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Based upon the idea that debates regarding the “public sphere” have paid insufficient attention to the notion of multiple publics and the movement of texts across state borders, this article explores how print culture provided ways of promoting transterritorial publics. It does so by revisiting the vexed notion of the “British problem” in the seventeenth century and relations between Scottish Covenanters and English parliamentarians, and by emphasizing the need to consider print culture in tandem with state formation. It demonstrates that a significant volume of printed material––produced both in England and Scotland, and sometimes collaboratively––reflected and promoted cross-border cooperation, thereby fostering a nascent Anglo-Scottish public. It also emphasizes that the practices involved were intimately linked to attempts to establish federal political institutions that both responded to the existence of a “British” public and necessitated its further development. Ultimately, however, the need to address and maintain such a public led to printed texts being used to navigate tensions between Covenanters and parliamentarians, to the point where Anglo-Scottish interests gave way to national interests, where resistance grew to the legitimacy of using print as a cross-border device, and where print helped to undermine cross-border cooperation.
This article explores where the people fit in to British history and whether there was such a thing as British public opinion in the seventeenth century. It argues that given the nature of the Stuart multiple monarchy, and the way the power structures of that monarchy impinged upon Ireland, Scotland, and England, the Stuarts' political authority was at times publicly negotiated on a Britannic level. People across Britain were engaged with British affairs: there was public opinion about British politics, in other words, albeit not British public opinion, since the people were bitterly divided at this time. However, because the crisis that brought down Charles I had been a three-kingdoms crisis, which in turn had helped spark the growth of a more sophisticated British news culture, the Restoration monarchy became increasingly sensitive to the need to try to keep public opinion across the Britannic archipelago on its side. In response to the challenge of the Whigs during the Exclusion Crisis, Charles II and his Tory allies sought to rally public support across England, Scotland, and Ireland and thus to represent “British public opinion” as being in favor of the hereditary succession. It was a representation, however, that remained contested.
This article starts by discussing aspects of Christopher Duggan’s first book La mafia durante il fascismo, published in 1986, whose main topic was the anti-mafia campaign led by the prefect Cesare Mori in the latter half of the 1920s. The book’s distinctive features were its rigorous historical approach and use of archival sources: these set it apart from most other work on these topics at the time, when the idea that the mafia could be subjected to historical research had not yet been properly established. In its central thesis Duggan’s book was influenced by previous interpretations of the mafia, then still widely shared, that denied its nature as a structured organisation. Duggan argued here that Fascism used accusations of mafia involvement essentially as a way of attacking its political opponents. The final part of the article presents key aspects of a newer area of research on the mafia and Fascism, the 1930s, when a new campaign to suppress the mafia was not made use of for propaganda purposes.