This chapter is on ballads performed inside the playhouse but when plays were over, jigs, and then sold outside by the balladmongers. The first part considers how jigs were written and published by a range of clowns, including Richard Tarlton, Robert Armin and William Kempe; the second part looks at how ‘themes’ or poetic song exchanges, though not themselves printed, were used to enhance sales of other ballads to the same tune; and the third part is on how ‘fan fiction’ ballads, like ‘Robin Goodfellow’ and ‘Poor Tom’, which take play characters and give them new songs, were printed often enough to suggest they were themselves jigs. Jigs, themes and fan fiction ballads ensured plays and ballads were always linked by place and performance, while every production that employed jigs contributed to the selling of broadside ballads.