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The scene is familiar to most students of English history. In 664 A.D. the Northumbrian kings Oswiu and his son Alhfrith met with their clergy at Whitby to resolve (in Bede's words) “a great and active controversy about the keeping of Easter.” Oswiu, who presided over the council, listened patiently to a long and often bitter debate between the Irish and Roman advocates. On the surface, it was an unequal contest, for the traditions of Iona were upheld by the king's own bishop, Colman, while those of Rome were championed by a young abbot, Wilfrid, a protege of Alhfrith. But once again David slew Goliath. Oswiu, fearing for the welfare of his soul, pronounced in favor of the Apostle Peter, the “hostiarius … qui claues tenere probatur,” thus turning his back on his own childhood teachings. “When the king had spoken, all who were seated there or standing by, both high and low, gave up their imperfect rules, and readily accepted in their place those which they recognized to be better.”
Bede portrayed the Council of Whitby as the decisive confrontation in his native Northumbria between the rival ecclesiastical traditions of Rome and Iona. For him, the Roman triumph, the climax of the third book of his Ecclesiastical History, signified that the Northumbrian church would no longer be guided by “a handful of people in the remotest of islands,” but would rejoin the “catholic and apostolic" Church of Christ. Oswiu's dramatic conversion at Whitby was thus a crucial step in the growth of Christian unity in the British Isles.
Ever since the first flowering of scholarship on women in the late nineteenth and early twentieth centuries, convents have occupied a central place in historians' estimate of the position of women in medieval and early modern Europe. In 1910, Emily James Putnam, the future dean and president of Barnard College, wrote enthusiastically in The Lady, her path-breaking study of medieval and renaissance aristocratic women, “No institution in Europe has ever won for the lady the freedom of development that she enjoyed in the convent in the early days. The modern college for women only feebly reproduces it.” In equally pioneering works published in the same period, both Lena Eckenstein and Eileen Power recognized the significance of the nunnery in providing a socially acceptable place for independent single women.
Many contemporary historians share this positive view of convents. In Becoming Visible, one of the most widely read surveys of European women's history, for example, William Monter wrote approvingly of convents as “socially prestigious communities of unmarried women.” Similarly, Jane Douglass praised nunneries for their importance in providing women with the only “visible, official role” allotted to them in the church, while Merry Wiesner, sharing Eckenstein and Power's perspective, has observed that, unlike other women, nuns were “used to expressing themselves on religious matters and thinking of themselves as members of a spiritual group. In her recently published study of early modern Seville, to give a final example, Mary Perry criticized the assumption that nuns were oppressed by the patriarchal order that controlled their institutions; instead, she emphasized the ways in which religious women “empowered themselves through community, chastity, enclosure and mystical experiences.”
The early Stuart period witnessed a startling transformation in the physical environment of the royal court. At James I's accession, Whitehall and the great courtier's palaces along the Strand still lay in an essentially rural landscape. To the south, Westminster was a compact town of perhaps 6,500 people, while to the north and east, the three Strand parishes of St. Martin's-in-the-Fields, St. Mary le Savoy, and St. Clement Danes contained another 6,000, mostly concentrated in a narrow ribbon along the Strand itself. North of the Strand, the landscape remained open except for a thinner ribbon along High Holborn. Covent Garden was a pasture and orchard, containing a number of fine timber trees, St. Martin's church was still literally “in the fields“ and Lincoln's Inn Fields comprised over forty acres of open land. Dairying and market gardening were going concerns over much of what soon became the West End. Only a few years before, St. Martin's parish had experienced an enclosure riot.
On the eve of the Civil War, a continuous urban landscape extended from Temple Bar as far as Soho, and ribbons of development spread along both sides of St. James's Park, as far as Knightsbridge and Picadilly. The population of old Westminster had increased by about 250 percent, while the Strand area grew even more rapidly, with St. Martin's-in-the-Fields experiencing more than a fivefold increase to as many as 17,000 people. Had they been independent settlements, all three of the large West End parishes of St. Margaret's Westminster, St. Martin's-in-the-Fields, and St. Clement Danes would have ranked among the half dozen largest English provincial cities. In all, the western suburbs' population probably stood between 40,000 and 60,000.
Wilkie Collins's Victorian novel The Woman in White contains a scene in which the hero unknowingly aids the woman of the title, Anne Catherick, to escape from an asylum. When he learns that she was an escaped patient, he reflects on his action: “what had I done? Assisted the victim of the most horrible of all false imprisonments to escape; or cast loose on the wide world of London an unfortunate creature, whose actions it was my duty, and every man's duty, mercifully to control?” The question was one which, less directly, confronted Victorian society as a whole. The nineteenth century saw the rapid expansion of an asylum system designed “mercifully to control” the insane, a development of which many Englishmen felt proud. Yet this pride was often accompanied by an endemic, nagging fear that persons were being improperly confined in asylums. Occasionally, the exposure of some apparently egregious case of wrongful confinement raised these fears to epidemic proportions and produced what the Victorians called “lunacy panics.” These outbursts of public rage symptomized the tensions within a society determined to ban the mad from its midst, yet uncertain of the boundaries of madness, skeptical of the abilities of those it had chosen to draw those boundaries, and undecided as to the actual purposes of confinement. Indeed, the Victorians never clearly established what they meant by “wrongful” confinement. At times they seemed to mean the confinement of the sane; at other times they seemed to include those who were insane but not manifestly dangerous.
The demonstration in the House of Commons on March 2, 1629, by Sir John Eliot, John Selden, and several other members was an event with the most serious implications. Their protest against the Arminian movement in the English church and against the levying of Tonnage and Poundage without the consent of Parliament was in fact an appeal to the country over the head of the king's government. One is inclined to agree with Conrad Russell that this act was potentially revolutionary. Its immediate consequence was a stoppage of trade and a widespread refusal to pay customs duties, at a time of desperate royal financial need. On March 3, Eliot, Selden, and seven other members of the Commons were summoned to appear before the Privy Council, where they were later interrogated as to the meaning of their words and actions. When questioned, most of them appealed to parliamentary privilege, four (including Eliot) refusing absolutely to answer any question concerning matters in the House. Two of the delinquents, Coryton and Hayman, submitted themselves to the king and were released. The remaining seven were detained. The prosecution of these men by the Caroline regime was an important political episode too lengthy to be dealt with here in its entirety. But one aspect of these proceedings is worthy of examination in its own right. The hearings in King's Bench on the return of the prisoners' writs of habeas corpus have not received the attention and the analysis they deserve.
Significant change in the relationships between rulers, elites, and political authority is a common feature of the major European states in the last half of the eighteenth and the first half of the nineteenth centuries. In Russia, under Peter III and Catherine II, the nobility was released from the obligation to serve the state as established by Peter the Great and allowed to own property, engage in trade and manufacturing, and participate in local assemblies. In the course of the nineteenth century the hereditary landowning nobility, particularly the wealthiest elements of it, became firmly entrenched in the upper reaches of the bureaucracy without ever being able to dominate it. In Prussia, under Frederick the Great and Frederick William III, noble and gentry landowners were allowed to filter into the ranks, especially the higher ranks, of the bureaucracy; this reversed the embourgeoisement that had occurred under Frederick William I, but not so far as to threaten seriously the bureaucracy's loyalty to the Hohenzollerns or to weaken its reputation for efficiency. Thus the great reforms that followed the defeat by France in 1807 and were designed in part to lay the basis for recovery were executed by a combination of noble and non noble officials, and the latter were especially encouraged in order to ensure that merit rather than birth prevailed as the qualification for state service. In both cases, it could be argued, rulers found it necessary to recruit officials as well as an officer corps from the landed classes when war and territorial aggrandizement expanded the scope of government; they were loath to encourage the idea that landed wealth could automatically bestow political authority.
Most studies of eighteenth-century Nonconformity have concentrated upon the Dissenters' political ideology, and their contribution to the emergence of liberal thought is now established. Such well-known reformers as Richard Price and Joseph Priestley, and less prominent ones like William Smith and Robert Robinson of Cambridge, all illustrate the importance of Nonconformity to the Commonwealthman tradition. Two related issues, however, call for further investigation: the influence of the leaders' progressive ideology upon the laity's political behavior and the Dissenters' relation to Whig party politics and reform. The most widely accepted view of the political impact of Nonconformity was advanced by W. E. H. Lecky and G. M. Trevelyan. Both historians assumed that the laity's behavior was an accurate reflection of the beliefs of the elite, and they proceeded to make large claims for the importance of Nonconformity to the English “party system.” In the Romanes Lecture of 1926, Trevelyan advanced the thesis in its classic form: “from the Restoration to the latter years of the Nineteenth Century, the continuity of the two parties in English politics was very largely due to the two-party system in religious observance, popularly known as Church and Chapel.” Within three years of Trevelyan's writing, the Whig interpretation of party was demolished by Lewis Namier, and with the dismantling of the notion of a two-party system, there seemed little reason to pursue the more refined issue of religion and party. Only recently has the topic been taken up again, and this research suggests that there may have been a significant connection between Nonconformity and party politics at both the national and the local level.
In Elementary Schooling and the Working Classes, 1860–1914, J. S. Hurt employs what has become a classic opening in works of social history. “Much of the history of education,” he declares, “has been written from the top, from the perspective of those who ran and provided the schools, be they civil servants or members of the religious societies that promoted the cause of popular education. Little has been written from the viewpoint of those who were the recipients of this semi-charitable endeavour, the parents who paid the weekly schoolpence and the children who sat in the schoolrooms of nineteenth-century England.”
Hurt's point is well taken, but he leaves himself open to the retort that he also draws his information mainly from official sources. The parents rarely speak in his book, the children almost never. One could make the same criticism of Phil Gardner's The Lost Elementary Schools of Victorian England. Gardner claims that the so-called dame schools, the private venture schools that served a large fraction of the Victorian working class, were unfairly disparaged and suppressed by educational bureaucrats. But he too depends largely on bureaucratic reports to reconstruct the history of schools outside the state system. Neither Gardner nor Hurt quite succeeds in plumbing educational history to the very bottom: they do little to reconstruct the classroom experience from the viewpoint of the working-class child.
What sources could we use to recover that history? There are, of course, the reports of school inspectors, but Gardner warns us that they had a vested interest in condemning dame shools.
On Guy Fawkes Day in 1876 an angry mob of retailers staged a charivari in the fashionable shopping promenade of Westbourne Grove in Bayswater. Their demonstration targeted William Whiteley, a linen-draper rapidly expanding his shop into London's first department store. With his recent addition of a meat and green grocery department, Mr. Whiteley “had made himself exceedingly distasteful” to the “provision dealers in the district.” This distaste turned into a raucous procession through the neighborhood's streets. Around noon, “a grotesque and noisy cortège entered the thoroughfare [Westbourne Grove]. At its head was a vehicle, in which a gigantic Guy was propped up … vested in the conventional frock coat of a draper … conspicuous on the figure was a label with the words ‘Live and Let Live’ … in one hand of the figure a piece of beef bore the label ‘5 1/2 d.’ and in the other was a handkerchief, with the ticket ‘2 1/2 d. all-linen.’” Dressed in their traditional blue frocks and making “hideous” noises by banging cleavers against marrow bones, Bayswater's butchers finally disposed of Whiteley's effigy in a bonfire in nearby Portobello Road.
The English charivari, “rough music,” was a communal protest that censured both public and private behaviors. Female scolds, wife beaters, or couples united in apparently mismatched unions might all be chastised in this way. These noisy protests were also directed at any individual who, as E. P. Thompson described it, rode “rough-shod over local custom.”
In recent years historians have significantly broadened the parameters of popular politics in the eighteenth century to include the ceremonial and associational aspects of political life, what might be aptly described as popular political culture. Whereas the subject of popular politics was conventionally confined to the programmatic campaigns of post-1760 radicals and to the crucial but episodic phenomenon of popular disturbance, historians have become increasingly attentive to the anniversaries, thanksgivings, processions, and parades—to the realm of symbolism and ritual—that were very much a part of Georgian society. This cultural perspective has radically revised our notion of the “popular,” which can no longer be consigned unproblematically to the actions and aspirations of the subaltern classes but to the complex interplay of all groups that had a stake in the extraparliamentary terrain. It has also broadened our notion of the “political” beyond the confines of Parliament, the hustings, and even the press to include the theater of the street and the marketplace with their balladry, pageantry, and iconography, both ribald and solemn.
Within this context, the theme of the admiral-as-hero in Georgian society will be explored by focusing on Admiral Edward Vernon, the most popular admiral of the mid-eighteenth century, and Horatio Nelson, whose feats and flamboyance are better known. Of particular interest is the way in which their popularity was ideologically constructed and exploited at home. This might seem an unorthodox position to take. Naval biographers have assumed that the popularity of admirals flowed naturally and spontaneously from their spectacular victories and exemplary feats of valor. This may be taken as a truism. But it does not entirely explain their appeal.
In June 1913, on a holiday trip to Paris, George Wyndham died suddenly of a heart attack—he was not quite fifty years old. Shocked by this unexpected loss, colleagues in the Conservative Party and the House of Commons, whose inner circles he had occupied for a quarter of a century, organized the usual tributes. Obituaries laid out Wyndham's pedigree as scion of one of England's more romantic landed families, charted his meteoric rise in the 1890s under Arthur Balfour's patronage, referred briefly and discreetly to his troubled tenure as Irish secretary from 1900–1905, and applauded his versatility as a sportsman and a man of letters. Despite his truncated career, interest in Wyndham did not wane after these first homages. Working through the interruption of war, his family saw that collections of letters and essays, with the 1925 set prefaced by J. W. Mackail's “life,” reached the public. These materials prompted pen portraits and biographies that appeared at regular intervals into the 1970s.
A largely sympathetic group of authors, those who wrote about Wyndham faced the interesting challenge of presenting as inspiring and exemplary a life whose disappointments had threatened to outweigh its achievements. The solution they found was one that Wyndham would have accepted, for, indeed, he helped to shape it. In their hands, George Wyndham became a modern Siegfried, the charming, versatile, and disinterested son of an extraordinary ruling class—now, alas, eclipsed—who had guided Britain through two centuries of unprecedented grandeur and prosperity.