed. Dionne, Craig and Kapadia, Parmita. Burlington: Ashgate, 2008. 153–70.Google Scholar

Holderness, Graham, ed. The Shakespeare Myth. Manchester: Manchester UP, 1988.Google Scholar

Howard, Jean E., and O’Connor, Marion, eds. Shakespeare Reproduced: The Text in History and Ideology. London: Methuen, 1987.Google Scholar

Howard, Jean E., and Rackin, Phyllis. Engendering the Nation: A Feminist Account of Shakespeare’s English Histories. London: Routledge, 1997.Google Scholar

Huang, Alexa. Interview with the Shakespeare Standard Web site. http://theshakespearestandard.com/a-great-feast-of-languages-interview-with-professor-alexander-huang-george-washington-university-global-shakespeares-website-global-shakespeare-news-for-the-week-of-january-12-2013/. Accessed 17 April 2013.Google Scholar

Huang, Alexander. “Shakespeare, Performance, and Autobiographical Performance.” Shakespeare Bulletin: A Journal of Performance Criticism and Scholarship 24.2 (summer 2006): 31–47. Rpt. at http://web.mit.edu/shakespeare/asia/essays/AlexHuang.html. Accessed 17 April 2013.Google Scholar

Hulme, Peter, and Sherman, William, eds. The Tempest and Its Travels. Philadelphia: Penn, 2000.Google Scholar

“Interview with Ong Keng Sen.” Edinburgh International Festival Website. http://edintfest.blogspot.co.uk/2009/07/interview-with-ong-keng-sen.html. Accessed 17 April 2013.Google Scholar

Jardine, Lisa. Still Harping on Daughters: Women and Drama in the Age of Shakespeare. New York: Columbia UP, 1989.Google Scholar

Knowles, Ric. Reading the Material Theatre. Cambridge: Cambridge University Press, 2004.Google Scholar

Lenz, Carolyn, et al., eds. The Woman’s Part: Feminist Criticism of Shakespeare. Urbana: U of Illinois P, 1983.Google Scholar

Murphy, Andrew. Shakespeare for the People: Working Class Readers, 1800–1900. Cambridge: Cambridge University Press, 2008.Google Scholar

Nussbaum, Martha. “Skills for Life: Why Cuts in Humanities Teaching Pose a Threat to Democracy Itself.” Times Literary Supplement 30 April 2010. 15–16.Google Scholar

Orkin, Martin. Local Shakespeares: Proximations and Power. London: Routledge, 2005.Google Scholar

Scott-Douglass, Amy. Shakespeare Inside: The Bard behind Bars. New York: Continuum, 2007.Google Scholar

Sebek, Barbara. Review of Shakespeare and Appropriation. Shakespeare Quarterly, 53: 2 (fall 2002): 407–10CrossRefGoogle Scholar

Shakespeare, William. Comedies, Histories, and Tragedies. London: Isaac Jaggard and Edward Blount, 1623.Google Scholar

Singh, Jyotsna. “Postcolonial Criticism: The Tempest.” Shakespeare: An Oxford Guide. Ed. Orlin, Lena and Wells, Stanley. Oxford: Oxford UP, 2003. 492–507.CrossRefGoogle Scholar

Tofteland, Curt L. Unpublished paper.Google Scholar

Visser, Nicholas. “Shakespeare and Hanekom, King Lear and Land: A South African Perspective.” Textual Practice 11.1 (1997): 25–37.Google Scholar

Wee, C. J. W.-L. “Staging the Asian Modern: Cultural Fragments, the Singaporean Eunuch, and the Asian Lear.” Critical Inquiry 30.4 (summer 2004): 771–99.Google Scholar

Bove, Paul A. ed. Edward Said and the Work of the Critic: Speaking Truth to Power. Durham: Duke UP, 2000.Google Scholar

Foakes, Reginald. Coleridge on Shakespeare: The Text of the Lectures, 1811–1812. London: Routledge, 1971.Google Scholar

Kott, Jan. Shakespeare Our Contemporary. New York: Doubleday, 1964.Google Scholar

Poole, Adrian. Shakespeare and the Victorians: Arden Critical Companion. London: Arden Shakespeare, 2004.Google Scholar

Rabinow, Paul, ed. The Foucault Reader. New York: Pantheon Books, 1984.Google Scholar

Singh, Jyotsna. “The Location of Shakespeare: Afterword.” Native Shakespeares: Indigenous Appropriations on a Global Stage. Ed. Dionne, Craig and Kapadia, Parmita. Burlington: Ashgate, 2008. 231–39.Google Scholar

Tofteland, Curt L., and Cobb, Hal. “Prospero Behind Bars.” Shakespeare Survey 65 (November 2012): 429–44.Google Scholar

Boswell, James. “A Letter from James Boswell, Esq; on Shakespeare’s Jubilee at Stratford-upon Avon.” The London Magazine September 1769: 451–54.Google Scholar

Colman, George. Man and Wife, or, The Shakespeare Jubilee. London: 1770.Google Scholar

Deelman, Christian. The Great Shakespeare Jubilee. London: Michael Joseph, 1964.Google Scholar

Dobson, Michael. The Making of the National Poet: Shakespeare, Adaptation and Authorship, 1660–1769. Oxford: Clarendon, 1992.Google Scholar

Engle, Ron, Londré, Felicia, and Watermeier, Daniel, eds. Shakespeare Companies and Festivals. Westport: Greenwood, 1995.Google Scholar

Garrick, David. The Jubilee. Three Plays by David Garrick. Ed. Stein, Elizabeth P.. New York: William Edwin Rudge, 1926.Google Scholar

Garrick, David. An ode upon dedicating a building, and erecting a statue, to Shakespeare, at Stratford upon Avon. London: 1769.Google Scholar

Gregory the Great. Gregory the Great to Serenus, Bishop of Marseille. Trans. Marmby, J.. A Select Library of Nicene and Post-Nicene Fathers of the Christian Church. 2nd ser. Vol. 13. Ed. Schaff, P. and Wace, H.. New York: Christian Literature Company, 1890–1900.Google Scholar

Hodgdon, Barbara. The Shakespeare Trade: Performances and Appropriations. Philadelphia: Penn, 1998.Google Scholar

Knight, Joseph. David Garrick. London: 1894.Google Scholar

Shakespeare’s Garland, being a collection of new songs, ballads, roundelays, catches, glees, comic-serenatas, &c. performed at the jubilee at Stratford upon Avon. London: 1769.Google Scholar

Stochholm, Johanne. Garrick’s Folly: The Shakespeare Jubilee of 1769 at Stratford and Drury Lane. London: Methuen, 1964.Google Scholar

The Stratford Jubilee. London: 1769.Google Scholar

Walpole, Horace. The Letters of Horace Walpole. Vol. 5. Ed. Cunningham, P.. London: 1861.Google Scholar

Brown, Ivor, and Fearon, George. Amazing Monument: A Short History of the Shakespeare Industry. London: Heinemann, 1939.Google Scholar

Cunningham, Vanessa. Shakespeare and Garrick. Cambridge: Cambridge University Press, 2008.Google Scholar

Hawkes, Terence. That Shakespeare Rag: Essays on a Critical Process. London: Methuen, 1986.Google Scholar

Holderness, Graham. “Bardolatry: or, The Cultural Materialist’s Guide to Stratford-upon-Avon.” The Shakespeare Myth. Ed. Holderness, Graham. Manchester: Manchester UP, 1988. 2–15.Google Scholar

Lynch, Jack. Becoming Shakespeare. London: Constable, 2008.Google Scholar

McIntyre, Ian. Garrick. London: Allen Lane/Penguin, 1999.Google Scholar

Taylor, Gary. Reinventing Shakespeare: A Cultural History from the Restoration to the Present. New York: Weidenfield and Nicholson, 1989.Google Scholar

Bates, Laura. “‘To Know My Deed’: Finding Salvation through Shakespeare.” Performing New Lives: Prison Theatre. Ed. Shailor, Jonathan. London: Jessica Kingsley Publishers, 2010. 25–44.Google Scholar

Beckwith, Sarah. “Medieval Penance, Reformation Repentance and Measure for Measure.” Reading the Medieval in Early Modern England. Ed. McMullan, Gordon. Cambridge: Cambridge University Press, 2007. 193–204.Google Scholar

Boal, Augusto. Theatre of the Oppressed. New York: Theatre Communications Group, 1985.Google Scholar

Braithwaite, John. “Restorative Justice.” The Handbook of Crime and Justice. Oxford: Oxford UP, 1998. 328–30.Google Scholar

Cobb, Hal. “The Pursuit of Character.” Pen American Center. https://pen.org/the-pursuit-of-character.Google Scholar

Cooperman, Jeanette. Interview with Agnes Wilcox. St. Louis Magazine August 2008. http://www.stlmag.com/St-Louis-Magazine/August-2008/A-Conversation-With-Agnes-Wilcox.Google Scholar

Davidson, Roberta, and Kerwin, John. Macbeth for Murderers. Bloomington: Xlibris Corporation, 2005.Google Scholar

Foucault, Michel. Discipline and Punish: The Birth of the Prison. New York: Vintage, 1995.Google Scholar

Herold, Niels. “Movers and Losers in Shakespeare.” Native Shakespeares. Ed. Dionne, Craig and Kapadia, Parmita. New York: Ashgate, 2008. 153–69.Google Scholar

Knapp, Jeffrey. “Preachers and Players in Shakespeare’s England.” Representations 44 (fall 1993): 29–59.Google Scholar

Scott-Douglass, Amy. “Macbeth as Prison Film Noir: A Review of Mickey B.” Shakespeare Newsletter. 60.3 (winter 2010): 111Google Scholar

Shailor, Jonathan, ed. Performing New Lives: Prison Theatre. London: Jessica Kingsley Publishers, 2010.Google Scholar

Simon, Bennett. Tragic Drama and the Family: Psychoanalytic Studies from Aeschylus to Beckett. New Haven: Yale UP, 1993.Google Scholar

Tocci, Lawrence. The Proscenium Cage: Critical Case Studies in U.S. Prison Theater Programs. Youngstown: Cambria, 2007.Google Scholar

Waxler, Robert P. “Changing Lives through Literature.” Publications of the Modern Language Association of America 123.3 (May 2008): 678–82.CrossRefGoogle Scholar

White, Joe. “The Prisoner’s Voice.” Prison Theater: Perspectives and Practices. Ed. Thompson, James. London: Jessica Kingsley Publishers, 1997. 183–96.Google Scholar

Wilcox, Agnes. “Denmark Is a Prison, and You Are There.” Journal of the Midwest Modern Language Association 38.1 (spring 2005): 116–22.Google Scholar

Balfour, Michael, ed. Theatre in Prison: Theory and Practice. Bristol: Intellect, 2004.Google Scholar

Bates, Laura Raidonis. “The Uses of Shakespeare in Criminal Rehabilitation: Testing the Limits of ‘Universality.’” Shakespeare Matters: History, Teaching, Performance. Ed. Davis, Lloyd. Newark: U of Delaware P, 2003. 151–63.Google Scholar

Gordon, Avery F. “Methodologies of Imprisonment.” Publications of the Modern Language Association of America 123.3 (2008): 651–57.Google Scholar

Herold, Niels. Prison Shakespeare and the Purpose of Performance Basingstoke: Palgrave Macmillan, 2014.CrossRefGoogle Scholar

Idoko Emman, Frank. “Theatre for Development, Role-Play and Prison Reformation Strategies.” Words and Worlds: African Writing, Theater, and Society. Ed. and introd. Arndt, Susan and Berndt, Katrin. Trenton: Africa World, 2007. 137–44.Google Scholar

Kushner, Tony, et al. “How Do You Make Social Change?” Theater 31.3 (2001): 62–93.Google Scholar

Marshall, Kelli. “The Creative Process and the Power of Art in Shakespeare Behind Bars, or So This Is What Looking for Richard Meant to Do?” Literature/Film Quarterly 37.2 (2009): 140–50.Google Scholar

Mitchell, Martin. “Rhythm of the Machine: Theatre, Prison Community, and Social Change.” Reflections: A Journal of Writing, Service-Learning, and Community Service 4.1 (2004): 136–46.Google Scholar

Mitchell, Tim. “Notes from Inside: Forum Theater in Maximum Security.” Theater 31.3 (2001): 55–61.CrossRefGoogle Scholar

Scott-Douglass, Amy. Shakespeare Inside: The Bard behind Bars. London: Continuum, 2007.Google Scholar

Thompson, James. “From the Stocks to the Stage: Prison Theatre and the Theatre of Prison.” Theatre in Prison: Theory and Practice. Ed. Balfour, Michael. Bristol: Intellect, 2004. 57–76.Google Scholar

Trounstine, Jean. “Beyond Prison Education.” Publications of the Modern Language Association of America 123.3 (2008): 674–77.Google Scholar

Trounstine, Jean. “Sacred Spaces.” Journal of the Assembly for Expanded Perspectives on Learning 2 (1996): 1–9.CrossRefGoogle Scholar

Trounstine, Jean. Shakespeare behind Bars. Ann Arbor: U of Michigan P, 2003.Google Scholar

Waxler, Robert P., and Trounstine, Jean R., eds. Changing Lives through Literature. Notre Dame: U of Notre Dame P, 1999.Google Scholar

Yaeger, Patricia, et al. “Editor’s Column: Prisons, Activism, and the Academy – a Roundtable with Buzz Alexander, Bell Gale Chevigny, Stephen John Hartnett, Janie Paul, and Judith Tannenbaum.” Publications of the Modern Language Association of America 123.3 (2008): 545–67.CrossRefGoogle Scholar

Zelon, Helen. “The Shakespeare Redemption.” American Theatre 18.8 (2001): 32, 35, 134–35.Google Scholar

Borgman, Albert. Crossing the Post-Modern Divide. Chicago: U of Chicago P, 1992.Google Scholar

Bristol, Michael. Shakespeare’s America/America’s Shakespeare. London: Routledge, 1990.Google Scholar

Emerson, Mary Moody. The Selected Letters of Mary Moody Emerson. Ed. Simpson, Nancy Craig. Athens: U of Georgia P, 1993.Google Scholar

Emerson, Ralph Waldo. Essays and Journals, selected and with an introd. by Mumford, Lewis. Garden City: International Collectors Library, 1968.Google Scholar

Emerson, Ralph Waldo. “Shakspeare; Or, The Poet.” Representative Men: Seven Lectures. The Complete Works of Ralph Waldo Emerson: Centenary Edition. 12 vols. 1904. Vol. 4. www.rwe.org/complete-works/iv---representative-men.html.Google Scholar

Emerson, Ralph Waldo. “The Superlative or Mental Temperance.” Lectures and Biographical Sketches. Boston: Houghton Mifflin, 1904.Google Scholar

Hyde, Lewis. The Gift: Imagination and the Erotic Life of Property. New York: Vintage Books, 1979. 40–56.Google Scholar

Kates, Susan. Activist Rhetorics and American Higher Education, 1885–1937. Carbondale: Southern Illinois UP, 2001.Google Scholar

Lowell, James Russell. “Thoreau.” In My Study Windows. Boston: Houghton Mifflin, 1883.Google Scholar

Slade, William. “The Significance of the Folger Shakespeare Memorial: An Essay Towards an Interpretation.” Henry Clay Folger. New Haven: privately printed, 1931.Google Scholar

Gregory, Dan. “Devil in the Details.” Fine Books and Collections 6.4 (2008): 27–31.Google Scholar

Kane, Betty Ann. The Widening Circle: The Story of the Folger Shakespeare Library and Its Collections. Washington: Folger Shakespeare Library, 1976.Google Scholar

King, Stanley. Recollections of the Folger Shakespeare Library. Ithaca: Cornell UP, 1950.Google Scholar

Sturgess, Kim C. Shakespeare and the American Nation. Cambridge: Cambridge University Press, 2004.Google Scholar

Wright, Louis. The Folger Library: Two Decades of Growth. Charlottesville: U of Virginia P, 1968.Google Scholar

Boyd, Mari. “Kishida Rio.” The Columbia Encyclopedia of Modern Drama. Ed. Cody, Gabrielle H. and Sprinchorn, Evert. New York: Columbia UP, 2007. 769–70.Google Scholar

Braziel, Jana Evans, and Mannur, Anita. “Nation, Migration, Globalization: Points of Contention in Diaspora Studies.” Theorizing Diaspora: A Reader. Oxford: Blackwell, 2003. 1–22.Google Scholar

Danforth, Susan, curator. Champlain’s America: New France and New England. Providence: John Carter Brown Library, Brown University, 2008. http://www.brown.edu/Facilities/John_Carter_Brown_Library/Champlainexhib/Pages/Great%20Design.html. Accessed 15 January 2012.Google Scholar

Fischer-Lichte, Erika. The Show and the Gaze of Theatre: A European Perspective. Iowa City: U of Iowa P, 1997.Google Scholar

Fisher, Mark. “Diaspora with TheatreWorks and the Singapore Chinese Orchestra.” Edinburgh Festival Guide 2009. http://edinburghfestival.list.co.uk/article/18721-diaspora-with-theatreworks-and-the-singapore-chinese-orchestra/. Accessed 1 February 2012.Google Scholar

“Han’guk-ui [Hamlet] segyemudae-sodo t’ong-handa.” Dong-a Ilbo 8 October 1996. Quoted in the program of Street Theatre Troupe’s Hamlet, Theater Series 6. Seoul: Guerilla, 2003. 154.Google Scholar

Huang, Alexander C. Y. “Shakespeare and Translation.” The Edinburgh Companion to Shakespeare and the Arts. Ed. Burnett, Mark Thornton, Streete, Adrian, and Wray, Ramona. Edinburgh: Edinburgh UP, 2011. 68–87.Google Scholar

Japan Foundation Asia Center. The Japan Foundation Asia Center: Towards Mutual Understanding in Asia in the Twenty-First Century. Tokyo: Japan Foundation Asia Center, n.d.Google Scholar

Kalden, Elizabeth A. “All the World’s a Stage Now.” Straits Times 21 April 1998: 2.Google Scholar

Kishida, Rio. Thread Hell. Trans. Sorgenfrei, Carol Fisher. Half a Century of Japanese Theater. Vol. 4. Ed. Japan Playwrights Association. Tokyo: Kinokuniya, 2002. 161–221.Google Scholar

Martin, Randall, and Scheil, Katherine. “Introduction.” Shakespeare, Adaptation, Modern Drama: Essays in Honour of Jill L. Levenson. Ed. Martin, Randall and Scheil, Katherine. Toronto: U of Toronto P, 2011. 3–24.Google Scholar

McAlpine, Alison. “Robert Lepage.” In Contact with the Gods? Directors Talk Theatre. Manchester: Manchester UP, 1996. 129–57.Google Scholar

Minh-ha, Trinh T. Elsewhere, Within Here: Immigration, Refugeeism and the Boundary Event. New York: Routledge, 2010.CrossRefGoogle Scholar

Ong, Keng Sen. “Encounters.” The Drama Review 45.3 (2001): 126–33.Google Scholar

Ong, Keng Sen. “Lear: Linking Night and Day.” Lear [stage bill]. Tokyo: The Japan Foundation Asia Center, 1997. 5.Google Scholar

Ong, Keng Sen. Search: Hamlet. Programme Notes. Elsinore: Hamlet Sommer, 2002.Google Scholar

Ong, Keng Sen. Search: Hamlet. Programme Notes. Elsinore: Kronborg Castle, 2003.Google Scholar

Ong, Keng Sen. Search: Hamlet. Unpublished diary, n.d.Google Scholar

Ong, Keng Sen. “A Talk with Director Ong Keng Sen [interview with Mok Wai Yin].” Descendants of the Eunuch Admiral – A Meditation. Stage bill. Singapore: TheatreWorks, Victoria Theatre, 1995.Google Scholar

“Othello aus weiblicher Sicht.” Hamburger Abendblatt 15 July 2000. n.p.Google Scholar

Peterson, William. Theatre and the Politics of Culture in Contemporary Singapore. Middletown: Wesleyan UP, 2001.Google Scholar

Sanders, Mark. Gayatri Chakravorty Spivak: Live Theory. London: Continuum, 2006.Google Scholar

Yong, Li Lan. “Ong Keng Sen’s Desdemona, Ugliness, and the Intercultural Performative.” Theatre Journal 56.2 (2004). 251–73.Google Scholar

Al-Bassam, Sulayman. The Al-Hamlet Summit: A Political Arabesque. Hatfield: U of Hertfordshire P, 2006.Google Scholar

Braziel, Jana Evans, and Mannur, Anita. “Nation, Migration, Globalization: Points of Contention in Diaspora Studies.” Theorizing Diaspora: A Reader. Oxford: Blackwell, 2003. 1–22.Google Scholar

Huang, Alexa. “Shakespeare and Translation.” The Edinburgh Companion to Shakespeare and the Arts. Ed. Burnett, Mark Thornton, Streete, Adrian, and Wray, Ramona. Edinburgh: Edinburgh U P, 2011. 68–87Google Scholar

Huang, Alexa. “‘What Country, Friends, Is This?’: Touring Shakespeares, Agency, and Efficacy in Theatre Historiography.” Theatre Survey 54.1 (2013): 51–85.Google Scholar

Huang, Alexa. and Rivlin, Elizabeth, eds., Shakespeare and the Ethics of Appropriation. New York: Palgrave, 2014.Google Scholar

Huang, Alexa, and Donaldson, Peter, eds., Global Shakespeares digital video archive, http://globalshakespeares.mit.edu/Google Scholar

Kennedy, Dennis, ed., Foreign Shakespeare: Contemporary Performance. Cambridge: Cambridge University Press, 1993.Google Scholar

Ong, Keng Sen. “Encounters.” The Drama Review 45.3 (2001): 126–33.Google Scholar

Peterson, William. Theatre and the Politics of Culture in Contemporary Singapore. Middletown: Wesleyan UP, 2001.Google Scholar

Bhatia, Nandi. “Different Othello(s) and Contentious Spectators: Changing Responses in India.” Gramma: Journal of Theory and Criticism 15 (2007): 155–74.Google Scholar

Burt, Richard. “All that Remains of Shakespeare in Indian Film.” Shakespeare in Asia: Contemporary Performance. Ed. Kennedy, Dennis and Li Lan, Yong. Cambridge: Cambridge University Press, 2010. 73–108.Google Scholar

Enright, D. J. “In States Unborn – Shakespeare Overseas.” Times Literary Supplement 23 April 1964: 352–53.Google Scholar

Honeycut, Kirk. “Maqbool.” Hollywood Reporter 23–29 September 2003: 56.Google Scholar

Iyengar, K. R. Srinivasa. “Shakespeare in India.” Indian Literature 7.1 (1964): 1–11.Google Scholar

Narasimhaiah, C. D. Shakespeare Came to India. Bombay: Popular Prakashan, 1964.Google Scholar

Pais, Arthur J. “Foreign Audiences Flock to Omkara.” Rediff India Abroad http://www.rediff.com/movies/2006/aug/02ajp.htm. 2 August 2006. Accessed 6 March 2007.Google Scholar

Sen, Raja. “Why Omkara Blew My Mind.” Rediff India Aroad. http://www.rediff.com/movies/2006/aug/02rs.htm. Accessed 18 February 2007.Google Scholar

Singh, Jyotsna. Colonial Narratives/Cultural Dialogues: Discourses of India in the Languages of Colonialism. London: Routledge, 1996.Google Scholar

Trivedi, Poonam. “‘Filmi’ Shakespeare.” Literature/Film Quarterly 35.2 (April 2007): 148–58.Google Scholar

Verma, Rajiva. “Shakespeare in Hindi Cinema.” India’s Shakespeare: Translation, Interpretation and Performance. Ed. Trivedi, Poonam and Bartholomeusz, Dennis. Newark: U of Delaware P, 2005. 269–90.Google Scholar

Vishwanathan, Gauri. “The Beginnings of English Literary Study in British India.” Oxford Literary Review 9.1–2 (1987): 2–26.Google Scholar

Bhatia, Nandi. Acts of Authority/Acts of Resistance: Theatre and Politics in Colonial and Postcolonial India. Ann Arbor: U of Michigan P, 2004.Google Scholar

Bhatia, Nandi. “Imperialistic Representations and Spectatorial Reception in Shakespeare Wallah.” Modern Drama. 45.1 (spring 2002): 61–75.Google Scholar

Burt, Richard. “Shakespeare and Asia in Postdiasporic Cinemas: Spin-offs and Citations of the Plays from Bollywood to Hollywood.” Shakespeare, the Movie, II: Popularizing the Plays on Film, TV, Video and DVD. Ed. Burt, Richard and Boose, Lynda E.. London: Routledge, 2003. 265–303.Google Scholar

Dionne, Craig, and Kapadia, Parmita, eds. Native Shakespeares: Indigenous Appropriations on a Global Stage. Aldershot: Ashgate, 2008.Google Scholar

Keller, James R, and Stratyner, Leslie, eds. Almost Shakespeare: Reinventing His Works for Cinema and Television. London: McFarland, 2004.Google Scholar

Lanier, Douglas. “Recent Shakespeare Adaptation and the Mutations of Cultural Capital.” Shakespeare Studies 38 (2010): 104–33.Google Scholar

Loomba, Ania. Shakespeare, Race and Colonialism. Oxford: Oxford UP, 2002.Google Scholar

Niyogi, Esha. “Modern Shakespeares in Popular Bombay Cinema: Translation, Subjectivity, and Community.” Screen 43.1 (spring 2002): 19–40.Google Scholar

Trivedi, Poonam, and Bartholomeusz, Dennis, eds. India’s Shakespeare: Translation, Interpretation and Performance. Newark: U of Delaware P, 2005.Google Scholar

Canadian Adaptations of Shakespeare. “Spotlight: Canadian Aboriginal Adaptations of Shakespeare.” http://www.canadianshakespeares.ca/spotlight.cfm. Accessed 5 January 2011.Google Scholar

Folkerth, Wes. “Goodfellows: Hodkey, Shakespeare, and Indigenous Spirits in Tomson Highway’s Dry Lips Oughta Move to Kapuskasing.” Canadian Shakespeare. Ed. Knutson, Susan. Toronto: Playwrights Canada, 2010. 199–205.Google Scholar

Fortier, Mark. “Undead and Unsafe: Adapting Shakespeare (in Canada).” Shakespeare in Canada: “A World Elsewhere”? Ed. Brydon, Diana and Makaryk, Irena R.. Toronto: U of Toronto P, 2002. 339–52.Google Scholar

Knowles, Ric. Shakespeare and Canada: Essays on Production, Translation, and Adaptation. Brussels: Lang, 2004.Google Scholar

Knutson, Susan. “Introduction: On Canadian Shakespeare.” Canadian Shakespeare. Ed. Knutson, Susan. Toronto: Playwrights Canada, 2010. vii–xiv.Google Scholar

Knutson, Susan. “Trickster Shakespeare? Canada and the Bard.” Literature Compass 3.3 (2006): 547–61.Google Scholar

Makaryk, Irena R. “Introduction: Shakespeare in Canada: ‘A World Elsewhere’?” Shakespeare in Canada: “A World Elsewhere”? Ed. Brydon, Diana and Makaryk, Irena R.. Toronto: U of Toronto P, 2002. 3–41.Google Scholar

McHugh, Marissa. “The Influence of Shakespeare on Aboriginal Theatre: An Interview with Daniel David Moses on Brébeuf’s Ghost.” http://www.canadianshakespeares.ca/i_ddmoses.cfm. Accessed 5 January 2011.Google Scholar

Moll, Sorouja. “Death of a Chief: An Interview with Yvette Nolan.” http://www.canadianshakespeares.ca/a_thedeathofachief.cfm. Accessed 2 November 2008.Google Scholar

Morrow, Martin. “Native Empathy: Graham Greene Tackles Shakespeare’s Shylock.” 23 May 2007. CBC.ca. http://www.cbc.ca/arts/theatre/grahamgreene.html. Accessed 9 February 2011.Google Scholar

Moses, Daniel David. Brebeuf’s Ghost. Toronto: Exile Editions, 2000.Google Scholar

Moses, Daniel David. “The Trickster’s Laugh: My Meeting with Tomson and Lenore.” Exit Pursued by a Bear: Talks, Monologues, and Tales. Toronto: Exile Editions, 2005. 146–51.Google Scholar

Nolan, Yvette, and Adams, Philip. Shakedown Shakespeare. Unpublished production draft. Nakai Theatre, Yukon, 1997.Google Scholar

Nolan, Yvette, and MacKinnon, Kennedy C.. Death of a Chief. The Shakespeare’s Mine: Adapting Shakespeare in Anglophone Canada. Ed. Knowles, Ric. Toronto: Playwrights Canada, 2009. 379–427.Google Scholar

Brydon, Diana, and Makaryk, Irena, eds. Shakespeare in Canada: “A World Elsewhere”? Toronto: U of Toronto P, 2002.Google Scholar

Gardner, David. “Canada’s Eskimo Lear.” Theatre History in Canada 7.1 (1986): 99–118.Google Scholar

Highway, Tomson. Dry Lips Oughta Move to Kapuskasing. Saskatoon: Fifth House, 1989.Google Scholar

Honnegger, Gitta. “Native Playwright: Tomson Highway.” Theater 23.1 (1992): 88–92.Google Scholar

Knowles, Ric. “Death of a Chief: Watching for Adaptation; or, How I Learned to Stop Worrying and Love the Bard.” Shakespeare Bulletin 25.3 (2007): 53–65.Google Scholar

Knutson, Susan, ed. Canadian Shakespeare. Toronto: Playwrights Canada, 2010.Google Scholar

McGee, C. E. “Shakespeare Canadiens at the Stratford Festival.” Shakespeare in Canada: “A World Elsewhere”? Ed. Brydon, Diana and Makaryk, Irena R.. Toronto: U of Toronto P, 2002. 141–58.Google Scholar

Moore, Don. “Re-imagining Ethics, Rethinking Politics and Canadian Adaptations of Shakespeare: A Hauntological Theory of Adaptation.” http://www.canadianshakespeares.ca/pdf/moore_ethics_politics.pdf. Accessed 9 February 2011.Google Scholar

Adams, Richard, ed. Teaching Shakespeare: Essays on Approaches to Shakespeare in Schools and Colleges. London: Robert Royce, 1985.Google Scholar

Department for Children Schools and Families. Shakespeare for all Ages and Stages. Nottingham: DCSF Publications, 2008.Google Scholar

Department for Employment and Education/Qualifications and Curriculum Authority. English: The National Curriculum for England, Key Stages 1–4. London: The Stationery Office, 2000.Google Scholar

Ellis, Alec. Educating Our Masters: Influences on the Growth of Literacy in Victorian Working Class Children. Aldershot: Gower, 1985.Google Scholar

Gibson, Rex. Teaching Shakespeare. Cambridge: Cambridge University Press, 1998. http://www.cambridge.org/catalogue/catalogue.asp?isbn=9780521577885.Google Scholar

Holderness, Graham. The Shakespeare Myth. Manchester: Manchester UP, 1998.Google Scholar

McEvoy, Sean. “Shakespeare at 16–19.” Shakespeare in Education. Ed. Blocksidge, Martin. London: Continuum, 2003. 97–119.Google Scholar

Montrose, Louis. “Professing the Renaissance: The Poetics and Politics of Culture.” The New Historicism. Ed. Veeser, H. Aram. London: Routledge, 1989. 15–36.Google Scholar

Murphy, Andrew. Shakespeare for the People: Working-Class Readers, 1800–1900. Cambridge: Cambridge University Press, 2008.Google Scholar

Newbolt, Henry. The Teaching of English in England. London: HMSO, 1921.Google Scholar

Sinfield, Alan. “Shakespeare and Education.” Political Shakespeare. Ed. Dollimore, J. and Sinfield, A.. Manchester: Manchester UP, 1985.Google Scholar

Stredder, James. The North Face of Shakespeare: Activities for Teaching the Plays. Cambridge: Cambridge University Press, 2009. http://www.cambridge.org/catalogue/catalogue.asp?isbn=9780521756365.Google Scholar

Aers, Lesley, and Wheale, Nigel, eds. Shakespeare in the Changing Curriculum. London: Routledge, 1991.Google Scholar

Blocksidge, Martin, ed. Shakespeare in Education. London: Continuum, 2003.Google Scholar

Cox, C. B. Cox on the Battle for the English Curriculum. London: Hodder and Stoughton, 1995.Google Scholar

Cox, C.B. Cox on Cox: An English Curriculum for the 1990’s. London: Hodder and Stoughton, 1991.Google Scholar

Davison, John, and Moss, Jon. Issues in English Teaching. London: Routledge, 2000.Google Scholar

Gibson, Rex, ed. Secondary School Shakespeare: Classroom Practice. Cambridge: Cambridge Institute of Education, 1990.Google Scholar

Leavis, F. R., and Thompson, Denys. Culture and Environment: The Training of Critical Awareness. 1933. London: Chatto and Windus, 1964.Google Scholar

Neelands, Jonothan. Learning through Imagined Experience. London: Hodder and Stoughton, 1992.Google Scholar

Peim, Nick. Critical Theory and the English Teacher: Transforming the Subject. London: Routledge, 1993.Google Scholar

Auld, Allen. “Shakespeare’s Coriolanus – a 21st Century Leader? Review of DUT production, 28 March to 3 April 2009.” Artsmart. http://news.artsmart.co.za/2009/04/coriolanus.html. Accessed 10 September 2010.Google Scholar

Butler, Guy. Soldier Heroes in Corrupt Societies: A Comparison of N. P. van Wyk Louw’s “Germanicus” and Shakespeare’s “Coriolanus.” Johannesburg: Rand Afrikaans University, 1976.Google Scholar

Cronin, Jeremy. The End of Coriolanus. Cape Town: National Union of South African Students, 1972.Google Scholar

Gevisser, Mark. The Dream Deferred: Thabo Mbeki. Johannesburg: Jonathan Ball, 2007.Google Scholar

Gevisser, Mark. “Harold Wolpe Memorial Lecture.” 19 February 2008. http://www.wolpetrust.org.za/dialogue2008/polokwane_p.pdf. Accessed 10 September 2010.Google Scholar

Gevisser, Mark. A Legacy of Liberation: Thabo Mbeki and the Future of the South African Dream. London: Palgrave Macmillan, 2009.Google Scholar

Gillham, D. G. “Coriolanus.” English Studies in Africa 20.1 (1977): 43–52.Google Scholar

Habib, Adam, Cronin, Jeremy, and Gevisser, Mark. “Minutes of Discussion Following Mark Gevisser’s Harold Wolpe Lecture.” 19 February 2008. http://www.wolpetrust.org.za/dialogue2008/polokwane_t.pdf. Accessed 10 September 2010.Google Scholar

Hirson, Baruch. Year of Fire, Year of Ash. The Soweto Revolt: Roots of a Revolution? London: Zed, 1979.Google Scholar

Hunt, Albert. “Why Political Theatre?” Varsity 31.3 (22 March 1972): 6.Google Scholar

Notes on Shakespeare’s “Coriolanus.” Cape Town: College of Careers, 1964.Google Scholar

Johnson, David. Shakespeare and South Africa. Oxford: Clarendon, 1996.Google Scholar

Legassick, Martin. “NUSAS in the 1970s.” The Road to Democracy in South Africa. Vol. 1: (1960–1970). Ed. South African Democracy Education Trust. Cape Town: Zebra Press, 2004. 857–83.Google Scholar

Lütge, Debbie. “Debbie Lütge’s Production of William Shakespeare’s The Tragedy of Coriolanus: Establishing Fresh KwaZulu Natal Footprints.” Unpublished paper presented at the Durban University of Technology Faculty of Arts and Design Research Day, 3 June 2009.Google Scholar

Lütge, Debbie. “Director’s Note: William Shakespeare’s Coriolanus.” Program for Durban University of Technology Production, 2009.Google Scholar

O’Meara, Dan. Forty Lost Years: The Apartheid State and the Politics of the National Party, 1948–1994. Randburg: Ravan, 1996.Google Scholar

Ostrovsky, Arkady. “Shakespeare as a Founding Father of Soviet Socialist Realism: The Soviet Affair with Shakespeare.” Shakespeare in the Worlds of Communism and Socialism. Ed. Makaryk, Irena R. and Price, Joseph G.. Toronto: U of Toronto P, 2006. 56–83.Google Scholar

Pearce, Brian. “Review of Coriolanus. Directed by Debbie Lütge.” Shakespeare in Southern Africa 21 (2009): 83–84.Google Scholar

Pinsky, Leonid. “The Tragic in Shakespeare’s Works.” Russian Essays on Shakespeare and His Contemporaries. Ed. Parfenov, Alexander and Price, Joseph G.. Newark: U of Delaware P, 1998. 38–77.Google Scholar

Suttner, Raymond. The ANC Underground in South Africa. Auckland Park: Jacana, 2008.Google Scholar

Distiller, Natasha. Shakespeare and the Coconuts. On Post-apartheid South African Culture. Johannesburg: Wits U P, 2012.Google Scholar

Loomba, Ania, and Orkin, Martin, Eds. Post-Colonial Shakespeares. London: Routledge, 1998.Google Scholar

Orkin, Martin. Shakespeare Against Apartheid. Parklands: Ad Donker, 1987.Google Scholar

Pacheco, Anita. William Shakespeare “Coriolanus.” Tavistock: Northcote House, 2007.Google Scholar

Schalkwyk, David. Hamlet’s Dreams. The Robben Island Shakespeare. London: Bloomsbury, 2013.Google Scholar

Shakespeare in Southern Africa http://www.ru.ac.za/static/institutes/shake/journal.html. Accessed 10 March 2014.Google Scholar

Thurman, Chris, Ed. South African Essays on “Universal” Shakespeare. Farnham: Ashgate, 2014.Google Scholar

Cobbe portrait. www.shakespearefound.org.uk.Google Scholar

Donnelly, Ann, and Wolrege, Elizabeth. Official Guide: Shakespeare’s Life and Times. Norwich: Jigsaw Design and Publishing, 2010.Google Scholar

Museums Catalogue. http://www.shakespeare.org.uk.Google Scholar

New Place: The Dig. https://web-beta.archive.org/web/20140207131729/http://www.digforshakespeare.com.Google Scholar

Pringle, Roger. Shakespeare’s Houses & Gardens: The Official Guide. 1999. Stratford-upon-Avon: Jarrold Publishing, 2009.Google Scholar

Royal Shakespeare Company. www.rsc.org.uk.Google Scholar

Royal Shakespeare Theatre. www.rsc.org.uk/transformation/project/gallery.asp.Google Scholar

ShakesBears. https://www.shakespeare.org.uk.Google Scholar

Shakespeare Birthplace Trust. www.shakespeare.org.uk.Google Scholar

Shakespeare Birthplace Trust Gift Shop. https://www.shakespeare.org.uk/shop.Google Scholar

Wells, Stanley, ed. Shakespeare Found! A Life Portrait at Last: Portraits, Poet, Patron, Poems. Stratford-upon-Avon: Cobbe Foundation and Shakespeare Birthplace, 2009.Google Scholar

Bal, Mieke. “Telling, Showing, Showing Off.” Critical Inquiry 18.3 (spring 1992): 556–94.Google Scholar

Bennett, Tony. The Birth of the Museum: History, Theory, Politics. London: Routledge, 1995.Google Scholar

Bolt, John. “The Figure of the House.” Pamphlet in Shakespeare Centre Library. n.d. Britain. New York: Palgrave Macmillan, 2006.Google Scholar

Broch, Mark, and Edmondson, Paul, eds. Shakespeare Found: A Life Portrait. Stratford-upon-Avon: The Shakespeare Birthplace Trust, 2009.Google Scholar

The Buskers Code. Leaflet. n.d.Google Scholar

Catalogue of Pictures and Sculptures: Royal Shakespeare Theatre Picture Gallery. 6th ed. 1970.Google Scholar

Cooper, Tarnya, ed. Searching for Shakespeare. New Haven: Yale UP, 2006.Google Scholar

Crew, Spencer R., and Sims, James E.. “Locating Authenticity: Fragments of a Dialogue.” Exhibiting Cultures: The Poetics and Politics of Museum Display. Ed. Karp, Ivan and Lavine, Steven D.. Washington: Smithsonian Institution Press, 1991.Google Scholar

Doran, Gregory. The Shakespeare Almanac: Curious Facts & Strange Wonders Through the Seasons of the Bard’s Life. London: Hutchinson, 2009.Google Scholar

Duncan-Jones, Katherine. “Shakespeare Unfound(ed)? The Real Identity of the Sitter for the New ‘Shakespeare’ Portrait.” Times Literary Supplement 18 March 2009.Google Scholar

Fogg, Nicolas. Stratford-upon-Avon: Portrait of a Town. Chichester: Phillimore, 1986.Google Scholar

Fussell, Paul. Abroad: British Literary Traveling between the Wars. Oxford: Oxford UP, 1980.Google Scholar

Garrick, David. The Jubilee in Honour of Shakespeare: A Musical Entertainment. Waterford: E. Crawley and Son, 1773.Google Scholar

Halliwell, James Orchard. A Brief Guide to the Shakespeare Library and Museum, Stratford-upon-Avon; With Notices of Some of the Chief Objects of Shakespearian Interest in the Locality. London: Np, [1865].Google Scholar

Hayes, Steve. “New art shows surprising depth.” The Observer [Stratford-upon-Avon] 29 July 2010, 4.Google Scholar

Hodgdon, Barbara. “Stratford’s Empire of Shakespeare; or, Fantasies of Origin, Authorship, and Authenticity: The Museum and the Souvenir.” The Shakespeare Trade: Performances and Appropriations. Philadelphia: Penn, 1998. 191–240.Google Scholar

Holderness, Graham. “Bardolatry: or, The Cultural Materialist’s Guide to Stratford-upon-Avon.” The Shakespeare Myth. Ed. Holderness, Graham. Manchester: Manchester UP, 1988. 2–15.Google Scholar

Holderness, Graham, and Murphy, Andrew. “‘Shakespeare Country’: The National Curriculum and Literary Heritage.” Critical Survey 7.2 (1995): 110–15.Google Scholar

Hooper-Greenhill, Eilean. Museums and the Shaping of Knowledge. London: Routledge, 1992.Google Scholar

Jarvis, John W. The Glyptic, or Musée-Glyptic: A Scrap-Book of Jottings from Stratford-upon-Avon and Elsewhere with an Attempt at Description of Henry Jones’s Museum. London: John Russell Smith, 1875.Google Scholar

Kaeppler, Adrienne. “Museums of the World: Stages for the Study of Ethnohistory.” Museum Studies in Material Culture. Ed. Pearce, Susan M.. Washington: Smithsonian Institution Press, 1991. 83–96.Google Scholar

Levine, Philippa. The Amateur and the Professional: Antiquarians, Historians and Archaeologists in Victorian England, 1838–1886. Cambridge: Cambridge University Press, 1986.Google Scholar

MacCannell, Dean. The Tourist: A New Theory of the Leisure Class. New York: Schocken, 1976.Google Scholar

Marsden, Jean, ed. The Appropriation of Shakespeare: Post-Renaissance Reconstructions of the Works and the Myth. Hemel Hempstead: Harvester Wheatsheaf, 1991.Google Scholar

The Shakespeare Birthplace Trust. Friends Newsletter. Summer edition. Stratford-upon-Avon: John Good, 2009.Google Scholar

The Shakespeare Birthplace Trust. Friends Souvenir Special. Summer edition. Stratford- upon-Avon: John Good, 2010.Google Scholar

Sherman, Daniel J., and Roigoff, Irit. “Introduction: Frameworks for Critical Analysis.” Museum Culture: Histories, Discourses, Spectacles. Ed. Sherman, Daniel J. and Rogoff, Irit. Minneapolis: U of Minnesota P, 1994. ix–xx.Google Scholar

Spevack, Marvin. James Orchard Halliwell-Phillips: The Life and Works of the Shakespearean Scholar and Bookman. London: Shepheard–Walwyn, 2001.Google Scholar

Watson, Nicola J. The Literary Tourist: Readers and Places in Romantic and Victorian Britain. New York: Palgrave Macmillan, 2006.Google Scholar

Watson, Nicola J. ed. Literary Tourism and Nineteenth-Century Culture. New York: Palgrave Macmillan, 2009.Google Scholar

Witts, Preston “Minister acknowledges town’s national value and transport problems.” Stratford-upon-Avon Herald. 8 July 2010. 3.Google Scholar

“Worth all the bard work.” The Observer [Stratford-upon-Avon] 19 August 2010. 1.Google Scholar

Wright, Patrick. On Living in an Old Country: The National Past in Contemporary Britain. London: Verso, 1985.Google Scholar

Benjamin, Andrew. “Translating Origins: Psychoanalysis and Philosophy.” Rethinking Translation: Discourse, Subjectivity, Ideology. Ed. Venuti, Lawrence. London: Routledge, 1992.Google Scholar

Dachslager, Earl. “‘The Stock of Barabas’: Shakespeare’s Unfaithful Villains.” The Upstart Crow 6 (1986): 8–21.Google Scholar

Golomb, Harai. “Shakespearean Re-generations in Hebrew: A Study in Historical Poetics.” Strands Afar Remote: Israeli Perspectives on Shakespeare. Ed. Oz, Avraham. Newark: U of Delaware P; London: Associated UP, 1998. 255–75.Google Scholar

Hobbes, Thomas. Leviathan, or the Matter, Forme & Power of a Common-Wealth Ecclesiasticall and Civill. London: Andrew Crooke, 1651. 2:17–18, 85–94.Google Scholar

Litvin, Margaret. “Vanishing Intertexts in the Arab Hamlet Tradition.” Critical Survey 19.3 (2007): 74–94.Google Scholar

Lowe, Ben. Imagining Peace: A History of Early English Pacifist Ideas, 1340–1560. University Park: Pennsylvania State UP, 1997.Google Scholar

Marx, Steven. “Shakespeare’s Pacifism.” Renaissance Quarterly 45 (1992): 49–95.Google Scholar

Oz, Avraham. The Yoke of Love: Prophetic Riddles in “The Merchant of Venice.” Newark: U of Delaware P; London: Associated UP, 1995. 193–209.Google Scholar

Oz, Avraham. “Strands too Far Remote: A Note on Translating the Political and the Politics of Translation.” Shakespeare, Text and Theater: Essays in Honor of Jay L. Halio. Ed. Potter, Lois and Kinney, Arthur F.. Newark: U of Delaware P, 1999. 136–45.Google Scholar

Rousseau, Jean Jacques. The Political Writings. Ed. Vaughan, C. F.. Oxford: Oxford UP, 1962. 358–96.Google Scholar

Shakespeare, William. Henry Ha’Re’vi’i, Helek Aleph [Henry IV, Part 1]. Trans. Eli’az, Repha’el. Tel Aviv: Sifriyat Po’alim and Hakibbutz Hame’uhad, 1963.Google Scholar

Almagor, Dan. “Shakespeare in Hebrew Literature during the Periods of Enlightenment and Renaissance.” Jubilee Volume for Simon Halkin. Ed. Shakhevits, Boaz and Peri, Menahem. Jerusalem: R. Mas, 1975. 721−84.Google Scholar

Goethe, Johann Wolfgang. “Shakespeare und kein Ende!” Goethe: Berliner Ausgabe. Vol. 18. Ed. Seidel, Siegfried. Berlin: Aufbau, 1972. 147–61.Google Scholar

Goethe, Johann Wolfgang. “Zum Schäkespears Tag.” Goethe: Berliner Ausgabe. Vol. 17. Ed. Seidel, Siegfried. Berlin: Aufbau, 1970. 185–89.Google Scholar

Grabbe, Christian Dietrich. “Über die Shakespearo-Manie.” Werke und Briefe. Historisch-kritische Gesamtausgabe. Ed. Bergmann, Alfred. Vol. 4. Emsdetten: Lechte, 1966. 27–55.Google Scholar

Herder, Johann Gottfried. “Shakespeare.” Sämmtliche Werke. Vol. 5. Ed. Suphan, Bernhard. Berlin: Weidmannsche Buchhandlung, 1891. 208–31.Google Scholar

Paulin, Roger. The Critical Reception of Shakespeare in Germany, 1682–1914: Native Literature and Foreign Genius. Hildesheim: Georg Olms, 2003.Google Scholar

Schelling, Friedrich Wilhelm Joseph. Zur Philosophie der Kunst: 1803–1817. Ed. Schröter, Manfred. 3rd ed. Munich: C. H. Beck, 1984.Google Scholar

Schiller, Friedrich. “Über naive und sentimentalische Dichtung.” Schillers Werke. National-Ausgabe. Vol. 20. Ed. von Wiese, Benno. Weimar: Böhlau, 1962. 413–503.Google Scholar

Schiller, Friedrich. “[Unterdrückte] Vorrede.” Die Räuber. 1781. Schillers Werke: National-Ausgabe. Vol. 3. Ed. Stubenrauch, Herbert. Weimar: Hermann Böhlaus Nachfolger, 1953. 243–46.Google Scholar

Schlegel, August Wilhelm. Vorlesungen über dramatische Kunst und Literatur. Ed. Amoretti, Giovanni Vittorio. Vol. 2. Bonn: Kurt Schroeder, 1923.Google Scholar

Schlegel, Friedrich. “Geschichte der alten und neuen Literatur.” Kritische Friedrich-Schlegel-Ausgabe. Ed. Behler, Ernst. Vol. 6. Munich: Schöningh, 1961. 274–303.Google Scholar

Schlegel, Friedrich. “Geschichte der europäischen Literatur. Die altenglische Literatur.” Kritische Friedrich-Schlegel-Ausgabe. Ed. Behler, Ernst. Vol. 11. Munich: Schöningh, 1958. 167–77.Google Scholar

Tieck, Ludwig. “Shakspeare’s Behandlung des Wunderbaren.” Kritische Schriften. Leipzig: Brockhaus, 1848. 35–74.Google Scholar

Bate, Jonathan. “The Politics of Romantic Shakespearean Criticism: Germany, England, France.” European Romantic Review 1.1 (1990): 1–26.Google Scholar

Grundmann, Heike. “Shakespeare and European Romanticism.” A Companion to European Romanticism. Ed. Ferber, Michael. Malden: Blackwell, 2005. 29–48.Google Scholar

Habicht, Werner. “The Romanticism of the Schlegel–Tieck Shakespeare and the History of Nineteenth-Century German Shakespeare Translation.” European Shakespeares: Translating Shakespeare in the Romantic Age. Ed. Delabatista, Dirk and D’hulst, Lieven. Amsterdam: Benjamins, 1993. 45–53.Google Scholar

Habicht, Werner. “Shakespeare and the German Imagination: Cult, Controversy, and Performance.” Shakespeare: World Views. Ed. Kerr, Heather, Eaden, Robin, and Mitton, Madge. Newark: U of Delaware P, 1996. 87–101.Google Scholar

Hubbs, V. C. “Tieck’s Romantic Fairytales and Shakespeare.” Studies in Romanticism 8 (1969): 229–34.Google Scholar

Larson, Kenneth E. “The Origins of the ‘Schlegel–Tieck’ Shakespeare in the 1820s.” German Quarterly 60.1 (1987): 19–37.Google Scholar

Moylan, Christopher. “The Idea of Therapeutic Theater in English and German Romanticism.” Text and Presentation: The Journal of the Comparative Drama Conference 14 (1993): 63–69.Google Scholar

Paulin, Roger. Ludwig Tieck: A Literary Biography. Oxford: Clarendon, 1985.Google Scholar

Schlegel, August Wilhelm. “Ueber Shakespeare’s ‘Romeo und Julia.’” Die Horen 10.6 (1797): 18–48.Google Scholar

Schlegel, Friedrich. “Über nordische Dichtkunst.” Kritische Friedrich-Schlegel-Ausgabe. Ed. Behler, Ernst. Vol. 3. Munich: Schöningh, 1975. 220–49.Google Scholar