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This Element introduces the Existential-Spiritual Psychotherapy framework as a promising clinical and research tool and then integrates it with the three pillars of the Multicultural Orientation framework. Section 1 presents Existential-Spiritual Psychotherapy by exploring how spirituality and religion intersect with existentialism and how all three relate to psychotherapy, psychological symptoms, well-being, and flourishing. Section 2 details the Existential-Spiritual Narrative as a roadmap that offers a process framework and introduces the integration of dynamic and culturally sensitive symbols. Section 3 explores existential-spiritual comfort, encouraging therapists' self-awareness around spiritual themes. Section 4 identifies common existential-spiritual opportunities, helping clinicians recognize and engage culturally embedded spiritual content. Section 5 discusses existential-spiritual humility, promoting a posture of humble expertise when navigating spiritual material. Throughout, the authors offer an empirically informed, culturally attuned framework while promoting a dialectical balance in integrating spirituality and religion into psychotherapy.
The themes of tribalism and medievalism unite this wide-ranging collection of essays.
Essays address queer medievalisms in and around Gwen Lally's historical pageants and Radclyffe Hall's The Well of Loneliness; Robert Glück's 1994 novel Margery Kempe; and forms of gender tribalism in and around Josephine Butler's Catharine of Siena: A Biography. Gender is further explored alongside the central theme, with surveys of tribal gendering of masculinity in C. S. Lewis's Prince Caspian and its film; tribalism in medievalist bandits beyond Robin Hood and his "merry" band; and tribal gendering of femininity in the films Brave and Sleeping Beauty. There are also contributions on colonialist tribalism in the staging of Camelot in Richard E. Grant's film Wah-Wah; nationalistic tribalism in German pride, refracted through American frontier attitudes towards Native Americans; tribal perspectives of Native Americans in Guy Gavriel Kay's Fionavar Tapestry; the death of Optimus Prime in Transformers: The Movie as an act that stirs fans' tribal passions; and Carolingian legends as both reflecting and superseding tribal affiliations in twentieth-century America.
Explores the breadth, diversity and significance of the commercial music trade and its communities across Britain during the late seventeenth and eighteenth centuries.
Adding to the existing scholarship on music publishers and instrument makers, mostly based in London and the university cities, the collection challenges this historiography by offering the first collective narrative for the commercial trade in musical goods and services - including the printing, publishing and sale of printed music, the sale of manuscript music, musical instruments and related wares, and the tuning and general maintenance of musical instruments such as organs and pianos.
Contributions draw on evidence from across the country of the trade's activities, networks and communities, and recognize the significance of small cities, market towns and regional hubs in cultural dissemination. The Music Trade in Regional Britain therefore contributes to a growing body of work offering a nationwide account of musical culture. It foregrounds a trade that was far more geographically dispersed, economically significant and culturally broad than has previously been acknowledged.
CONTRIBUTORS: Stephanie Carter, Simon D.I. Fleming, David Griffiths, Nancy A. Mace, Martin Perkins, Christopher Roberts, Roz Southey, Matthew Spring, Robert Thompson
This volume challenges popular assumptions and academic pieties regarding religion and identity on the Iberian Peninsula during the Middle Ages. Its studies of individual works of art and architecture uncoil complex histories from this religiously plural peninsula, intertwining social, cultural, and political identities across seven centuries. Chronicling relationships between religious groups that were neither idyllic nor irreconcilable, these works of art reveal instead expressions of religious separateness balanced within ambivalent and dynamic shared visual identities.
A comprehensive study of the mortality of Norse gods, with close readings of the Prose Edda, Poetic Edda and Saxo Grammaticus' Gesta Danorum.
Divinity usually implies immortality. The very phrase "gods and mortals" highlights an ontological gap between two distinct categories of existence: immortal deities and transient humans. This divide, however, does not hold true in the Scandinavian mythological tradition, where the gods themselves are mortal. This mortality is central to myths such as those of Baldr and of Ragnarøk, and affords the Norse gods narrative potential, that is unparalleled in other traditions, such as those inherited from antiquity.
The first half of this study explores some salient consequences of this attribute, highlighting the striking anthropomorphism of the gods. The second half takes a more diachronic approach, examining the prehistory of the group of gods who became known as the Æsir and arguing that they developed from non-anthropomorphic divine forces shaped by and mobilized in ideologies of leadership and warfare in pre-Christian Northern Europe. By examining how divine mortality not only drives Norse mythic narratives but also reflects wider patterns of thought and belief, including early medieval theories of rulership and the sacralization of human excellence, this book reconsiders the boundaries between godhood and humanity in pre-Christian Scandinavia and, in doing so, questions what it means to be a god.
Every president in the last century has launched his own strategy of federalism, and with every launch, presidents have tried to characterize their own approach as newer and better. Most of these approaches have swung like a pendulum along a continuum from centralization to decentralization. Donald Trump's version of federalism, however, has proven to be radically different, not only in its politics and administration but also in its disconnection from the themes that have long characterized the debate about American democracy, shaped by French intellectual Alexis de Tocqueville in the middle of the nineteenth century. Trump has relied on both finance and force as tools to redefine power in the intergovernmental system. That, in turn, poses enormous challenges not only for the execution of domestic policy but also for the conduct of democracy in America.
'Colonial Senses' explores how Portuguese late colonialism and its afterlives are experienced and resisted through the senses. Moving beyond a purely textual analysis, the Element examines the insurgent optics of Amílcar Cabral, the feminist haptics of Paulina Chiziane and the sonic politics of Black female activists in post-colonial Lisbon. The Element posits that Portuguese late colonialism's sensory regime prioritised proximity and aesthetic contact in order to mask violence and stifle dissent. Using social theory, literature and ethnography, we analyse a variety of visual, tactile and auditory registers. We offer a new hypothesis on the sensory architecture of empire: that the Portuguese colonial empire developed a distinctive multisensory regime structured around aestheticised contact, intimate violence and the suppression of autonomous sensory expression. Combining historical and sociological analysis, this Element demonstrates how sensory colonial legacies endure into the present and contributes to sensory and postcolonial studies.
There are worldwide concerns about the quality of elections and democracy. There is also an ambiguity in academia, the international community and popular discourse about how to define and measure good elections. This Element develops an original concept of electoral integrity based on human empowerment. Elections serve a purpose: They should give citizens a voice, empower the everyday citizen against the powerful and act as mechanisms for political equality. Secondly, it argues that there have been major societal 'megatrends,' meaning that the holding of elections has moved from the modern era to an age of complexity. This describes an era of demographic, technological, legal, economic and political complexity and fluidity. The greater connection between nodes of activities in the electoral process means that elections held in one part of the world can be very quickly affected by actors and developments elsewhere. Thirdly, it provides new measurement tools to assess election quality.
This Element critically explores the notion of climate education in the humanities and how it should embrace the teaching, learning, and research of second and heritage languages (SL/HL), starting with basic language programs. Because language is inseparable from the spheres where climate narratives and discourses circulate. The interconnectedness between language (as discourse), sociolinguistics, culture, social justice, and the climate crisis entails an approach to Climate Humanities that requires a paradigmatic and epistemological turn. By addressing how SL/HL education works and whom it serves, the Element proposes a root-level curricular and program transformation for advancing an equitable language classroom with a focus on climate and sustainability. Comprehensive sections delve into three applied teaching principles: (1) critical analysis and decentralization of climate discourse, (2) contextualization of language teaching, and (3) transdisciplinarity. Examples for classroom implementation showcase praxis in action to practitioners and researchers, and emerging questions and future directions are discussed.
Accessible and reliable introduction in English to the earliest vernacular lyric poetry in the Iberian Peninsula.
Dating to the tenth century, the earliest vernacular lyric poems in the Iberian Peninsula have been seen as evidence of an even older, oral, folk tradition and attest to the multicultural, multilingual nature of the genre from its very beginning. Primarily preserved in manuscript and printed songbooks, these poems were widely diffused across the Hispanic world.
This Companion offers an accessible, reliable introduction in English to early Iberian traditional lyrics from a comparative and interdisciplinary perspective, paying special attention to their multicultural origins and their complex nature as both oral and written compositions. The opening chapters discuss the importance of understanding this dual essence in studying traditional lyrics today, provide an outline of their structure and formal features, and offer a contemporary overview of the field. The volume then examines the kharjas, the cantigas de amigo, and the tradition of Catalan lyricism before turning to a comparison of popular lyrics with the poetry of the cancioneros and romanceros and the preservation of the tradition in Sephardic ballads. The final chapters examine the survival of popular lyrics into the modern era and explore a new means of interpreting these poems through musical archaeology and musicological studies.
Archaeologists increasingly rely on philosophical principles, as evidenced in the Ontological Turn, yet often only engage Western philosophers, which is unfortunate as Indigenous scholars, particularly Native American authors, have provided alternatives applicable to archaeological research. Within this volume, we introduce readers to Native American scholars whose work we apply to major topics in archaeology, including landscapes and knowledge, kinship and extended personhood, and cosmology and ceremonial practices. By contrasting with traditional, Western-based interpretive approaches, we demonstrate the transformative potential of relying on Native American philosophers not only in terms of better understanding the archaeological record but also in how archaeologists and practitioners approach issues such as repatriation, archaeological collections care and handling, and sovereignty. In all, this volume presents a powerful new approach to archaeological research that provides readers with an introduction to Native American philosophers, relevant case studies, and real-world examples that they can use in their own works.
This Element explores the transnational dynamics of Italian fascism and its reception in the Nordic countries from the foundation of Mussolini's Fasci di Combattimento (Combat Fasces) in 1919 to the onset of the Second World War. Although Italian fascism found fertile ground among far right movements and organisations in the Nordics, reactions varied significantly across Denmark, Norway, Sweden, and Finland. The Element emphasises the ideological influence of the March on Rome and highlights how the Nordic far right drew inspiration from Mussolini's regime while also adapting to local contexts. By examining the intricate connections between Nordic and Italian fascisms, this Element aims to provide a nuanced understanding of the complexities of fascism's international appeal, illustrating how local political situations shaped the diverse expressions of fascism in the region and the interplay between fascist ideologies and anti-Bolshevism.
Presents Wagner as a serious philosopher and offers a fresh perspective on the Ring and its unique fusion of myth, human drama, and philosophical insight.
Few figures of the nineteenth century were more influential than Richard Wagner, and few works of art have the scope and historical significance of The Ring of the Nibelung. Wagner himself said that it expressed his entire philosophy of life. Yet little attention has been paid to him as a philosopher, aesthetic theories aside. Instead, the Ring has been viewed in the light of Schopenhauer, Feuerbach, or even Hegel. Wagner's own ideas do not deserve this neglect, and this book addresses that omission. It starts with the more widely read philosophers of his day, such as Fichte; in their context Wagner's often fragmentary thoughts reveal a coherent "materialist idealism" that constitutes a late but significant contribution to Classical German philosophy. His acute social and psychological insights are still relevant, and so is the philosophical history that he saw prefigured in Greek tragedy.
Wagner's philosophy also illuminates the structure of the Ring and offers fresh insights into the characters and conflicts of that endlessly interpretable work. Approachable and engagingly written, balancing narrative, philosophical analysis, and a detailed consideration of the Ring's four music dramas, The Philosopher's Ring shows the cycle to be a work of unparalleled philosophical depth, one reason that it continues to challenge audiences even now, a century and a half after its premiere.
The first integrated overview in English of Latin American crime fiction, a flourishing genre with unique perspectives and characteristics.
Latin American crime fiction has a long and rich history, and this volume offers the first integrated overview in English of a flourishing tradition with unique perspectives and characteristics. Featuring contributions from leading scholars of a multifarious genre often shortened to neopolicíaco or neopolicial, this Companion explores noir literature in Latin America. The first part looks at the history of the novela negra and its manifestations in Mexico, Argentina, Cuba and Brazil. The second part examines patterns and trends including literary crime fiction, the narconovela, a concern for increasing racial and sexual diversity and the phenomenon of true crime. In the third part, expert analyses are given of four leading authors and their work: Paco Ignacio Taibo II, Leonardo Padura Fuentes, Claudia Piñeiro and Rubem Fonseca. The book closes with a chapter on screen adaptations of crime fiction for film and television. Overall, the Companion provides a clear and authoritative account of Latin American crime fiction, showcasing its variety, fluidity and adaptability.
This Element examines the political, architectural, and social transformations of the Ottoman Empire during the reign of Selim III (1789–1807), foregrounding the central role of imperial women in shaping reform. While Selim's military and administrative initiatives reconfigured Istanbul's urban fabric, his mother, sisters, and female relatives actively advanced these efforts through architectural patronage, diplomacy, and gift exchange. Drawing on archival sources, visual materials, and microhistorical analysis, the Element reconstructs the dynamic networks sustained by these women and their stewards. It challenges assumptions of female invisibility, demonstrating instead their strategic visibility, economic agency, and integral participation in imperial governance and cross-cultural exchange.
Henry Sharpe's journals are an early-Victorian treasure-trove, rich with observations about the great political and social concerns of the time, as well as the ups and downs of family life and raising children.
Henry Sharpe's journals are an early-Victorian treasure-trove. This remarkable document is rich with observations about the great political and social concerns of the time, with an extraordinary range of ideas and depth of discussion on literary, artistic and philosophical matters. He reveals detail about historic events not mentioned elsewhere, expanding our knowledge of Hampstead and of wider London history.
Sharpe's great passion was for education. He spent much of his spare time teaching in local schools and setting up Reading Rooms and evening classes for working men. His accounts of the ups and downs of family life and raising children are both touching and amusing, putting Victorian fatherhood into a new light. His trenchant views, especially on political and religious matters, are often startling, contradicting the usual stereotype of the Victorian middle classes.
The culmination of years of teaching experience, this book provides a modern introduction to the mathematical theory of interacting particle systems. Assuming a background in probability and measure theory, it has been designed to support a one-semester course at a Master or Ph.D. level. It also provides a useful reference for researchers, containing several results that have not appeared in print in this form before. An emphasis is placed on graphical representations, which are used to give a construction that is intuitively easier to grasp than the traditional generator approach. Also included is an extensive look at duality theory, along with discussions of mean-field methods, phase transitions and critical behaviour. The text is illustrated with the results of numerical simulations and features exercises in every chapter. The theory is demonstrated on a range of models, reflecting the modern state of the subject and highlighting the scope of possible applications.
Examines an important novelistic genre of the early German Democratic Republic for what it tells us about the country's aspirations to remake labor affectively and thus to build a socialist society.
In a series of socialist realist novels written in the early 1950s, East German authors sought to capture "the new feeling of work" under socialism, to portray the collective enthusiasm of building a new world out of the ruins of fascism and war. In the GDR, this construction literature received an ambiguous reception even at the time; in the West it was dismissed as propaganda; and it is now largely forgotten. Why revisit it now? Drawing on the theorization of living labor elaborated in Oskar Negt and Alexander Kluge's work, particularly their monumental treatise History and Obstinacy, and on contemporary Marxist feminist accounts of social reproduction theory, this book argues that East German construction literature provides us with a set of case studies in the social reorganization of work and the emotions and infrastructures that attend to it, even as these novels attempt to contain these transformations through socialist realist aesthetic strategies. The much-bemoaned awkwardness of these novels, then, is perhaps not only to be found in their didacticism but in the limits of that didacticism, where they seek both to portray and to disavow the transformation of work and the working class in the GDR. This book confronts the question: what was socialist affective labor and what could it have been?
A lavishly illustrated study of the Welles-Ros Bible, exploring its provenance, ownership, design and production.
At some point between c.1366 and 1373, the noblewoman Maud de Ros, widow of the Lincolnshire baron John de Welles, commissioned what is now the earliest surviving entire translated Bible from England. The Welles-Ros Bible contains the most complete edition of the Anglo-Norman Bible - a close, often literal translation of the Vulgate into insular French - as well as 82 narrative, highly personalized illustrations.
As this first long-form study of the manuscript argues, Maud commissioned the Bible to serve as a mirror, guide, family archive, dynastic chronicle, and source of spiritual instruction and consolation for her youthful son, John, 5th Baron Welles (1352-1421). Moreover, Maud played a key role in the production of the text edition and the design of many of the images. This book analyzes the manuscript, its text, and its vivid illuminations in the context of rich traditions of medieval biblical translation, production, and illustration, offering fresh insights into the roles of images in shaping and mediating scripture and religious experience. Adding to our understandings of life among the lower nobility in later fourteenth-century England, this cultural history of a major artefact also expands our picture of the cultural patronage and creative agency of laywomen, as well as medieval strategies of memorialization, responses to the Plague, and ideas about gender, identity, sexuality and the emotions.
Provides the English-speaking reader with a comprehensive guide to the fiction of Alfred Döblin, a major figure in German and European literary modernism.
Alfred Döblin was born into a Jewish family in 1878 and grew to become a leading German literary figure before he had to flee from the Nazis in 1933. His big-city novel Berlin Alexanderplatz (1929) is often compared to Joyce's Ulysses, but Döblin had been exploring modern narrative techniques since the early 1900s, and his themes were entirely his own. In view of the highly diverse character of his fictions and their settings-ranging from Europe to China and South America, and from the sixteenth century to the twenty-seventh-the first four chapters of this book present them according to broad thematic concerns-Person, Power, Nature and Culture-rather than chronological sequence. The aim is to encourage readers to identify aspects of his writing that they would like to investigate further for themselves.
The introduction provides initial orientation in Döblin's early thinking and the way he conceived the writer's task, and that is followed by a concise description of his family background and his subsequent personal biography. The final two chapters focus respectively on the development of his skill in the deployment of specific narrative techniques and on how historical circumstances affected his philosophical and religious orientation in the course of his adult life, from the language skepticism of his early years and his professed agnosticism in the 1920s to his late conversion to Catholicism.