To save content items to your account,
please confirm that you agree to abide by our usage policies.
If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account.
Find out more about saving content to .
To save content items to your Kindle, first ensure no-reply@cambridge.org
is added to your Approved Personal Document E-mail List under your Personal Document Settings
on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part
of your Kindle email address below.
Find out more about saving to your Kindle.
Note you can select to save to either the @free.kindle.com or @kindle.com variations.
‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi.
‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.
Borrowed objects and the art of poetry examines seven Exeter riddles, three Anglo-Saxon biblical poems (Exodus, Andreas, Judith), and Beowulf to uncover the poetics of spolia, an imaginative use of fictional recycled artefacts to create sites of metatextual reflection. Old English poetry famously – and for a corpus rather interested in the enigmatic and the oblique, appropriately – lacks an explicit ars poetica. This book argues that attention to particularly charged moments within texts – especially within texts concerned with translation, transformation, and the layering of various pasts – gives us a previously unrecognised means for theorising Anglo-Saxon poetic creativity. Borrowed objects and the art of poetry works at the intersections of recent interest in materiality and poetics, balancing insights of thing theory, and related approaches with close readings of specific passages from Old English texts.
The politics of Middle English parables examines the dynamic intersection of fiction, theology, and social practice in translated Gospel stories. Parables occupy a prominent place in Middle English literature, appearing in dream visions and story collections as well as in lives of Christ and devotional treatises. While most scholarship approaches these scriptural stories as stable vehicles of Christian teachings, this book characterises Gospel parables as ambiguous, riddling stories that invited audience interpretation and inspired the construction of new, culturally inflected narratives. In parables related to labour, social inequality, charity, and penance, the book locates a creative theological discourse through which writers reconstructed scriptural stories and, in doing so, attempted to shape Christian belief and practice. Analysis of these diverse retellings reveals not what a given parable meant in a definitive sense but rather how Middle English parables inscribe the ideologies, power structures, and cultural debates of late medieval Christianity.
This book analyses the Syria crisis and the role of chemical weapons, in relation to US foreign policy. The Syrian government’s use of chemical weapons and their subsequent elimination would dominate the US’ response to the conflict, where these are viewed as particularly horrific arms – a repulsion known as the chemical taboo. On the surface, this would seem an appropriate reaction: these are vile and intolerable weapons, and eradicating them would ostensibly comprise a ‘good’ move. But this book reveals two new aspects of the taboo that challenge this view. First, actors employ the taboo strategically to advance their own self-interested policy objectives. This is in contrast to the highly static and constructivist approaches that have informed conceptualisation of the taboo until now. Far from a situation of normative adherence, this is a case in which the taboo exists as a strategic political resource, used to achieve aims that may have nothing to do with preventing chemical warfare. Second, it is argued that applying the taboo to Syria has exacerbated the crisis. While many expound the benefits of the taboo, it is demonstrated here that the exact opposite is true. The taboo has actually made the conflict significantly worse. As such, this book not only provides a timely analysis of Syria, but also a major and original rethink of the chemical taboo, as well as international norms more widely.
Britain and Africa in the twenty-first century provides the first analysis of the state of UK Africa policy in the era of austerity, Conservative government and Brexit. It explores how Britain’s relationship with Africa has evolved since the days of Blair, Brown and Make Poverty History and examines how a changing UK political environment, and international context, has impacted upon this long-standing – and deeply complex – relationship. This edited collection provides an indispensable reference point for researchers and practitioners interested in contemporary UK–Africa relations and the broader place of Africa in British politics and foreign policy. Across twelve chapters, the book’s contributors examine how far UK Africa policy has been transformed since the fall of the 1997–2010 Labour Government and how far Conservative, or Conservative-led, Governments have reshaped and re-cast links with the continent. The book includes analyses of UK approaches to diplomacy, security, peacekeeping, trade and international development in, or with, Africa. The contributions, offered by UK- and Africa-based scholars and practitioners, nonetheless take a broader perspective on UK–Africa relations, examining the changing perspectives, policies and actions of political parties, advocacy groups and the UK population itself. The authors argue that the Afro-optimism of the Blair years no longer provides the guiding framework for UK engagement with Africa. It has not, however, been replaced by an alternative paradigm, leaving significant space for different forms of relationship to be built, or reconstructed. The book includes a foreword by Chi Onwurah MP, Chair of the All Party Parliamentary Group for Africa.
This book explores key critical debates in the humanities in recent times in the context of the legitimation crisis widely felt to be facing academic institutions, using Derrida's idea of leverage in the university. In particular, it concerns an account for the malaise in the university by linking critical developments, discourses and debates in the modern humanities to a problem of the institution itself. The book finds within these discourses and debates the very dimensions of the institution's predicament: economic, political, ideological, but also, inseparably, intellectual. It looks at some of the recurring themes arising in the early key texts of new historicism and cultural materialism. The book also argues that these approaches in a number of ways orient their critical strategies according to certain kinds of logics and structures of reflection. It instances disorientation and leverage in the university by exploring the problematic doubleness of economics as indeterminately both inside and outside contemporary cultural theory. The book also argues that the interdisciplinary approach of cultural analysis has a certain amount of difficulty positioning economics as either simply an outside or an inside. The orientation and leverage within the university apparently offered by the development of cultural studies and by certain forms of interdisciplinarity comes at the cost of an irresolvable disorientation between the object and the activity of criticism.
The purpose of this book is to critically enhance the appreciation of diplomacy and sport in global affairs from the perspective of practitioners and scholars. The book will make an important new contribution to at least two distinct fields: diplomacy and sport, as well as to those concerned with history, politics, sociology and international relations. The critical analysis the book provides explores the linkages across these fields, particularly in relation to soft power and public diplomacy, and is supported by a wide range of sources and methodologies. The book draws in a range of scholars across these different fields, and includes esteemed FIFA scholar Professor Alan Tomlinson. Tomlinson addresses diplomacy within the world’s global game of Association Football, while other subjects include the rise of mega-sport events as sites of diplomacy, new consideration of Chinese ping-pong diplomacy prior to the 1970s and the importance of boycotts in sport – particularly in relation to newly explored dimensions of the boycotts of the 1980 and 1984 Olympic Games. The place of non-state actors is explored throughout: be they individual or institutions they perform a crucial role as conduits of the transactions of sport and diplomacy. Based on twentieth- and twenty-first-century evidence, the book acknowledges antecedents from the ancient Olympics to the contemporary era, and in its conclusions offers avenues for further study based on the future sport and diplomacy relationship. The book has a strong international basis because it covers a broad range of countries, their diplomatic relationship with sport and is written by a truly transnational cast of authors. The intense media scrutiny of the Olympic Games, FIFA World Cup and other international sports will also contribute to the global interest in this volume.
The twelfth-century Chronicle of Petershausen, composed over the course of more than thirty years, opens a rare window on the life-world of a medieval monastery as it struggles to grow and survive within tumultuous spiritual and temporal landscapes. From its founding by St. Gebhard II of Constance as a proprietary episcopal monastery in 992 through the aftermath of the great fire that ravaged the community in 1159 and beyond, Petershausen encountered both external attacks and internal disruption and division. Across the pages of the chronicle, supra-regional clashes between emperors and popes play out at the most local level. Monks struggle against the influence of overreaching bishops. Reformers arrive and introduce new and unfamiliar customs. Tensions erupt into violence within the community. Advocates attack. Miracles, visions, and relics link the living and the dead. Through it all the anonymous chronicler struggles to find meaning amid conflict and chaos and forge connections to a distant past. Along the way, this monk enlivens his narrative with countless colorful anecdotes – sometimes amusing, sometimes disturbing – creating a history for the monastery with its own unique voice.Intended for specialists and students alike, this volume presents the first translation into English of this fascinating text, which offers a unique glimpse into the lived experience of medieval monasticism and its interactions with the society around it.
Lance Comfort began to work in films between the age of 17 and 19, more or less growing up with the cinema. When he came to make 'B' films in the 1950s and 1960s, his wide-ranging expertise enabled him to deal efficiently with the constraints of tight budgets and schedules. He was astute at juggling several concurrent plot strands, his prescient anticipation of postwar disaffection, the invoking of film noir techniques to articulate the dilemma of the tormented protagonist. Comfort's reputation as a features director seemed to be made when Hatter's Castle, made by Paramount's British operation, opened at the Plaza, Piccadilly Circus, after a well-publicised charity première attended by the Duchess of Kent and luminaries such as Noel Coward. He had been in the film business for twenty years when, in 1946, he directed Margaret Lockwood in Bedelia. Comfort is not the only director who enjoyed his greatest prestige in the 1940s and drifted into providing fodder for the bottom half of the double-bill in the ensuing decades. There were six intervening films, justifying the journalist who described him in early 1943 as the Busiest British film director. Great Day, Portrait of Clare, Temptation Harbour, Bedelia, Daughter of Darkness, and Silent Dust were his six melodramas. He was an unpretentious craftsman who was also at best an artist, and in exploring his career trajectory, the viewer is rewarded by the spectacle of one who responded resiliently to the challenges of a volatile industry.
In 1960–62, a large number of white autochthonous parents in Southall became very concerned that the sudden influx of largely non-Anglophone Indian immigrant children in local schools would hold back their children’s education. It was primarily to placate such fears that ‘dispersal’ (or ‘bussing’) was introduced in areas such as Southall and Bradford, as well as to promote the integration of mostly Asian children. It consisted in sending busloads of immigrant children to predominantly white suburban schools, in an effort to ‘spread the burden’. This form of social engineering went on until the early 1980s. This book, by mobilising local and national archival material as well as interviews with formerly bussed pupils in the 1960s and 1970s, reveals the extent to which dispersal was a flawed policy, mostly because thousands of Asian pupils were faced with racist bullying on the playgrounds of Ealing, Bradford, etc. It also investigates the debate around dispersal and the integration of immigrant children, e.g. by analysing the way some Local Education Authorities (Birmingham, London) refused to introduce bussing. It studies the various forms that dispersal took in the dozen or so LEAs where it operated. Finally, it studies local mobilisations against dispersal by ethnic associations and individuals. It provides an analysis of debates around ‘ghetto schools’, ‘integration’, ‘separation’, ‘segregation’ where quite often the US serves as a cognitive map to make sense of the English situation.
This book is an ethnography of politics of waiting in the contemporary austerity state. While the global political economy is usually imagined through metaphors of acceleration and speed, this book reveals waiting as the shadow temporality of the contemporary logics of governance. The ethnographic site for this analysis is a state-run unemployment office in Latvia. This site not only grants the author unique access to observing everyday implementation of social assistance programmes that use acceleration and waiting as forms of control but also serves as a vantage point from which to compare Western and post-Soviet workfare policy designs. The book thus contributes to current debates across sociology and anthropology on the increasingly coercive forms of social control by examining ethnographically forms of statecraft that have emerged in the aftermath of several decades of neoliberalism. The ethnographic perspective reveals how time shapes a nation’s identity as well as one’s sense of self and ordinary ethics in culturally specific ways. The book traces how both the Soviet past, with its narratives of building communism at an accelerated speed while waiting patiently for a better future, as well as the post-Soviet nationalist narratives of waiting as a sacrifice for freedom come to play a role in this particular case of the politics of waiting.
Men on trial explores how the Irish perform ‘the self’ within the early nineteenth-century courtroom and its implications for law, society and nation. The history of masculinity is now a burgeoning field, as the way men created and understood their identities is explored in different contexts, from marriage to the military, and with increasing nuance. This monograph contributes to this discussion through an exploration of how men from different social groups created, discussed and enacted manliness in the context of the Irish justice system. Drawing on new methodologies from the history of emotion, as well as theories of performativity and performative space, it emphasises that manliness was not simply a cultural ideal, but something practised, felt and embodied. Moving through courtroom architecture to clothing, displays of emotion, speech-making, storytelling, humour and character, Men on trial explores how, through its performance, gender could be a creative dynamic in productions of power, destabilising traditional lines of authority. Targeted at scholars in Irish history, law and gender studies, this book argues that justice was not simply determined through weighing evidence, but through weighing men, their bodies, behaviours and emotions. In a context where the processes of justice were publicised in the press for the nation and the world, manliness and its role in the creation of justice became implicated in the making of national identity. Irish character was honed in the Irish court and through the press.
Northern Ireland is no longer the relentless headline-maker in the global media it once was, when multiple killings and bombings provided a daily diet of depressing news and images. This book commences with a review of the literature on essentialism and then in the three domains: what has come to be known as 'identity politics'; the nature of nationalism; and power-sharing models for divided societies. It draws out implications for key aspects of the Northern Ireland problem. The book is based on secondary sources on Macedonia and Bosnia-Herzegovina (B-H). A key resource is the independent journalistic network in the Balkans responsible for the production of Balkan Insight, successor to the Balkan Crisis Report, a regular e-mail newsletter. The book explores how policy-makers in London and Dublin, unenlightened by the benefit of hindsight, grappled with the unfamiliar crisis that exploded in Northern Ireland in the late 1960s. It shows that a taken-for-granted communalism has had very negative effects on societies recently driven by ethnic conflict. The book argues that conflicts such as that in Northern Ireland can only be adequately understood within a broader and more complex philosophical frame, freed of the appealing simplifications of essentialism. More than a decade on from the Belfast agreement, the sectarian 'force field' of antagonism in Northern Ireland remained as strong as ever. Unionism and nationalism may be antagonistic but as individual affiliations 'Britishness' and 'Irishness', still less Protestantism and Catholicism, need not be antagonistic.
This book presents a new and accessible translation of a well-known yet enigmatic text: the ‘Epitaph for Arsenius’ by the monk and scholar Paschasius Radbertus (Radbert) of Corbie. This monastic dialogue, with the author in the role of narrator, plunges the reader directly into the turmoil of ninth-century religion and politics. ‘Arsenius’ was the nickname of Wala, a member of the Carolingian family who in the 830s became involved in the rebellions against Louis the Pious. Exiled from the court, Wala/Arsenius died Italy in 836. Casting both Wala and himself in the role of the prophet Jeremiah, Radbert chose the medium of the epitaph (funeral oration) to deliver a polemical attack, not just on Wala’s enemies, but also on his own.
This book argues that Victorian culture perceived the orphan as a scapegoat - a promise and a threat, a poison and a cure. It first establishes a discursive context in which to read the orphan figure as embodying a difference within the family. To do so, it describes the figure of Heathcliff in Wuthering Heights against a number of discourses - namely, those of the foundling, the orphan as foreigner, and the orphan as criminal. The book then looks at the role of the orphan and popular orphan adventure narratives in policing and extending empire. It considers Charles Dickens's 'The Perils of Certain English Prisoners, and Their Treasure in Women, Children, Silver and Jewels' within the context of both the Indian Mutiny of 1857 and Dickens's own imperial sympathies. The book also offers the historical context for the schemes adopted at the time for emigrating orphans. It focuses on the three main destinations -Bermuda, New South Wales and Canada - in order to consider the motivations behind the emigrating of orphans and the contemporary evaluations of it. In this historical context, the book positions Rose Macaulay's Orphan Island (1924), which in its Utopian framework poses problems for the both the rationale of the schemes and for current debates within post-colonial studies. It further looks at the exiling of difference, in George Eliot's Daniel Deronda and the return of the exiled orphan from the colonies to the heart of empire, London, in Dickens's The Mystery of Edwin Drood.
The study of film as art-form and (to a lesser extent) as industry, has become a popular and widespread element of French Studies, and French cinema has acquired an important place within Film Studies. The adoption of a director-based approach raises questions about auteurism. This book aims to provide informative and original English-language studies of established figures, and to extend the range of French directors known to anglophone students of cinema. Chris Marker began his career as a writer. He entered filmmaking in the first instance as a writer. His finely tuned skills in this capacity are evidenced from the outset in the richness and beauty of his poetic commentaries. The first decade of Marker's filmmaking career encompasses what Chris Darke terms the 'lost period' of his oeuvre. He co-directed one film with Alain Resnais (Les Statues meurent aussi) and directed five of his own (Olympia 52; Dimanche à Pékin; Lettre de Sibérie; Description d'un combat; and Cuba Si!). Marker's idiosyncratic documentaries reassess what the term 'documentary' means. Two key essayist interventions, Lettre de Sibérie and especially Sans Soleil, have earned him a stellar reputation in the manipulation of this personalised form. The rethinking of filmic time and alternative lives in his many and varied works is enabled, rather than blocked, by an engagement with death and stasis. There is certainly something of this in Marker's oeuvre, which aches at times for what was and what could have been.
This book is a critical study of John Burton's work, which outlines an alternative framework for the study of international conflict, and re-examines conflict resolution. It argues that culture has a constitutive role in international conflict and conflict resolution. The book provides an overview of the mediation literature in order to locate problem-solving workshop conflict resolution within the context of peaceful third-party involvement. It analyses human needs thinking and examines the similarities between it and Burton's thinking. The book also examines the logic of Burton's argument by means of metaphor analysis, by analysing the metaphors which can be found in his human needs theory. It studies further Burton's views of action and rationality, and moves into phenomenology and social constructionism. The book takes as its starting-point a totalist theory of international conflict resolution, namely Burton's sociobiologically-oriented conflict theory, and demonstrates the logic of argument and the denial of culture underlying his problem-solving theory. It explains the dimensions of the social world in order to lay a foundation for the study of conflict and conflict resolution from the social constructionist perspective. The book presents a phenomenological understanding of conflict and problem-solving conflict resolution. Finally, it argues that problem-solving workshop conflict resolution can be best understood as an attempt to find a shared reality between the parties in conflict.
This study analyses concepts and representations of the soul in the poetry of William Shakespeare and John Donne. During the early modern period, the soul is often presented as an actor on the stage of the poem, and the soul often becomes a stage by itself when conflicts within it are being enacted, in the tradition of psychomachia. The soul thus becomes a linking element between the genres of poetry and drama; at the same time, poetry becomes dramatic whenever the soul is at its focus. This double movement can be observed in the poems by Shakespeare and Donne that are concerned with the fate of the soul and represent inner states and processes: in The Rape of Lucrece the inner drama of the soul is being enacted; the Holy Sonnets are soliloquies by and about the soul. Here, the connection between interiority and performance, psychology and religious self-care can be found which is central to the understanding of early modern drama and its characteristic development of the soliloquy. The study thus offers a new reading of the poems by Shakespeare and Donne by analysing them, in different ways, as staged dialogues within the soul. It furthermore contributes to research on the soliloquy as much as on concepts of inwardness during the early modern period; it shows how the reflection on the soul and religious care for salvation develops in interaction with inwardness and theatrical exposure. It is aimed at readers interested in early modern literature and culture.
Shanghai, long known as mainland China’s most cosmopolitan metropolis, has recently re-emerged as a global capital. Above sea: Contemporary art, urban culture, and the fashioning of global Shanghai offers the first in-depth examination of turn of the twenty-first-century Shanghai-based art and design—from state-sponsored exhibitions to fashionable cultural complexes to cutting-edge films and installations. This book offers a counter-touristic view of one of the world’s fastest developing megacities, one that penetrates the contradictions and buried layers of specific locales and artifacts of visual culture. Informed by years of in-situ research, including interviews with artists and designers, the book looks beyond contemporary art’s global hype to reveal persistent socio-political tensions accompanying Shanghai’s explosive transitions from semi-colonial capitalism to Maoist socialism to Communist Party–sponsored capitalism. Analyses of exemplary design projects such as Xintiandi and Shanghai Tang and artworks by Liu Jianhua, Yang Fudong, Gu Wenda, and others reveal how Shanghai’s global aesthetics construct glamorizing artifices that mask historically rooted cross-cultural conflicts between vying notions of foreign-influenced modernity versus anti-colonialist nationalism, and the city’s repressed socialist past versus its consumerist present. The book focuses on Shanghai-based art and design from the 1990s–2000s, the decades of the city’s most rapid post-socialist development, while also attending to pivotal Republican and Mao-era examples. Challenging the “East-meets-West” clichés that characterize discussions of urban Shanghai and contemporary Chinese art, this book illuminates critical issues facing today’s artists, architects, and designers and provides an essential field guide for students of art, design, art history, urban studies, and Chinese culture.
This book examines the Conservative Party’s period in opposition between 1974 and 1979, focussing on the development of policy in a number of important areas. It explains how Conservative policy changed and why it changed in the ways that it did, before going on to draw wider conclusions about Thatcherism and Britain in the 1970s. The central argument is that although this period has often been seen as one of significant change, with Conservative policy one part of much wider and more dramatic developments, if it is examined in detail then much of this change appears modest and complex. There were a range of factors pulling the Conservatives in a number of different directions during this period. At times policy moved forward because of these forces but at others its development was slowed. In order to understand this period and the changes in Conservative policy fully, we need to take a rounded view and have an appreciation of the intellectual, economic and social contexts of the time. However, this book argues that the short-term political context was most important of all, and helps to explain why Conservative policy did not change as much as might be expected. There was not necessarily a clear path through to the 1980s and beyond. The roots of Thatcherism may have been evident but it does not appear to have been inevitable in policy terms by 1979.
The European Commission had become one of the more contentious actors during both Irish referenda on the Lisbon Treaty. This book discusses the role of the European Commission and institutions more generally, as well as the policy area of justice and home affairs. It argues that it is important to evaluate the role of EU institutions for the process of European integration. The book suggests a reconceptualisation of the framework of supranational policy entrepreneurs (SPEs), which is often referred to by the academic literature that discusses the role of agency in European integration. It focuses on the Area of Freedom, Security and Justice (AFSJ) at the policy and treaty levels; primarily on four grounds: academic literature, SPE behaviour, EU's policymaking, and the interplay between treaty negotiations and policy-making. To analyse the role of the European institutions, the book combines an analysis of the Lisbon Treaty in relation to the Area of Freedom, Security and Justice with an analysis of the policy-making in the same area. The public policy model by John Kingdon with constructivist international relations literature is also outlined. The external dimension of counter-terrorism in the EU; the role of the EU institutions in EU asylum and migration; and the role of he Common European Asylum System (CEAS) is discussed. The book also analyses the role of the EU institutions in the communitarisation of the Area of Freedom, Security and Justice, in the Treaty establishing a Constitution for Europe, and thus subsequently in the Lisbon Treaty.