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This chapter discusses corpus linguistic work that investigates change in grammatical phenomena, such as word order patterns, complementation, clause linkage, pronoun systems, or markers of tense, aspect, and modality. The focus is on English grammar, but the main points are applicable to grammatical change in other languages as well. The chapter has two parts. The first part is a selective overview of diachronic studies with different subject matters and theoretical backgrounds in the area of corpus-based work on grammatical change. The overview addresses four core questions:• What grammatical phenomena have been studied?• What corpus-based measures and methods have been used in the process?• Which types of grammatical change are highly amenable to corpus analysis, and which ones less so?• What empirical and theoretical results have emerged?The second part of the chapter offers a detailed report on a diachronic corpus study addressing the English derivational suffix -ment. The study illustrates how corpus-based analysis can reveal the life cycle of a word-formation process. Discussion of the new formations that are typical for different historical stages yields a new perspective on productivity not as a one-dimensional quantitative measure but as a grammatical characteristic shaped over time by structure, meaning, and frequency alike.
The torpedoing of the troop transport SS Tuscania on February 5, 1918, was the U.S. Army’s first mass-casualty event of World War I. Along with dozens of British crew members, 215 American soldiers perished. The disaster sent shockwaves across the United States and led to a scandal in the War Department, as angry families demanded more accurate lists of the living and the dead. Several important reforms came in the wake of the tragedy, including the addition of serial numbers to U.S. Army identification discs (or “dog tags”) and new guidelines for the proper care of personnel rosters. While the military struggled to meet the public’s expectations, propagandists responded to the sinking energetically. “Remember the Tuscania!” instantly became a ubiquitous war cry on the American home front. At the same time, visual messaging linked the Tuscania’s fatalities to a new symbology of wartime death, one built around the motivational figure of the Spartan Mother and the icon of the Gold Star. Largely forgotten today, the sinking of the Tuscania offers a revealing case study in the evolving relationship between the U.S. government and the families from which citizen-soldiers are drawn.
Managing financially material climate risk requires reliable, decision-useful data, yet climate-related information remains fragmented and complex. Investor Climate Alliances (ICAs) have emerged as institutional responses, providing the infrastructure to produce, share, and interpret climate risk data across heterogeneous communities. Using the governing knowledge commons framework, this chapter examines ICAs as collective governance systems – institutions that coordinate knowledge production through formal rules, informal norms, and shared practices. Investor Climate Alliances demonstrate that complex knowledge resources can be generated collaboratively. In doing so, they illuminate the friction between collaborative knowledge governance and corporate law’s traditional paradigms which constrain investor collaboration.
The foundation of the chapter is the distinction between regulation and control, and the link between them. The distinction is exemplified by the regulation of body temperature by means of control actions;for example, shivering, sweating, and changing the relation with the environment. The latter reflects motivation. The discussion then goes on to document a number of phenomena that also illustrate regulation and control: non-suicidal self-injury, hair pulling, skin picking, addictions of various sorts, and borderline personality disorder.
This chapter proposes to recast the supply chain as a commons via an extended description of the shared social, intellectual, and regulatory resources currently producing an experiment in a circular economy for organic waste in Sydney, Australia. Organic waste, once composted, finds its way into high-value-added crops like heirloom garlic, which are then sold back to consumers in Sydney. By foregrounding the practices of social learning and information sharing that is making this “circularity” possible, the chapter illustrates how creating a material commons often depends upon creating a knowledge commons to make it cohere, as well as upon creating commoner-subjects who will do the work of caring for both.
This book considers the politics of patronage appointments at the universities in Glasgow, Edinburgh and St Andrews. Emerson explores the ways in which 388 men secured posts in three Scottish universities between 1690 and 1806; from the purge following the Revolution of 1688 to the end of Henry Dundas's political career. Most professors were political appointees vetted and supported by political factions and their leaders. This comprehensive study explores the improving agenda of political patrons and of those they served and relates this to the Scottish Enlightenment. Emerson argues that what was happening in Scotland was also occurring in other parts of Europe where, in relatively autonomous localities, elite patrons also shaped things as they wished them to be. The role of patronage in the Enlightenment is essential to any understanding of its origins and course.This book is based on much archival study and adds substantially to what is known about the Scottish professoriat during the period. For some its arguments will be of importance; for others it will serve as a useful reference work on the universities, enriching our knowledge of them.
To look at the performance history of Titus Andronicus is to confront some provocative questions such as why has this play posed severe problems for generations of readers, critics, editors, actors, directors, and playgoers. The book examines twelve major theatrical productions and one film, on the play, that appeared in the years 1989-2009. It begins with Edward Ravenscroft's version that superseded Shakespeare's script. Peter Brook chose to stylise or formalise many moments, and Deborah Warner's production worked with no cutting of the script. Every staging of Titus elicits comments about the daunting nature of the script. The book presents Irving Wardle's reactions on Trevor Nunn's 1972 rendition, and Stanley Wells's review of the Swan production. The densest concentration of such problems and anomalies, as perceived by today's directors, critics, and editors, comes in the final scene. The productions that opened in 1989, directed by Jeannette Lambermont, Daniel Mesguich, and Michael Maggio, cut and rearranged the text liberally, often in an attempt to avoid the laughter. During the period 1989-99, three major European directors, Peter Stein, Silviu Purcarete, and Gregory Doran, focused their attention on the ways in which the play can be made to comment on specific contemporary affairs. Julie Taymor's venture in 1994 combined stylization with the 'visceral reality' as a means to keep spectators off balance and continuously sensitive to the shocking brutality of the play's events. The book ends by discussing the efforts of Yukio Ninagaw, Bill Alexander, Gale Edwards, Richard Rose, and Lucy Bailey.
Fantastic and Gothic readings of Mansfield’s short stories present us with a covert, darker world, alongside seemingly familiar actions and events.
This volume investigates an unexpectedly rich vein of literary gothic motifs and tropes found within Mansfield’s modernist, experimental prose. The essays investigate her development of the fairytale in several stories discloses how the ‘Cinderella’ story underpins ‘Her First Ball’, how ‘Little Red Riding Hood’ lurks beneath ‘The Little Governess’, and how the figure of the changeling inhabits ‘A Suburban Fairy Tale’. Mansfield’s explorations of the conscious and unconscious mind are elucidated through a discussion of Freud’s theory of the uncanny and the unsettling effects of language in Mansfield’s In A German Pension stories. Finally, the term ‘charm’ is revealed as spanning the two extremes of the fantastic and the ordinary which combine in Mansfield’s evocations of the enchantment of domestic interiors.
This work offers a unique contribution to gender and Scottish history breaking new ground on several fronts: there is no history of inter-war women in Scotland, very little labour or popular political history and virtually nothing published on women, the home and family. This book is a history of women in the period which integrates class and gender history as well as linking the public and private spheres. Using a gendered approach to history it transforms and shifts our knowledge of the Scottish past, unearthing the previously unexplored role which women played in inter-war socialist politics, the General Strike and popular political protest. It re-evaluates these areas and demonstrates the ways in which gender shaped the experience of class and class struggle. Importantly, the book also explores the links between the public and private spheres and addresses the concept of masculinity as well as femininity and pays particular reference to domestic violence. The strength of the book is the ways in which it illuminates the complex interconnections of culture and economic and social structure. Although the research is based on Scottish evidence, it also uses material to address key debates in gender history and labour history which have wider relevance and will appeal to gender historians, labour historians and social and cultural historians as well as social scientists.
The English Revolution was a catastrophic experience for the royalist clergy. Over the course of two tumultuous decades, they saw their king defeated and publicly executed, with his successor forced into exile. Meanwhile, the liturgy and government of their Church were systematically dismantled by parliament. Many found themselves silenced, ejected and even imprisoned at the hands of their enemies. This book examines one crucial way in which these conservative clergymen responded to the challenges posed by revolution: the preaching and printing of sermons. It argues that the upheavals of the 1640s and 1650s forced royalists to reassess earlier assumptions and practices in relation to sermon culture. Preaching was now recognised as an especially vital means of defending, shaping and propagating the king’s cause. As the nation descended into civil war, the clergy sought to influence both popular allegiance and elite decision making from the pulpit. But sermons were also particularly well suited to negotiating the conditions of censorship and persecution with which royalists were confronted as their opponents began to gain the ascendancy. The Lord’s Battle thus provides a valuable new perspective on Civil War preaching, which has traditionally been depicted as the sole preserve of parliamentarians and puritans. At the same time, it represents a significant contribution to understandings of royalist politics, religion and print culture during the seventeenth century.
Both interculturalism and multiculturalism address the question of how states should forge unity from ethnic, cultural and religious diversity. But what are the dividing lines between interculturalism and multiculturalism? This volume brings together some of the most prominent scholars in the field to address these two different approaches. With a Foreword by Charles Taylor and an Afterword by Bhikhu Parekh, this collection spans European, North-American and Latin-American debates.
This lavishly illustrated volume presents the major surviving monuments of the early period of the Rum Seljuqs, the first major Muslim dynasty to rule Anatolia. A much-needed overview of the political history of the dynasty provides the context for the study of the built environment which follows. The book addresses the most significant monuments from across the region: a palace, a minaret and a hospital are studied in detail, along with an overview of the decorative portals attached to a wide array of different building types. The case studies are used to demonstrate the key themes and processes of architectural synthesis and development that were under way at the time, and how they reflect the broader society.
Provides Beckett scholars with a range of first-class essays in a single volume.
The Reader makes readily available for the first time 17 major, previously uncollected significant essays from the Journal of Beckett Studies from 1992 to the present. It is divided into two sections, ‘Foul Papers: Archives and Sources’ and ‘Fair Papers: Theories and Translations’, together with the editor’s Introduction. It contains work by some of the world’s leading Beckett scholars (including John Pilling, James Knowlson, Shane Weller and Mary Bryden) and reflects both a distinctive European emphasis as well as the ‘new pragmatism’ within Beckett Studies.
Key Features
* Gathers 5 strongly textual essays laying out the underpinnings of Beckett’s texts.
* Includes 2 theoretically informed essays by major French philosophers, Bruno Clément and Alain Badiou.
* Includes studies of Beckett’s Italian translations.
* Brings together in one place archival and source material, high quality original research and theoretically informed analysis
This groundbreaking book is the first full-length study of British horror radio from the pioneering days of recording and broadcasting right through to the digital audio cultures of our own time. The book offers an historical, critical and theoretical exploration of horror radio and audio performance examining key areas such as writing, narrative, adaptation, performance practice and reception throughout the history of that most unjustly neglected of popular art forms: radio drama and “spoken word” auditory cultures. The volume draws on extensive archival research as well as insightful interviews with significant writers and actors. The book offers detailed analysis of major radio series such as Appointment with Fear, The Man in Black, The Price of Fear and Fear on Four as well as one-off horror plays, comedy-horror and experimental uses of binaural and digital technology in producing uncanny audio.