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This chapter examines four examples of concept formation in formal modeling and draws lessons for scholars outside formal theory. Because defining concepts is often more straightforward than solving models, formalization offers valuable tools for clarifying ideas. First, it highlights how formal definitions of conceptual primitives precede and shape model construction. For example, in economics, elasticity is formalized with intuitive ideal-type values, while in political science, audience costs – defined as part of a payoff structure – have endured owing to their clarity and portability. After solving models, scholars can aggregate and disaggregate equilibrium outcomes to build typologies. The chapter illustrates this with two further concepts: state-sponsored protection (refined through a model of cartel–police interactions), and commitment problems (which benefit from formal aggregation of diverse mechanisms). These cases demonstrate how formal tools, like natural-language concept analysis, help structure concepts – offering transparency, precision, and manipulability, though sometimes at the cost of nuance. For nonformal scholars, the chapter encourages “conceptual accounting”: experimenting with mathematical representations to clarify meanings and omissions. Ultimately, the formalization of concepts is not only compatible with broader conceptual analysis – it can enrich it. A glossary is included to assist readers less familiar with formal theory.
Esteban Echeverría (1805–1851) was born in Buenos Aires before the May 25, 1810, revolution, but was educated in the liberal environment of Bernardino Rivadavia’s government, which sent him to Paris to further his education. Upon return in 1830, he saw the rise of Juan Manuel de Rosas and became an opponent of his regime in both a literary and a political sense. He along with others founded the Asociación de Mayo in 1837, which caused his exile in Montevideo, where he wrote the compelling ‘El matadero’ (The Slaughterhouse) and published the Dogma socialista, from which the current selection is taken. The “socialism” of the title might be somewhat deceptive, in that Echeverría’s program contained the standard tenets of liberal democracy. His thoughts on the rule of law, while not entirely original, became a powerful weapon against dictatorship, one that was seen as applicable well beyond his native land and became a classic of Spanish American political thought.
In his essay on typologies, David Collier urges scholars to “put typologies to work.” This chapter responds by “working with typologies” in synthesizing the rich literature on communist and post-communist regime classifications. The chapter examines several of the descriptive and explanatory typologies that have advanced scholarship on the region, drawing attention to their contributions, as well as missed opportunities for deeper conceptualization and explanation. The analysis includes newly constructed typologies that show how these missed opportunities can be addressed.
Juan Francisco Manzano (1797/8?–1853) was born and grew up as an enslaved person in the province of Matanzas, Cuba. He taught himself to write despite being forbidden to do so by his masters: “when everybody went to bed, I used to light a piece of candle, and then at my leisure I copied the best verses, thinking that if I could imitate these, I would become a poet.” He published a first selection of his poems in 1821, still under slavery. His work attracted the attention of literary circles in Havana, and the favour of Domingo del Monte (1804–1853), “a wealthy intellectual, leader, and patriot who … mentored a generation of young writers.” It was thanks to Del Monte’s efforts that Manzano was able to buy his freedom in 1836. Del Monte also persuaded Manzano to write his autobiography narrating his sufferings under slavery, which he started to write in 1835.
In this appendix, we outline some of the results of the theory of convex analysis that we need throughout the book; two principal examples of such tools are the Brezis–Komura theorem and the Fenchel–Rockafellar duality theorem.
As climate awareness intensifies in the first decades of the twenty-first century, theatre and performance studies continues to reflect on and revise the depth of its engagement with ecology, understood broadly as the interrelationships between organisms and their environments. ‘From Ecology to Ecocriticism’ covers the rise of ecology first as a science then its gradual shift to the humanities and onto theatre and performance studies. The question of the relationship between humans and nature now animates much of the scholarship on ecology, theatre and performance. Hence, if ecology is the study of the interrelations between organisms and environments, then ecology in theatre studies focuses on the interrelations of the theatrical and its referents in the politics of sentence at climate change. The chapter concludes by arguing that ecocriticism in Australia expands to encompass the impact of settler colonialism and the continuing dependence on fossil fuel consumption and exports.
Empirical Legal Studies has arrived in EU law. The past decade has seen the publication of pathbreaking quantitative and qualitative studies, the creation of relevant thematic networks, and the realisation of large-scale empirical research projects. This volume explores the new movement. It features contributions penned by legal and political science scholars working or interested in the field. It is part handbook, for which scholars – experts and novices alike – can reach to get an overview of the state of the art. It is part manifesto, showcasing the need for and potential of this fast-growing area of academic inquiry. Finally, it is a critical reflection, assessing the challenges and limitations of Empirical Legal Studies in the EU context, as well as its interaction with adjacent disciplinary and interdisciplinary endeavours. The book captures the significant contribution which empirical legal research has made to the study of EU law, while facilitating an exchange about the way forward.
While among the most common of Renaissance genres, the epigram has been largely neglected by scholars and critics: James Doelman's The Epigram in England: 1590-1640 is the first major study on the Renaissance English epigram since 1947. It combines awareness of the genre's history and conventions with an historicist consideration of social, political and religious contexts. Tracing the oral, manuscript and print circulation of individual epigrams, the book demonstrates their central place in the period's poetic culture. The epigram was known for brevity, sharpness, and an urbane tone, but its subject matter ranged widely; thus, this book gives close attention to such sub-genres as the political epigram, the religious epigram and the mock epitaph. In its survey the book also considers questions of libel, censorship and patronage associated with the genre.While due attention is paid to such canonical figures as Ben Jonson and Sir John Harington, who used this humble (and sometimes scandalous) genre in poetically and socially ambitious ways, the study also draws on a wide range of neglected epigrammatists such as Thomas Bastard, Thomas Freeman and "Henry Parrot". More subject than author-oriented, epigrams often floated free, and this study gives full attention to the wealth of anonymous epigrams from the period. As epigram culture was not limited by language, the book also draws heavily upon Neo-Latin epigrams.In its breadth The Epigram in England serves as a foundational introduction to the genre for students, and through its detailed case studies it offers rich analysis for advanced scholars.
The first of its kind, this textbook provides a comprehensive introduction to the study of semantics and pragmatics from an interactionist perspective, grounded entirely on empirical methods of social/behavioural science. Designed for advanced undergraduate students, beginning graduate students, and practicing researchers, it responds to the growing requirement that rather than relying on their own native speaker intuitions, students gather and analyze semantic data in a broad range of research contexts, from fieldwork to psycholinguistic and child language research. Practical in its approach, it provides the tools that the advanced student needs in order to 'do' this semantic research, in both field and laboratory contexts. This is facilitated by an innovative view of meaning that combines reference and mental representations as aspects of communicative interaction. It is accompanied by a glossary of terms and a range of exercises for students, along with model answers to the exercises for instructors.
This book is the fruit of twenty years’ reflection on Islamic charities, both in practical terms and as a key to understand the crisis in contemporary Islam. On the one hand Islam is undervalued as a global moral and political force whose admirable qualities are exemplified in its strong tradition of charitable giving. On the other hand, it suffers from a crisis of authority that cannot be blamed entirely on the history of colonialism and stigmatization to which Muslims have undoubtedly been subjected – most recently, as a result of the "war on terror". The book consists of seventeen previously published chapters, with a general Introduction and new prefatory material for each chapter. The first nine chapters review the current situation of Islamic charities from many different viewpoints – theological, historical, diplomatic, legal, sociological and ethnographic – with first-hand data from the United States, Britain, Israel–Palestine, Mali and Indonesia. Chapters 10 to 17 expand the coverage to explore the potential for a twenty-first century "Islamic humanism" that would be devised by Muslims in the light of the human sciences and institutionalized throughout the Muslim world. This means addressing contentious topics such as religious toleration and the meaning of jihad. The intended readership includes academics and students at all levels, professionals concerned with aid and development, and all who have an interest in the future of Islam.
Hollywood romantic comedy inevitably ends with the union of a heterosexual couple. But does this union inevitably involve marriage? What part does equality play? Are love and desire identical? This book explores the genre's changing representation of the couple, focusing on marriage, equality and desire in screwball comedy, career woman comedy and sex comedy. The shifting discourses around heterosexuality, gender, romance and love are considered in relation to such socio-historical transformations as the emergence of companionate marriage, war-time gender roles and the impact of post-war consumerism. Going well beyond the usual screwball territory, the book provides an understanding of the functions of conventions such as masquerade, gender inversion and the happy ending. This is complemented by a distinctive focus on individual films and their star couples, including detailed discussion of Myrna Loy and William Powell, Katharine Hepburn and Spencer Tracy, and Doris Day and Rock Hudson. The book offers foundational explanations of genre and an analysis of cycles and films.
This book tells the story of Thomas Becket's turbulent life, violent death and extraordinary posthumous acclaim in the words of his contemporaries. The collection features all his major biographers, including many previously untranslated extracts, providing both a valuable glimpse of the late twelfth-century world, and an insight into the minds of those who witnessed the events. Both medieval and modern commentators have tended to take more interest in Thomas of Canterbury than in Thomas of London. The earliest recorded disputes in which Thomas was involved as archbishop relate to his attempts to retrieve Canterbury properties. Thomas's establishment as archbishop led to a crisis of unprecedented severity between the crown and the Church in England. His rift with his former friend the king, and the progress of the dispute which led to public confrontation and prolonged exile, was keenly followed all over the Christian world. Thomas's flight and prolonged exile moved the dispute onto a new plane. His heroic attempt to shield the archbishop from the knights' blows earned him a place in the saint's legend, and in many visual representations of the martyrdom.
This book examines the nineteenth-century ideology of 'martial races', the belief that some groups of men are biologically or culturally predisposed to the arts of war. It explores how and why Scottish Highlanders, Punjabi Sikhs and Nepalese Gurkhas became linked in both military and popular discourse as the British Empire's fiercest, most manly soldiers. The violent disruption of the Rebellion of 1857, and the bitterness with which it was fought on both sides, had effects in both Britain and India that went far beyond the cessation of hostilities. The reactions of the British and Indian armies to the European threat created the preconditions for the rise of martial race ideology and discourse. This book also argues that in addition to helping shape Victorian culture more generally, the army influenced the regional cultures of the Highlands, the Punjab and Nepal in remarkably enduring ways. The Victorian army was in fact instrumental in shaping late Victorian British popular culture. The book documents the concrete ways that the 'martial races' themselves were, in a very real sense, self-conscious constructs of the British imagination in spite of the naturalised racial and gendered language that surrounded them. The book bridges regional studies of South Asia and Britain while straddling the fields of racial theory, masculinity, imperialism, identity politics, and military studies. It challenges the marginalisation of the British Army in histories of Victorian popular culture, and demonstrates the army's enduring impact on the regional cultures of the Highlands, the Punjab and Nepal.
This book is about the end of the British Empire in the Middle East. It offers new insights into how the relationship between Britain and the Gulf rulers that was nurtured at the height of the British Empire affected the structure of international society as it remains in place today. Over the last four decades, the Persian Gulf region has gone through oil shocks, wars and political changes; however, the basic entities of the southern Gulf states have remained largely in place. How did this resilient system come about for such seemingly contested societies? The eventual emergence of the smaller but prosperous members such as Qatar, Bahrain and the United Arab Emirates was not at all evident until 1971. Until then, nine separate states had stood in parallel to each other under British influence. At various points, plans were discussed to amalgamate the nine into one, two, three or even four separate entities. What, then, drove the formation of the three new states we see today? Drawing on extensive multi-archival research in the British, American and Gulf archives, this book illuminates a series of negotiations between British diplomats and the Gulf rulers that inadvertently led the three states to take their current shape. The story addresses the crucial issue of self-determination versus ‘better together’, a dilemma pertinent not only to students and scholars of the British Empire or the Middle East but also to those interested in the transformation of the modern world more broadly.
This is a full-length study of Jeanette Winterson's work as a whole, containing in-depth analyses of her eight novels and cross-references to her minor fictional and non-fictional works. It establishes the formal, thematic and ideological characteristics of the novels, and situates the writer within the general panorama of contemporary British fiction. Earlier critics usually approached Winterson exclusively either as a key lesbian novelist, or as a heavily experimental and ‘arty’ writer, whose works are unnecessarily difficult and meaningless. By contrast, this book provides a comprehensive, ‘vertical’ analysis of the novels. It combines the study of formal issues – such as narrative structure, point of view, perspective and the handling of narrative and story time – with the thematic analysis of character types, recurrent topoi, intertextual and generic allusions, etc., focused from various analytical perspectives: narratology, lesbian and feminist theory (especially Cixous and Kristeva), Freudian and Lacanian psychoanalysis, Jungian archetypal criticism, Tarot, Hermetic and Kabalistic symbolism, myth criticism, Newtonian and Post-Newtonian Physics, etc. Novels that read superficially, or appear simple and realistic, are revealed as complex linguistic artifacts with a convoluted structure and clogged with intertextual echoes of earlier writers and works. The conclusions show the inseparability of form and meaning (for example, the fact that all the novels have a spiralling structure reflects the depiction of self as fluid and of the world as a multiverse) and place Winterson within the trend of postmodernist British writers with a visionary outlook on art, such as Maureen Duffy, Marina Warner or Peter Ackroyd.
This book presents a wide range of previously unpublished works by Radclyffe Hall. These new materials significantly broaden and complicate critical views of Hall’s writings. They demonstrate the stylistic and thematic range of her work and cover diverse topics, including outsiderism, gender, sexuality, race, class, religion, the supernatural, and World War I. Together, these texts shed a new light on unrecognised or misunderstood aspects of Hall’s intellectual world. The volume also contains a substantial 20,000-word introduction, which situates Hall’s unpublished writings in the broader context of her life and work. Overall, the book invites a critical reassessment of Hall’s place in early twentieth-century literature and culture and offers rich possibilities for teaching and future research. It is of interest to scholars and undergraduate and postgraduate students in the fields of English literature, modernism, women’s writing, and gender and sexuality studies, and to general readers.
Visual liberalization of public space goes along with a penal regime that increasingly affirms its grip on the individual's sexuality. In 1857, a group of young people who had participated in an orgy in a private mansion was sentenced for contempt of public decency because a voyeur was able to watch them through a keyhole. Today, the term pudeur has disappeared from the French penal code to be replaced by Sex. This book demonstrates that the transformation techniques used by the State in the last two centuries have rendered sexuality into a spectacle and have conditioned our spaces, our clothes, our comportment and even some of our mental illnesses. In so doing, it offers a politico-legal history of the gaze. The law contained in Article 330 of the Penal Code of 1810 had the unique characteristic of appearing exogenous to the juridical order that had invented it. In the logic of Article 330 it was important to discern whether this act took place on the right or the wrong side of the wall of modesty. Liability and publicity were two elements that overlapped when it came to private spaces. Despite everything, the possibility of taking precautions to limit visibility and accessibility of the private spaces differentiated them from public space by nature, such as streets. Interior publicity indirectly created new rules for sex, the effects of which are still detectable throughout the law. The book also discusses chaste nudity, live nudity, unchaste sexuality, and sexual exhibitionism.
From 1348 to 1350 Europe was devastated by an epidemic that left between a third and one half of the population dead. This book traces, through contemporary writings, the calamitous impact of the Black Death in Europe, with a particular emphasis on its spread across England from 1348 to 1349. It charts the social and psychological impact of the plague, and its effect on the late-medieval economy. Focusing on England, an exceptionally well documented region, the book then offers a wide range of evidence for the plague's variegated repercussions on the economy and, no less complex, on social and religious conduct. It is concerned with the British experience of plague in the fourteenth century. Students of intellectual history will find a wealth of pseudo-scientific explanations of the plague ranging from astrological conjunctions, through earthquakes releasing toxic vapours, to well poisoning by Jews. From narrative accounts, often of heartrending immediacy, the book further proceeds to a variety of contemporary responses, drawn from many parts of Christian Europe. It then explains contemporary claims that the plague had been caused by human agency. The book attempts to explain the plague, which was universally regarded as an expression of divine vengeance for the sins of humankind.