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Despite the considerable number of private associations attested in the Peloponnese, epigraphic sources from this region only rarely allow us an insight into norms of the associations’ internal organisation. Beyond a regulation for the use of an hestiatorion, ‘banquet-hall’, and a chalkion (in this context the term probably refers to ‘bronze cooking utensils’ or the place where they were stored) on a metal tablet from Sicyon (sixth/fifth century BC), which is followed by a list of seventy-three male names,1 and an extremely fragmentary inscription from Mantinea,2 which refers to a nomos and to imposition of fines, texts of this type are not preserved. Some indirect light on private associations’ rules and regulations is further shed by a small number of honorific decrees originating in Peloponnesian towns. This chapter will focus on this category of texts from Mantinea.
The self-perpetuity of Greek private associations and the continuous performance of their collective activities presupposed the ability both to admit new members and to draw regular contributions (that is to say, material support) from the existing ones. The diffuse evidence on the rules that regulated these essential aspects of the associations’ internal functions has been thoroughly examined both in the pioneering works of the late nineteenth and early twentieth centuries and in more recent studies.
1 scholars have traditionally opted for units of study comprising distinct cultural and political entities, such as ‘Classical Greek,’ ‘Hellenistic,’ or ‘Roman’ associations. Occasionally, though, Greek and Roman traditions for associating have been treated as an implicit case of Mediterranean institutional unity, constituting one overarching fenomeno associativo, ‘associational phenomenon’.2 Thus, particularly the older historiography of the subject reflects this basic premise of wider Greco-Roman institutional connectedness and compatibility, in that even though the two subjects are most often dealt with separately, they are assumed to add up to a mutually coherent framework for interpreting one or the other or both.
Obviously, this is not the place to argue about the impact of the description on Demosthenes’ rhetorical strategy.2 The passage is significant in another, rather neglected, respect. It reflects the ambience created by these kaloi thiasoi, ‘brilliant groups’, an atmosphere of hustle and buzzes. It is exactly this sense of thorybos conveyed by the passage that interests me. Similar thorybos may be behind the decision of the deme of Piraeus to ban groups of worshippers convening outside the Thesmophorion in Piraeus, except on certain festival days.3Thorybos (that is, cheers, shouts, heckling and laughter) was an essential feature of social activity in the ancient Greek world. Quite apart the religious sphere, several scholars emphasised the role of thorybos in the working of Athenian democracy, in the assembly and in the lawcourts.4 Judith Tacon claims that thorybos (that is, cases when speakers interrupt each other, demos interrupts speakers, demos allies with opposing speakers) was an integral feature of assembly debate and by extension of Athenian democracy. Anti-democracy theorists regarded it as negative.
Associations were variably anchored in space and place.1 Being active in different spheres of life, associations carved their own space into the urban fabric or in the countryside to accommodate their multifaceted activities. Associations were emplaced in civic, sacred and funerary space, enriching and expanding it through their dedicatory, honorific, religious and commemorative practices.2 In these respects, their activities informed the built environment, which in turn framed social interaction.
Private Associations in the Ancient Greek World investigates the rules and regulations produced by ancient private associations in an attempt to show why and how associations were creating a system of well-ordered groups within their communities. Regulations represent, in fact, an understudied aspect of ancient associative life: this book aims to fill this gap by approaching the well-known phenomenon of ancient associations from a new angle. It analyses the organisational structures, legislative mechanisms and features of associations, while at the same time investigating the potential models from – and interrelations with – the habits and strategies of political institutions. It also provides an assessment of the associations’ impact on the broader socio-cultural and physical environment and of their role in local societies, thanks to the establishment of such regulations. The book explores the ideology, values, ideas and aspects of identity embedded in the regulations as ways adopted by associations to create a specific profile to present to the outside world, as well as to members (both existing and future).
The Virgin Mary assumed a position of central importance in Byzantium. This book examines her portrayal in liturgical texts during the first six centuries of Byzantine history. Focusing on three main literary genres that celebrated this holy figure, it highlights the ways in which writers adapted their messages for different audiences. Mary is portrayed variously as defender of the imperial city, Constantinople, virginal Mother of God, and ascetic disciple of Christ. Preachers, hymnographers, and hagiographers used rhetoric to enhance Mary's powerful status in Eastern Christian society, depicting her as virgin and mother, warrior and ascetic, human and semi-divine being. Their paradoxical statements were based on the fundamental mystery that Mary embodied: she was the mother of Christ, the Word of God, who provided him with the human nature that he assumed in his incarnation. Dr Cunningham's authoritative study makes a major contribution to the history of Christianity.
For decades, Pentecostalism has been one of the most powerful socio-cultural and socio-political movements in Africa. The Pentecostal modes of constructing the world by using their performative agencies to embed their rites in social processes have imbued them with immense cultural power to contour the character of their societies. Performing Power in Nigeria explores how Nigerian Pentecostals mark their self-distinction as a people of power within a social milieu that affirmed and contested their desires for being. Their faith, and the various performances that inform it, imbue the social matrix with saliences that also facilitate their identity of power. Using extensive archival material, interviews and fieldwork, Abimbola A. Adelakun questions the histories, desires, knowledge, tools, and innate divergences of this form of identity, and its interactions with the other ideological elements that make up the society. Analysing the important developments in contemporary Nigerian Pentecostalism, she demonstrates how the social environment is being transformed by the Pentecostal performance of their identity as the people of power.
Private associations abounded in the ancient Greek world and beyond, and this volume provides the first large-scale study of the strategies of governance which they employed. Emphasis is placed on the values fostered by the regulations of associations, the complexities of the private-public divide (and that divide's impact on polis institutions) and the dynamics of regional and global networks and group identity. The attested links between rules and religious sanctions also illuminate the relationship between legal history and religion. Moreover, possible links between ancient associations and the early Christian churches will prove particularly valuable for scholars of the New Testament. The book concludes by using the regulations of associations to explore a novel and revealing aspect of the interaction between the Mediterranean world, India and China.
Cicero's Brutus (46 BCE), a tour-de-force of intellectual and political history, was written amidst political crisis: Caesar's defeat of the republican resistance at the battle of Thapsus. This magisterial example of the dialogue genre capaciously documents the intellectual vibrancy of the Roman Republic and its Greco-Roman traditions. This book is the first study of the work from several distinct yet interrelated perspectives: Cicero's account of oratorical history, the confrontation with Caesar, and the exploration of what it means to write a history of an artistic practice. Close readings of this dialogue-including its apparent contradictions and tendentious fabrications-reveal a crucial and crucially productive moment in Greco-Roman thought. Cicero, this book argues, created the first nuanced, sophisticated, and ultimately 'modern' literary history, crafting both a compelling justification of Rome's oratorical traditions and also laying a foundation for literary historiography that abides to this day.