Migrants are an easy, visible Other, seeming to fall neatly into the us-versus-them framework of nationalism. Nevertheless, much of the scholarly approach to migrant identity, with the partial exception of a largely separate literature on citizenship, has eschewed overt ties to nationalism studies. When us-versus-them language is used in relation to nationalism, the focus or nodal point is the identity of the seemingly homogenous “us” of the nation. However, when migrants are othered, the focus is not always the nation, and while othering migrants always creates exclusion, it is not always exclusion from a nation or identity group. This state of the field article analyzes the literature on populism, securitization, biopolitics, and other critical scholarship related to the issue of othering migrants. In each of these bodies of work, different sets of “us” are set against migrants, some of which evoke identity and others of which do not, elucidating the links (or the lack thereof) of each approach to the study of nationalism. In each of these frameworks, the migrant Other comes up against a different frame of reference, leaving migrants themselves (or any sense of migrant identity) somewhat lost amid the analytical frameworks, at continual risk of being re-othered as victims of circumstance without agency.

The last century of the Ottoman state’s existence witnessed the transformation of the term “Ottoman” from an elite, class-based, and exclusive designation to one including and identifying all whose allegiances were tied to the state. Despite this semantic shift, the verdict is still out on the question of late-Ottoman inclusivity. Indeed, exclusivist is a term more frequently coupled with policy and law. Though the former can be considered exclusivist in many instances from the late 19th century through the dissolution of the empire, the designation does not fit the legal framework and terminology that articulated belonging. To recognize this, it is imperative to approach the 1869 Ottoman Nationality Law from a comparative perspective, especially, though not strictly, with reference to Great Power laws, since these legalities are the yardstick by which Ottoman rational modernity has been measured. This article considers access to actual and potential membership in various nationality laws in relation to their Ottoman counterpart and concludes that the exclusivist designation is questionable. Instead, Ottoman law does not present an anomaly and was in many instances both more expansive and more inclusive than others—even if it has been subjected to a different vocabulary than contemporaneous laws with similar stipulations.

As elsewhere in Europe after the First World War, the Balkans went through a process of “paramilitarization.” Unlike the rest of Europe, there existed a strong indigenous paramilitary culture originating from the time of Ottoman rule. In the interconnected, harsh political realities of victorious Yugoslavia and vanquished Bulgaria, both states and their political elites resolved to create new paramilitary formations. While in the case of Yugoslavia and its Organization Against Bulgarian Bandits there was a resurgence of an older style paramilitary formation, in Bulgaria leading figures of the ruling Bulgarian Agrarian National Union decided to create the Orange Guards—a completely new paramilitary formation based on the existing structure of their party. The common denominator for both formations was the threat posed by the Internal Macedonian Revolutionary Organization for security, territorial integrity, and the normal development of both states. As in most cases of paramilitary formation, their existence and actions were followed by violence, often marked by extreme brutality. Both the agrarian regime and Orange Guards perished in the violent summer of 1923, when a carefully planned and executed coup d’état ended the agrarian revolutionary attempt to transform Bulgarian society. The Organization Against Bulgarian Bandits, under the new name of Peoples Self-Defense, continued to function throughout the existence of the Yugoslav kingdom.

This article explores different approaches to assessing the effectiveness of non-state-based non-judicial grievance mechanisms (NSBGMs) in achieving access to remedy for rightsholders. It queries the approach that has been widely adopted as a result of the United Nations Guiding Principles on Business and Human Rights (UNGPs), which focuses on the procedural aspects of grievance mechanisms. Rather, it stresses the importance of analysing the outcomes of cases for rightsholders. This article tests this hypothesis by undertaking comprehensive empirical research into the complaint mechanism of the Roundtable on Sustainable Palm Oil (RSPO). RSPO is found to perform well when judged according to the UNGPs’ effectiveness criteria. However, it performs poorly when individual cases are assessed to ascertain the outcomes that are achieved for rightsholders. The article therefore argues for the importance of equivalent scrutiny of outcomes in relation to other NSBGMs and provides an approach and accompanying methodology that can be utilized for that purpose.

The packaging of meaning in verbs varies widely across languages since verbs are free to encode different aspects of an event. At the same time, languages tend to display recurrent preferences in lexicalization, e.g. verb-framing vs. satellite-framing in motion. It has been noted, however, that the lexicalization patterns in motion are not carried over to the domain of vision, since gaze trajectory (‘visual path’) is coded outside the main verb even in verb-framed languages. This ‘typological split’ (Matsumoto 2001), however, is not universal. This article contains the first extensive report of verb-framing in the domain of vision based on data from Maniq (Austroasiatic, Thailand). The verbs are investigated using a translation questionnaire and a picture-naming task, which tap into subtle semantic detail. Results suggest the meanings of the verbs are shaped by universal constraints linked to earth-based verticality and bodily mechanics, as well as local factors such as the environment and the cultural scenarios of which looking is a salient part. A broader look across the whole Maniq verb lexicon reveals further cases of verbally encoded spatial notions and demonstrates a pervasive cross-domain systematicity, pointing to the language system itself as an important shaping force in lexicalization.

The field of carceral geography was lately developed by critical human geographers grappling with the spatiotemporal modes of social control and coercion particular to institutions of incarceration (Moran et al., 2018; Moran and Schliehe, 2017). This has included – in keeping with Michel Foucault's (1991) genealogy of the carceral as an art of disciplinary power – studying the disparate ways in which carceral techniques proliferate from and beyond the built site of the prison, becoming incorporated into other spatial formations. Carceral geographers have characterised this extension as transcarceral (Moran, 2014) or heterotopic (Gill et al., 2018; Moran and Keinänen, 2012). However, despite frequent references to law and legal institutions, carceral geographers generally do not theorise about law. Through a case-study involving an Indigenous woman paroled in Toronto, the author theorises about how carceral spaces are expressed through legal forms and techniques, affecting how paroled individuals, particularly those Aboriginalised, are emplaced within urban space.

The analysis of a forgotten source sheds light on the early history of the cello in seventeenth-century Naples. The manuscript MS 2-D-13, held in the library of the Montecassino Abbey, dates from around 1699 and contains two unknown cello sonatas by Giovanni Bononcini, together with passacaglias, sonatas for two ‘violas’ and elaborations over antiphons by Gaetano Francone and Rocco Greco, two prominent string performers and teachers in Naples. A study of this remarkable source helps to clarify the nomenclature of the bass violins in use in the city and offers new evidence on the practice of continuo realization at the cello, as well as on the connections with partimento practice. This collection is thus of critical importance for a discussion of the technical achievements and developments of the cello repertory in Naples before the emergence of the celebrated generation of Neapolitan cello virtuosi in the early years of the eighteenth century.

The use of integrated time-signature changes in eighteenth-century music has received little attention, probably because it is not considered a significant part of an eighteenth-century composer's toolkit. If mixed metre is discussed at all, it is linked with the late eighteenth-century conceptual shifts in metric theory brought about by Johann Philipp Kirnberger's circle. There exists, however, a substantial repertory of mixed-metre pieces from the first two thirds of the eighteenth century, with many examples to be found in the works of Georg Philipp Telemann. This repertory destabilizes any direct connection between mixed metre and the so-called Akzenttheorie, reminding us that the relationship between theory and practice at this time was far from straightforward. Beyond setting out how early eighteenth-century mixed metre operated within and against contemporary understandings of musical time, this article explores aspects of the origins, function and performance of these remarkable pieces.

The ‘Amenda anecdote’ from 1856 associates the second movement of Beethoven's String Quartet Op. 18 No. 1 (Adagio affettuoso ed appassionato) with the vault scene of Shakespeare's Romeo and Juliet. Sketchbook jottings by Beethoven from 1799, in French, confirm that such a link really existed. The question of what incited him to represent in his music elements of Shakepeare has not been settled to any satisfaction. It seems unlikely that Beethoven read a French version of the play. Nor can a public theatrical or operatic staging have been the stimulus, for the original vault scene was not allowed to be performed by the authorities. This study approaches the Shakespeare connection from the perspective of a cultural practice that has received limited attention in the literature, that of Viennese Haustheater. A performance of the vault scene in this context, it is argued, informed Beethoven's quartet movement. The most crucial piece of evidence are the memoirs of Caroline Pichler, which mention a tableau given at her parents’ house at the end of eighteenth century. One of the claims of the study is that Beethoven's Shakespeare connection was a one-time digression from normal practice, and that it is thus hazardous to draw this particular event into a wider hermeneutic debate.