This chapter traces the history and legacy of Furious Flower, conceived as a conference on Black poetry and poetics in 1994 and continuing to this day as an academic and cultural center housed at James Madison University. While such institutionality may find itself, at times, at odds with the most radical parts of the African American poetic tradition, it is nevertheless a fundamental way to establish historically marginalized writing in the literary consciousness of a nation. This chapter examines the shape and the substance of Furious Flower’s dedication to archival recording while also looking at the organization’s attempt to chart a poetic landscape for African American poetry after the Black Arts Movement, in an era that has seen explosive growth in the production of poetic work but, precisely due to that growth, is increasingly hard to describe as a unified “tradition.” The chapter identifies how, through its dedication to audiovisual material, Furious Flower has turned scores of deeply ephemeral events into something that can be experienced across time and space, repeatedly, for the sake of research, teaching, community-building, and history-telling.

The archaeology of Byzantium is the archaeology of an empire whose chronological bounds, broadly speaking, spanned the fourth through fifteenth century AD. The authors whose works are collected in this handbook examine methods and practice of Byzantine archaeology as well as the materials typically encountered in artifacts produced within the imperial boundaries. Byzantine archaeology is still a relatively young discipline, and, while vast in its scope and ambition, work in the field tends to be challenging to access. This volume aims to remedy this situation by providing current views of the nature of Byzantine archaeology, exploring crucial studies which elucidate salient features of the empire’s people, as well as offering glimpses of how things may develop in the near future.

Culture and emotion are two of the fundamental mechanisms for human adaptation to the natural and social environment. Culture provides informational resources that help a human population adapt to environmental regularities, whereas emotion provides informational resources that help adaptation to environmental perturbations. In this chapter, we speculate on micro-to-macro cultural dynamics under societal threats, namely, when a population experiences recurrent large-scale perturbations. We first piece together individual-level micro-cultural dynamics under societal threat – encoding, storage, and transmission of cultural information when a large proportion of a population is threatened with potential adverse effects by natural challenges, such as extreme weather events and pandemics, or by social challenges, such as wars and conflicts. We then speculate how these processes may give rise to macro-level cultural dynamics under recurrent societal threats by transforming cultural scripts to cope with societal challenges.

At present, signed graphs with a small number of distinct eigenvalues of the adjacency matrix remain largely undetermined, even in the case of just two eigenvalues. This chapter presents the current state of knowledge, focusing on signed graphs that possess at most four eigenvalues. Detailed constructions are provided, along with an in-depth analysis of the interplay between spectral properties and graph structure. Complete characterizations are given for particular signed graphs with two eigenvalues, including various classes such as signed line graphs. In addition, it is shown that the signed line graph of a regular signed doubled graph possesses exactly two eigenvalues. The discussion is further extended to regular signed graphs with three or four eigenvalues, as well as signed graphs with a small number of net Laplacian eigenvalues, highlighting both theoretical results and illustrative examples.

Sanshiro is a famous Japanese novel, and the eponymous garden pond in the centre of my university’s campus. Both played important roles, and especially at this period (e.g. escaping from the hospital to jog round the pond).

Throughout most of the twentieth century, a writer with the last name “Du Bois” helped articulate the shifting contours and geographies of Pan African and Black anti-imperialist literature. This chapter charts the evolving understanding of Black anti-imperialism within evolving geopolitical conjunctures in W.E.B. Du Bois’s, Dark Princess; Shirley Graham Du Bois’s journal articles, short biographies, and political speeches; and David Graham Du Bois’s novel …And Bid Him Sing. This Du Bois genealogy exemplifies the shifting terrain of Pan-African literature and the politics of Black anti-imperialism in the era of Three Worlds. The chapter tracks the awakening of Black anti-imperialism in the context of global 1930s, the Third World terrain of the 1950s, and the African American Third World left of the 1960s and beyond.