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You’re nicked is a genre study of police series produced by UK television from 1955 to the 2010s. It considers how the relationship among production practices, visual stylistics, and resultant ideology has evolved over the past sixty years, and how this has had an impact on changing cultural definitions of the police series genre.To chart the development of the genre each chapter focuses on a particular decade to examine how key series represent the changes that gendered identities and social-class demographics were experiencing economically, socially, and politically in light of the disassembly of the postwar settlement. Depictions of the police station, domestic scenes of criminals, and the private lives of police officials are examined to unearth the complex ideology underpinning each series and to determine how the police series genre can be used to document socio-economic changes to British society.
This Element introduces PrInDT (Prediction and Interpretation in Decision Trees), a statistical approach for modeling relationships between extra- and intralinguistic variables in World Englishes. It is based on decision trees and controls their size in a way that they are easy and straightforward to interpret. Furthermore, PrInDT optimizes their accuracy so that they best fit the data and can be reliably used for prediction. Moreover, it can handle unbalanced classes that occur, for example, when comparing non-standard with standard linguistic realizations. The various PrInDT functions can deal with classification and regression tasks and can analyze multiple endogenous variables jointly, even for models combining classification and regression. The authors introduce these features in some detail and apply them to World Englishes and sociolinguistic datasets. As examples, they draw on L1 child data from England and Singapore as well as linguistic landscapes data from the Eastern Caribbean island of St. Martin.
This book examines British imperial attitudes towards China during their early encounters from 1792 to 1840. It makes the first attempt to bring together the political history of Sino-Western relations and cultural studies of British representations of China, as a new way of understanding the origins of the Opium War – a deeply consequential event which arguably reshaped relations between China and the West for the next hundred years. The book focuses on the crucial half-century before the war, a medium-term (moyenne durée) period which scholars such as Kitson and Markley have recently compared in importance to that of the American and French Revolutions. This study investigates a range of Sino-British political moments of connection, from the Macartney embassy (1792–94), through the Amherst embassy (1816–17) to the Napier incident (1834) and the lead-up to the opium crisis (1839–40). It examines a wealth of primary materials, some of which have not received sufficient attention before, focusing on the perceptions formed by those who had first-hand experience of China or possessed political influence in Britain. The book shows that through this period Britain produced increasingly hostile feelings towards China, but at the same time British opinion formers and decision-makers disagreed with each other on fundamental matters such as whether to adopt a pacific or aggressive policy towards the Qing and the disposition of the Chinese emperor. This study, in the end, reveals how the idea of war against the Chinese empire was created on the basis of these developing imperial attitudes.
Travelling images critically examines the migrations and transformations of images as they travel between different image communities. It consists of four case studies covering the period 1870–2010 and includes photocollages, window displays, fashion imagery and contemporary art projects. Through these four close-ups it seeks to reveal the mechanisms, nature and character of these migration processes, and the agents behind them, as well as the sites where they have taken place. The overall aim of this book is thus to understand the mechanisms of interfacing events in the borderlands of the art world. Two key arguments are developed in the book, reflected by its title Travelling images. First, the notion of travel and focus on movements and transformations signal an emphasis on the similarities between cultural artefacts and living beings. The book considers ‘the social biography’ and ‘ecology’ of images, but also, on a more profound level, the biography and ecology of the notion of art. In doing so, it merges perspectives from art history and image studies with media studies. Consequently, it combines a focus on the individual case, typical for art history and material culture studies with a focus on processes and systems, on continuities and ruptures, and alternate histories inspired by media archaeology and cultural historical media studies. Second, the central concept of image is in this book used to designate both visual conventions, patterns or contents and tangible visual images. Thus it simultaneously consider of content and materiality.
Divisions between north and south Ireland were prevalent since the 1920s. Yet, until the 1970s, nobody in public life in the Republic of Ireland argued that partition was justified. This book examines in detail the impact of the Northern Irish Troubles on southern Irish society during the period 1968-79. It begins with the aftermath of the civil rights march in Derry in October 1968 and traces the reaction to the events until the autumn of 1972. The impact of August 1969, the aftermath of internment and the response to Bloody Sunday are examined. The book looks at violence south of the border, particularly bombings and shootings and their human cost, and examines state security, censorship and the popular protests associated with these issues. A general outlook at the changing attitudes to refugees and northern nationalists is provided before describing the impact of the conflict on southern Protestants. The controversies concerning the Irish Republican Army and their activities are highlighted. The book looks at the question of revisionism and how debates about history were played out in academia as well as at a popular level. A variety of social and cultural responses to the conflict are examined, including attitudes to Britain and northern Unionists. For many southerners, Ulster was practically a foreign country and Northern Ireland did not seem very Irish. By 1979, the prospect of an end to the conflict seemed dim.
‘I am the least racist person,’ Donald Trump declared. This book unpacks how it is possible for various American administrations to impose discriminatory counterterrorism (CT) and countering violent extremism (CVE) measures on Muslim communities and yet declare that ‘Islam is peace’ or that ‘Muslims are our friends’. The book addresses some of the paradoxes of the securitisation by linking discourses about the role of Muslims in the war on terror in the United States with covert forms of racism. The book is concerned with a securitisation that is covertly rather than overtly expressed, which enables securitising actors like Trump to deny plausibility of racism and claim that they are ‘the least racist person’. The book offers a critique of the ‘soft’ and ‘hard’ approaches to CT and CVE and advances an alternative way to understand radicalisation and terrorism by introducing a quantum perspective. Lastly, drawing on the affective turn, the book adds body to the analysis by theorising emotions and affect in the securitisation of Islam. The book argues that this covert securitisation constructs white American subjects as innocent, unprejudiced and living in a post-racial society averse to racism, whilst constructing Muslim subjects as potential terrorists and thus as sites of securitisation. This book is a timely analysis of the securitisation of Islam since 9/11 and presents an original study that contributes to debates on Islamophobia, white fragility and white victimhood, which have proliferated since the rise of far-right (populist) parties in Europe and the US.
This book sketches the history, and outlines the character, of ethnomethodology, a distinctive approach to the study of the social world that emerged in U.S. sociology in the 1950s and 1960s.It examines one of its main sources, the phenomenology of Alfred Schutz, and its similarities to and differences from the work of Goffman. In addition, there is an assessment of its relationship to sociology and other disciplines, and its central principles are interrogated in detail. Attention is also given to its influence on social research methodology.
Ellen La Motte: nurse, writer, activist, is a biography of La Motte that traces the arc of her life, from her birth in Louisville, Kentucky, in 1873 to her death in Washington, D.C. in 1961. It integrates original unexamined sources such as diaries, unpublished manuscripts, and publishing contracts along with primary sources—letters, newspaper articles, health department reports, and public records—with an examination of her prolific published writings, about topics as diverse as tuberculosis nursing, women’s suffrage, nursing during the Great War, and the opium trade. It considers of how she developed as a nurse, writer, and activist once she entered the Johns Hopkins Training School for Nurses in 1898 and grew into a potent force in the anti-tuberculosis campaign. Gaining experience speaking and writing on behalf of controversial causes, La Motte put her talents to use on behalf of the fight for the vote for women, nursing during World War I and the anti-opium campaign.
Can reading make us better citizens? This book sheds light on how the act of reading can be mobilised as a powerful civic tool in service of contemporary civil and political struggles for minority recognition, rights, and representation in North America. Crossing borders and queering citizenship reimagines the contours of contemporary citizenship by connecting queer and citizenship theories to the idea of an engaged reading subject. This book offers a new approach to studying the act of reading, theorises reading as an integral element of the basic unit of the state: the citizen. By theorising the act of reading across borders as a civic act that queers citizenship, the book advances an alternative model of belonging through civic readerly engagement. Exploring work by seven US, Mexican, Canadian, and Indigenous authors, including Gloria Anzaldúa, Dorothy Allison, Gregory Scofield, Guillermo Gómez-Peña, Erín Moure, Junot Díaz, and Yann Martel, the book offers sensitive interpretations of how reading can create citizenship practices that foreground and value recognition, rights, and representation for all members of a political system.
This chapter views John O’Brien’s Leaving Las Vegas as a novel which is fully aware of the general tenets of Existentialism, and of the baggage that comes with being labelled ‘an alcoholic’, yet does not see that either of these categories are much use to him: the only way to live is to binge-drink his way to death. In taking this route the chapter views the novel as offering a response to Camus’s views in The Myth of Sisyphus around life’s meaning and the question of suicide. The chapter analyses the ways in which both ‘the alcoholic’ and ‘the prostitute’ choose their modes of existence, and how ‘love’ is ultimately not a viable source of meaning or salvation. The cultural context is very much that of an America deracinated by a hedonism for which the committed binge drinker becomes a logical endpoint, and in the face of which a philosophy like Existentialism begins to lose its purchase.
There seems to be no slowing-down in the unceasing instances of thefilm as a point of reference, in matters of varied significance. Thefilm clearly touched on matters of human significance in such waysas account for the longevity of its place in the culture. It is notjust a matter of nostalgia; and it’s not just because of its moralstance, crucial as that is. It is also, finally, a superbly craftedpiece of filmmaking with some unforgettable performances and momentsof visual and aural power.