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'Bulgaria and Europe: Shifting Identities' offers a comprehensive analysis of Bulgaria's relationship with the European continent, focusing particularly on its accession to the EU and the aftermath.
'Screen Writings: Genres, Classics, and Aesthetics' offers close readings of genre films and acknowledged film classics in an attempt to explore both the aesthetics of genre and the definition of 'classic' - as well as the changing perception of so-called classic movies over time.
Science, Spirituality and the Modernisation of India explores the lively transaction between science and spirituality during the last 150 years in India.
Four autobiographies of early twentieth-century actors and playwrights are presented in English translation, with substantive chapters on the Parsi theatre and strategies for reading autobiography in the Indian context.
Techno-Economic Paradigms presents a series of essays discussing one of the most interesting and talked-about socio-economic theories of our times: techno-economic paradigm shifts.
This book explores connections between poverty and migration in the context of the expansion of neoliberalism in Europe, examining these global concerns from a local perspective.
'Dialogics of Self, the Mahabharata and Culture: The History of Understanding and Understanding of History' explores the interrelationships between individual and cultural historical dynamics in interpreting texts, using key concepts from Bakhtins theory of dialogics.
National Strategies for Regional Integration: South and East Asian Case Studies analyses the way Asian economies develop and implement effective approaches to regional cooperation and integration.
Nationalizing the Body examines the different meanings of modern medicine that were employed in colonial South Asia, and explores the different discourses that were constructed around modernity.
A far-reaching and extensive rethinking of India's political and economic structures at every level, engagingly presented by a team of eminent academics and practitioners.
Drawing on original manuscripts and Victorian psychological theory, this study shows that George Eliot was an author who shaped her sentences as carefully as she wanted her public to read them.