This new section recognizes the greater attention being paid to the manuscript as artifact, performance, or objet d'art itself. Xb is broader than Xa, since extra-manuscript illustration may still relate to reception of Chrétien's romance through intermediaries in other languages. On gestures in illustrations, see François Garnier, Le Langage de l'image au Moyen Age: I. Signification et symbolique. II. Grammaire des gestes, 2 vols (Paris: Léopard d'Or, 1982–89), as well as Ba and Ld.

In Manuscript and Text

1 Brown, Arthur C. L., [A note on Perceval's two javelins], MLN, 40 (1925), 70.

2 Frühmorgen-Voss, Hella, Text und Illustration im Mittelalter: Aufsätze zu den Wechselbeziehungen zwischen Literatur und bildender Kunst, Münchener Texte und Untersuchungen zur deutschen Literatur des Mittelalters, 50 (Munich: Beck, 1975). (XXVIII.26)

See the Introduction by Norbert H. Ott, ‘Text und Illustration im Mittelalter’ (pp. ix–xxi); and Chap. 1: ‘Mittelhochdeutsche weltliche Literatur und ihre Illustration: ein Beitrag zur Überlieferungsgeschichte’ (pp. 1–56).

See Pb183 Schupp.

3 Barber, Richard, The Arthurian Legends: An Illustrated Anthology (Woodbridge: Boydell, 1979), Chap. 6: ‘Yvain or the Knight with the Lion by Chrétien de Troyes: Yvain Wins Laudine.’ (XXXII.150, 402).

4 Wells, David A., ‘Die Ikonographie von Daniel IV und der Wahnsinn des Löwenritters,’ in Festschrift Asher, pp. 39–57. (XXXIV.56)

See Ga36 Bullock-Davies.

See Qa70 Stiennon.

See Gc13 Monde animal.

5 Dinzelbacher, Peter, ‘The Way to the Other World in Medieval Literature and Art,’ Folklore, 97 (1986), 70–87. (XXXIX.56)