Intended as recreational, the Cornhill under W. M. Thackeray and his editorial descendants showcased the impact of journalism on public opinion and the characteristics of journalists.
1. [Hunt, Thornton]. “A Man of Letters of the Last Generation.” 1 (1860): 85–95.
Honored Leigh Hunt who “established a reputation for cultivation, consistency, taste, and independence and originated a style of contemporary criticism unknown to the newspaper press.” His Examiner set the “style, tone, and sentiment for the press,” a “cultivated style, elegant tone, and independent sentiment.” Asides on his Reflector and Indicator.
2. [Sala, George Augustus]. “William Hogarth: Painter, Engraver, Philosopher.” 1 (1860): 177–93, 264–82, 417–37, 561–81, 716–35; 2 (1860): 97–112, 225–41, 354–69, 438–61.
Subtitled “Essays on the Man, the Work, and the Time,” Sala's essay connected publisher William Hone to the eighteenth-century Grub-street Journal, Daily Courant, and London Gazette; Theodore Hook's “scurrilous” writing to John Bull; and George Canning's jokes to the Anti-Jacobin.
3. [Merivale, Herman]. “A Few Words on Junius and Macaulay.” 1 (1860): 257–63. Focused on T. B. Macaulay's interest in identifying Junius.
4. [Thackeray, W. M.]. “The Four Georges: Sketches of Manners, Morals, Court and Town Life.” 2 (1860): 1–20, 175–91, 257–77, 385–406.
Cited the Tatler and Spectator as reflecting eighteenth-century “town life.” Aside on the Royal New York Gazette in 1778.
5. [Thackeray, W. M.]. “Thorns in the Cushion.” 2 (1860): 122–28.
Mused about letters to a periodical editor concerning submissions.