Book contents
- Frontmatter
- Dedication
- Contents
- Acknowledgements
- Permissions
- Introduction: ‘Slow Tide on Tide of History’: Poetry by Women in Ireland, 1870–1970
- A Note on the Texts
- Elizabeth Varian (1821–1851–1896)
- Emily Hickey (1845–1881–1924)
- Katharine Tynan (1858–1885–1931)
- Dora Sigerson Shorter (1866–1893–1918)
- Eva Gore-Booth (1870–1898–1926)
- Peace
- Influence
- Time
- Ecstasy
- Narcissus
- Andromeda
- The Chapel in the Forest
- The Two Secrets
- Women's Rights
- The Annunciation
- Form
- Waves
- The Anti–Suffragist
- Francis Sheehy–Skeffington
- 1916
- The House of Three Windows
- The Criminal
- Emily Lawless (1845–1902–1913)
- Susan L. Mitchell (1866–1906–1926)
- Alice Milligan (1866–1908–1953)
- Winifred M. Letts (1881–1913–1972)
- Eileen Shanahan (1901–[1921]–1979)
- Mary Devenport O'Neill (1879–1929–1967)
- Blanaid Salkeld (1880–1933–1959)
- Sheila Wingfield (1906–1938–1992)
- Freda Laughton (1907–1945–?)
- Rhoda Coghill 1903–1948–2000
- Appendix 1: Irish Women Poets 1870–1970
- Appendix 2: Chronology
- Select Bibliography
- Index of Titles and First Lines
This chapter is part of a book that is no longer available to purchase from Cambridge Core
Influence
from Eva Gore-Booth (1870–1898–1926)
Edited by
Book contents
- Frontmatter
- Dedication
- Contents
- Acknowledgements
- Permissions
- Introduction: ‘Slow Tide on Tide of History’: Poetry by Women in Ireland, 1870–1970
- A Note on the Texts
- Elizabeth Varian (1821–1851–1896)
- Emily Hickey (1845–1881–1924)
- Katharine Tynan (1858–1885–1931)
- Dora Sigerson Shorter (1866–1893–1918)
- Eva Gore-Booth (1870–1898–1926)
- Peace
- Influence
- Time
- Ecstasy
- Narcissus
- Andromeda
- The Chapel in the Forest
- The Two Secrets
- Women's Rights
- The Annunciation
- Form
- Waves
- The Anti–Suffragist
- Francis Sheehy–Skeffington
- 1916
- The House of Three Windows
- The Criminal
- Emily Lawless (1845–1902–1913)
- Susan L. Mitchell (1866–1906–1926)
- Alice Milligan (1866–1908–1953)
- Winifred M. Letts (1881–1913–1972)
- Eileen Shanahan (1901–[1921]–1979)
- Mary Devenport O'Neill (1879–1929–1967)
- Blanaid Salkeld (1880–1933–1959)
- Sheila Wingfield (1906–1938–1992)
- Freda Laughton (1907–1945–?)
- Rhoda Coghill 1903–1948–2000
- Appendix 1: Irish Women Poets 1870–1970
- Appendix 2: Chronology
- Select Bibliography
- Index of Titles and First Lines
Summary
Ye who would mould men's souls unto your tyrannous will,
And soften the tiger's heart, and make the wild deer brave,
Can ye then lower the crest of one most gentle wave?
Or shift the flowing lines of the dim absolute hill?
The soul stands like a mountain strong against cloud and storm,
On the face of wave–built waters is the spirit shed,
And none are formless save the indifferent lost dead—
For the immortal carven spirit itself is form.
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- Poetry by Women in IrelandA Critical Anthology 1870–1970, pp. 119Publisher: Liverpool University PressPrint publication year: 2012
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