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The immediate context of the Press Act was the wide-ranging legislative programme undertaken during the first session of the Cavalier Parliament from 8 May 1661 to 19 May 1662, a programme which a recent historian of that Parliament has characterized as 'the reconstruction of the old regime'. The three main concerns of the Act were with what may be called licensing, trade restrictions, and printing rights, which together represent the interests of the government and the Stationers' Company. The licensing provisions of the Printing Act were complex in practice, but simple in principle. There were long lists of specified licensers for various categories of books and elaborate rules on the number of manuscripts to be submitted. The Stationers' 'monopoly' was in fact the thing which most troubled opponents of the Act, though they were concerned, not so much with the Company's near-monopoly control over the working members of the trade.
During the Restoration period, the poetry and drama of 'the last age', as it was now called, was selectively reprinted, and the canon of English literature was refashioned, both through the reprinting of works and, negatively, through serious acts of oblivion. Two booksellers were particularly significant in shaping the canon of earlier poetry and drama during the Restoration period: Henry Herringman and Jacob Tonson. This chapter presents specific examples of how the canons of individual poets were shaped, and begins with Tonson's associate, Dryden. The trio of Shakespeare, Jonson and Fletcher was quickly established in Restoration criticism as representing the principal achievement of the pre-war drama. During the 1650s, one of the most innovative publishers of plays had been Humphrey Moseley, who had seen a market for editions of the drama at a time when the playswere no longer being staged. The chapter concludes with an instance that proves that all canon formation is to some degree politically inflected.
The founders of the new presses at Oxford and Cambridge in the 1580s were native Englishmen: Thomas Thomas and Joseph Barnes. The advent of Archbishop Laud at Oxford was therefore important in an institutional way. The Laudian press was to be funded from money received from students on entering the university, and on taking their degrees - the same fund that was to pay for building and maintaining the Schools quadrangle. The distinction between university and private enterprise had been defined in a material way when in 1619 the University of Oxford accepted the Greek type presented by Sir Henry Savile. Between 1655 and the 1690s, only two men were active printers in Cambridge: John Field and John Hayes. For the latter part of the seventeenth century, the name of John Fell, Dean of Christ Church, has become synonymous with learned printing at Oxford. The two university presses faced the challenges posed by the London printers.
D. F. McKenzie was the motive force behind this whole seven-volume project, and his was the informing mind in mapping out the shape of volume IV. He had seen and commented upon all but four of the chapters in this volume, in some cases proposing substantial revisions, most of which had been completed before his sudden and unexpected death in March 1999. Had he lived to read through the typescript once every chapter had been put together, he would undoubtedly have proposed further changes, corrections, revisions and improvements. He would also have co-operated in the writing of the Introduction. In all these ways this volume is the poorer: nevertheless, this volume stands, like the other projects he was involved with at his death, either on his own or in co-operation with others, as a testimony to the breadth of his vision as a scholar and to his ability to inspire those he taught and those with whom he worked.
Many of the points made in Lotte Hellinga's and J. B. Trapp's Preface to the preceding volume in this history about the scholarly and archival sources available to the book historian apply to this period. The Short-Title Catalogue (STC) and Wing's Catalogue (Wing) together give a degree of bibliographical control unique to printed books in English or manufactured in Britain.
The publication of the bull Regnans in excelsis in 1570 had many unexpected side effects, one of which was to inaugurate a native school or habit of scholarship. Scholars work was part of the Erasmian concept of bonae litterae, as much devoted to the spread of learning by translation, from Greek to Latin or Latin to the vernacular, such as grammars and manuals. One-and-a-half centuries later, one of the first English scholars Bishop White Kennett, observed that the reason that most of the old Historians were first printed beyond the seas was cheaper methods and quicker sale that made the Editors to gain abroad what they must have lost at home. Archbishop Parker's belief in the importance of Anglo-Saxon studies stretched from collecting the manuscripts that he left to Cambridge and Corpus Christi College to an informed interest in their printing with specially cut types. The last work of seventeenth-century British scholarship was the first of the new century.
John Donne is the most striking instance of a major Tudor-Stuart poet who flourished in the context of a manuscript culture. Donne's own attitude to their circulation was one of considerable ambivalence, and sometimes outright concern. The situation as regards Donne's prose works is slightly more complicated in that Donne had specific reasons for publishing in print, before his ordination, two substantial anti-Catholic polemics-his very longest work, Pseudo-martyr and Conclave Ignati or Ignatius his conclave. The survival of so many contemporary or near-contemporary manuscript texts of Donne's poems offers scholars special opportunities for the study of manuscript literary culture in this period. At the same time, it provides complex textual problems for modern editors who would seek to establish authentic texts where, without Donne's original autograph manuscripts to help them, none would seem to exist, and where the very history of manuscript transmission would seem to militate against the notion of authority.
William Fulbecke, in 1600, divided law books into four categories, one of them was the undigested primary sources of the law: that is, the ever growing body of acts of Parliament and reports of cases. This chapter focuses on English law book and history of the arrangements for law printing from the reign of Elizabeth I to that of William III. Control of legal publishing was exercised both through the law printers' monopolistic rights, granted by letters patent (to Richard Tottell and John More), and the nascent concept of intellectual property which developed alongside them, and through a judicial licensing system. The chapter explores the workings of law publishing by looking at two projects: one concerned with statutes (Pulton's Statutes, 1618) and the other with case-law (the great yearbook project, 1671-80), for which background information has by chance survived.
Patronage was a significant condition of publication in Elizabethan and early Stuart times. The interrelated families of the Earl of Leicester, Sir Philip Sidney and the Earl of Pembroke performed the functions of patronage most productively, patriotically intent as they were on fostering the growth of humane letters in England. By the end of the third decade, the patronage system was in decline, as one can judge by the case of Ben Jonson, who, even with his reputation as the most excellent poet of the age, found it increasingly difficult to make ends meet. During the Civil Wars and throughout the Commonwealth years, aristocratic patronage faded, and authors were obliged to make the best deals they could directly with the booksellers. Aristocratic patronage was renewed at the Restoration and remained an important factor in the business of bringing out a work of literature, supplemented by increasingly strong market forces that could be effectively directed by an astute bookseller.
The relationship between the London book trade and the provinces was for most of the sixteenth and seventeenth centuries conditioned by the power of members of the London Stationers' trade in controlling printing and distribution. The main role of the provincial book trade in England and Wales from 1557 to 1695 was the distribution of vernacular books printed and published in London and the sale of school books in Latin, printed either in London or abroad. The importation of Bibles and psalms printed more cheaply abroad was a long-standing problem for the London Company. The London trade has preoccupied most historical accounts of the press in England from 1557 to 1695. Together with the emergent trade with the American colonies, the establishment of clear and increasingly reciprocal distribution networks throughout the English provinces in these years.
The British periodical press developed slowly and faltered under early official controls, but flourished when political conflict created opportunities for journalists and publishers. The output of the news press grew and stabilized during the years of active warfare. By 1645 the news press included only half the number of titles of 1642 but double the number of issues published. The periodical press had reached a remarkable state of development by 1649, eight years after the first domestic newsbook appeared. Fifty-four different periodicals were published in that year, with a mix of short-running and long-running, bland and controversial, licensed and clandestine series, and a surprising diversity of subject matter. If the periodical press of 1695 displayed more discretion than valour, it had produced the essential elements that eighteenth-century publishers and journalists would wield more courageously. The business of news, information and entertainment was firmly established.
The cultural impact of printing and the trade in books was out of all proportion to its economic significance. The importation of white and brown paper for writing, printing and packaging probably generated more profit for its wholesalers than the total output of printed texts did for printers, booksellers, mercuries, bookbinders and related trades, put together. Yet although the British book trade in 1557 was unavoidably insular and parochial when compared with that on the Continent, it offered native writers a closed market which meant that a higher proportion of works in the vernacular were published than was the case abroad. Paradoxically, Britain’s off-shore position, which made it for the most part culturally dependent on the Continent for learned writing of all kinds, privileged the development of its own independent traditions within the ‘four kingdoms’. Printing dramatically accelerated the flow of information in the vernacular, and increasingly did so across class, cultural and national boundaries in the English-speaking world. It played a vital role in a world in which oral, visual, manuscript and printed texts all existed side by side, interacting with one another. Print did not replace manuscript circulation or production: as is the case today, the new technology supplemented earlier ones, partially or largely replacing them for some functions, reinforcing them for others.
Constitutionalism he idea of the subjectionthe idea of the subjection of even the highest political authority in a country to limits and requirements having the form and force of law he idea of the subjectionis a notion of normative political theory. Despite this notion's familiarity to us, theorists continue to puzzle over what, exactly, it means for it to be put into practice or how, exactly, its being put into practice may bear on the moral justifiability of political rulership. Our first general question in this chapter is about John Rawls's contributions to this branch of speculative inquiry.
From a lawyer’s standpoint, a “constitution” is an existent law or statute, the country’s highest-ranking one, which no other legal enactment, opinion, or decision may contravene. What lawyers call constitutional law is a body of learning to be used in specifying the content of this highest-ranking law or statute and applying it to disputed cases. Here, too, we find a field of long-standing debate about how judges and other officials ought to approach their tasks of construing and applying basic-law texts and precedents. The issues prove hard to resolve without getting into speculative questions concerning (a) the ends and reasons for which a country’s basic law imposes limits and requirements on ordinary political rule, and (b) the events and conditions by and under which such legal impositions may legitimately be decided and come into force.
John Rawls's A Theory of Justice tells us what justice requires, what a just society should look like, and how justice fits into the overall good of the members of a just society. But it does not tell us much about the politics of a just society: about the processes of public argument, political mobilization, electoral competition, organized movements, legislative decision making, or administration comprised within the politics of a modern democracy. Indeed, neither the term “democracy” nor any of its cognates has an entry in the index to A Theory of Justice. The only traditional problem of democracy that receives much sustained attention is the basis of majority rule, which is itself addressed principally in the context of a normative model of legislative decisions with an uncertain relation to actual legislative processes. This relative inattention to democracy – to politics more generally – may leave the impression that Rawls's theory of justice in some way denigrates democracy, perhaps subordinating it to a conception of justice that is defended through philosophical reasoning and is to be implemented by judges and administrators insulated from politics.
So it comes as something of a surprise when Rawls says, in the preface to the first edition of Theory of Justice, that his conception of justice as fairness “constitutes the most appropriate moral basis for a democratic society.”To be sure, the idea that justice as fairness has a particularly intimate democratic connection is prominent from the 1980 Dewey Lectures forward.
In the Preface to A Theory of Justice, Rawls observes that “[d]uring much of modern moral philosophy the predominant systematic theory has been some formof utilitarianism” (TJ, p. vii/xvii rev.). Critics of utilitarianism, he says, have pointed out that many of its implications run counter to our moral convictions and sentiments, but they have failed “to construct a workable and systematic moral conception to oppose it” (TJ, p. viii/xvii rev.). As a result, Rawls writes, “we often seem forced to choose between utilitarianism and intuitionism.” In the end, he speculates, we are likely to “settle upon a variant of the utility principle circumscribed and restricted in certain ad hoc ways by intuitionistic constraints.” “Such a view,” he adds, “is not irrational; and there is no assurance that we can do better. But this is no reason not to try”(TJ, p. viii/xviii rev.). Accordingly, what he proposes to do “is to generalize and carry to a higher order of abstraction the traditional theory of the social contract as represented by Locke, Rousseau, and Kant.” Rawls believes that, of all traditional theories of justice, the contract theory is the one “which best approximates our considered judgments of justice.” His aim is to develop this theory in such a way as to “offer an alternative systematic account of justice that is superior . . . to the dominant utilitarianism of the tradition” (TJ, p. viii/xviii rev.).
The allegation that liberals neglect the value of community has a long – some would say notorious – history. Rawls's A Theory of Justice, immediately acclaimed as the most systematic and sophisticated statement of liberal theory to date, must have confirmed the worst suspicions of those predisposed to believe that liberalism's emphasis on the individual implied its neglect of the formative significance of their social context and the moral significance of relations between them. For Rawls’s invocation of a hypothetical contract, whereby rational and disembodied individuals, deprived of all particularity and characterised simply as free and equal, are to agree on principles to regulate the distribution of benefits and burdens in society, seemed perfectly to illustrate the claim that liberalism commits a number of fundamental errors:
Seeking an unavailable Archimedean point from which to construct an abstract and universally applicable blueprint for society;
Assuming individuals to be fundamentally self-interested;
Ignoring the fact that people are socially constituted;
Positing an incoherent metaphysical essence of the person; and
Claiming to be neutral while sneaking in strongly individualistic premises.
It is not hard to see why many of Rawls’s most influential critics formulated their objections in terms that pointed, in one way or another, to his failure to appreciate the value or significance of ‘community’, a shared line of attack that, despite important differences, earned them and their critique the label ‘communitarian’.