Published online by Cambridge University Press: 29 May 2021
K595 (Mozart)
Sometimes there breaks in on us a new dance,
darkness touched alight, something going straight
to the bone of our being. For instance,
circumventing thought, total and complete,
Piano Concerto Twenty Seven
unselves our worldliness, undoes our sleep,
a song brought back from the edge of Heaven,
a simple shape of notes that makes us weep.
SEÁN STREET
Kosovo Surprised by Mozart
(Bernard Roberts playing K533, 11 April 1999)
Lovely chromatic Mozart, talk to me
in your language of intimate, arithmetical
progression. Perform with this performer.
Hold that diminished seventh's cutting edge
close against the dominant until it
skylarks away from the tonic's expectant
cages to a charmed high of almost
imperceptible rallentando, only to
circle back lightly into the right key.
Why does what is known of happiness,
like sadness, find insignia in harmony?
Your genes were a template of musical
grammar from the hour of your birth.
You must have translated straight from
sensation into sound, ignoring the tongue’s
barbed wire at disputed borders. How young
you were, how unfinished your work of
spinning tempi into timelessness.
Easy it may be to bless and be blessed
in the terra cognita of Pythagoras, but
who lives there long? Young hungry hours can’t
help but devour us, hacking from east to west
through this eleventh day, fourth month, last year
of the twentieth century. An uninhabited body is
slashed and displayed on a pole. It's not unusual
for flesh to be pummelled, pistol-whipped,
groin-kicked, machine-gunned under arrest.
For news is the news, and our cameras favour
burying sufferers alive in rewindable footage.
And your spirit? Escaped long ago in a passion
of inky dots. It's for ten live fingers to decode you –
leapfrogging over the rubble, the incurable hospital,
the wreck of the temple, the cries and imploring hands.
We accuse you, Herr Mozart, of not representing our age.
Simplified, rarefied, perfectionist as ever,
punish us in the key of F major.
ANNE STEVENSON
Mozart's Horn Concertos
Not for war or hunting cry
Is this; it gentles down the heart,
So there's no question asking ‘Why
Does man exist?’
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