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Our knowledge of Japanese sexuality from the tenth to the twelfth centuries is limited chiefly to the imperial court. Sexuality was constructed textually through key concepts from Chinese culture and the globally unprecedented rise of writing by women in Japanese. Emperors, princes, and high-ranking aristocratic men were often polygynous and marriage was not controlled by either law or religion. Virginity was rarely valued and there was no primogeniture. ‘Divorce’ and ‘remarriage’ were frequent. Incest taboos were limited, applying to full siblings and parents and their biological offspring. While most aristocratic women were to be seen only by their fathers, husbands, or sons among men, women and men serving at court might have multiple sexual partners and social hierarchy played a dominant role in men’s access to women’s bodies; legal prosecutions for rape were nil. There is evidence of pederasty both at court and in temple complexes by the late tenth and the early eleventh centuries, respectively. Non-pederastic homosexuality seems to have had a sudden efflorescence at the end of the period. Definitive evidence for female homosexuality does not appear until the thirteenth century, but probably existed earlier.
In modern parlance, the term monogatari refers to long prose narratives told in the equivalent of the third person, and produced among the nobility from the early tenth century until some time in the Kamakura period. This chapter traces the emergence of this genre up until the appearance of The Tale of Genji in the early eleventh century, which marks its pinnacle. It also discusses the Taketori monogatari or The Tale of the Bamboo Cutter, Ise monogatari, and Tsukuri-monogatari. In addition to these tales Heian Japan was aware of the short fiction that circulated in Tang China. In the Tang dynasty, many stories and poems circulated about the meetings of the emperors Mu and Wu with the Queen Mother of the West. In these texts, the emperors approach the queen mother to be taught the secrets of Taoist alchemy and to obtain an elixir of immortality, though they ultimately fail or are refused.
For all periods of premodern Japanese literature, and indeed, for all premodern literatures, what survives is only a portion of the writings that were produced, but this situation is more extreme for the Nara and early Heian periods than for any subsequent point in Japanese history. Until the mid seventh century literacy remained the province of specialist scribes who were employed by the Yamato Kings, rulers from the area of modern Nara and Osaka who presided over a loose federation of local potentates spanning the archipelago from Northern Kyushu to the Kanto region. The importation of Buddhism in the mid to late sixth century introduced new kinds of texts and new modes of literacy, but these too remained narrow, specialized pursuits. The legitimacy of imperial rule by Tenmu's and Jito's successors was supported by a melange of symbols and rituals with complex origins. Similarly, early Japanese poetry and prose drew on a wide range of sources, foreign and domestic.