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Diffuse optical spectroscopy (DOS) techniques characterize scattering media by examining their optical response to laser illumination. Time-domain DOS methods involve illuminating the medium with a laser pulse and using a fast photodetector to measure the time-dependent intensity of light that exits the medium after multiple scattering events. While DOS research traditionally focused on characterizing biological tissues, we demonstrate that time-domain diffuse optical measurements can also be used to characterize snow. We introduce a model that predicts the time-dependent reflectance of a dry snowpack as a function of its density, grain size, and black carbon content. We develop an algorithm that retrieves these properties from measurements at two wavelengths. To validate our approach, we assembled a two-wavelength lidar system to measure the time-dependent reflectance of snow samples with varying properties. Rather than measuring direct surface returns, our system captures photons that enter and exit the snow at different points, separated by a small distance (4–10 cm). We observe clear, linear correlations between our retrievals of density and black carbon concentration, and ground truth. For black carbon concentration the correlation is nearly one-to-one. We also find that our method is capable of distinguishing between small and large grain sizes.
The Vela pulsar (J0835$-$4510) is known to exhibit variations in Faraday rotation and dispersion on multi-decade timescales due to the changing sightline through the surrounding Vela supernova remnant and the Gum Nebula. Until now, variations in Faraday rotation towards Vela have not been studied on timescales less than around a decade. We present the results of a high-cadence observing campaign carried out with the Aperture Array Verification System 2 (AAVS2), a prototype SKA-Low station, which received a significant bandwidth upgrade in 2022. We collected observations of the Vela pulsar and PSR J0630$-$2834 (a nearby pulsar located outside the Gum Nebula), spanning $\sim$1 and $\sim$0.3 yr, respectively, and searched for linear trends in the rotation measure (RM) as a function of time. We do not detect any significant trends on this timescale ($\sim$months) for either pulsar, but the constraints could be greatly improved with more accurate ionospheric models. For the Vela pulsar, the combination of our data and historical data from the published literature have enabled us to model long-term correlated trends in RM and dispersion measure (DM) over the past two decades. We detect a change in DM of $\sim$0.3 $\mathrm{cm}^{-3}\,\mathrm{pc}$ which corresponds to a change in electron density of $\sim$$10^5\,\mathrm{cm}^{-3}$ on a transverse length scale of $\sim$1–2 au. The apparent magnetic field strength in the time-varying region changes from $240^{+30}_{-20}\,\mu\mathrm{G}$ to $-6.2^{+0.7}_{-0.9}\,\mu\mathrm{G}$ over the time span of the dataset. As well as providing an important validation of polarimetry, this work highlights the pulsar monitoring capabilities of SKA-Low stations, and the niche science opportunities they offer for high-precision polarimetry and probing the microstructure of the magneto-ionic interstellar medium.
We investigate the diversity in the sizes and average surface densities of the neutral atomic hydrogen (H i) gas discs in $\sim$280 nearby galaxies detected by the Widefield ASKAP L-band Legacy All-sky Blind Survey (WALLABY). We combine the uniformly observed, interferometric H i data from pilot observations of the Hydra cluster and NGC 4636 group fields with photometry measured from ultraviolet, optical, and near-infrared imaging surveys to investigate the interplay between stellar structure, star formation, and H i structural parameters. We quantify the H i structure by the size of the H i relative to the optical disc and the average H i surface density measured using effective and isodensity radii. For galaxies resolved by $>$$1.3$ beams, we find that galaxies with higher stellar masses and stellar surface densities tend to have less extended H i discs and lower H i surface densities: the isodensity H i structural parameters show a weak negative dependence on stellar mass and stellar mass surface density. These trends strengthen when we limit our sample to galaxies resolved by $>$2 beams. We find that galaxies with higher H i surface densities and more extended H i discs tend to be more star forming: the isodensity H i structural parameters have stronger correlations with star formation. Normalising the H i disc size by the optical effective radius (instead of the isophotal radius) produces positive correlations with stellar masses and stellar surface densities and removes the correlations with star formation. This is due to the effective and isodensity H i radii increasing with mass at similar rates while, in the optical, the effective radius increases slower than the isophotal radius. Our results are in qualitative agreement with previous studies and demonstrate that with WALLABY we can begin to bridge the gap between small galaxy samples with high spatial resolution H i data and large, statistical studies using spatially unresolved, single-dish data.
Given the importance of angiostrongyliasis as an emerging infectious disease of humans, companion animals, and wildlife, the current study focused on the transmission dynamics of first- and third-stage larvae of the parasitic nematode, Angiostrongylus cantonensis. The migration of infective larvae and their subsequent distribution within the Lymnaeidae snail, Bullastra lessoni, were investigated over time using microscopic examination of histological sections and fresh tissue. Snails were divided into four anatomical regions: (i) anterior and (ii) posterior cephalopedal masses, (iii) mantle skirt and (iv) visceral mass. The viability of free-swimming third-stage larvae, after their release from snail tissues, was evaluated in vitro by propidium iodide staining and infectivity by in vivo infection of Wistar rats. Snails were sequentially dissected over time to assess the number and anatomical distribution of larvae within each snail and hence infer their migration pathway. Herein, ongoing larval migratory activity was detected over 28 days post-infection. A comparison of infection rates and the larval distribution within the four designated snail regions demonstrated a significant relationship between anatomical region and density of infective larvae, with larvae mostly distributed in the anterior cephalopedal mass (43.6 ± 10.8%) and the mantle skirt (33.0 ± 8.8%). Propidium iodide staining showed that free-swimming third-stage larvae retained viability for between 4 and 8 weeks when stored under laboratory conditions. In contrast to viability, larval infectivity in rats remained for up to 2 weeks only. Knowledge gained from the current work could provide information on the development of new approaches to controlling the transmission of this parasite.
Chapter 4 argues that the Franklin’s performance serves as the dialectical synthesis of the views on value of the preceding performances, encompassing the wondrous renewal of the Squire, the amoral instrumentalism of the Merchant, and the meta-value of the Clerk. In this way, the Franklin’s performance presents a sober, disenchanted, but nonetheless ultimately affirmative meditation on the creative power of fiction - one that recognizes fiction’s instrumental value but insists that a paradoxically knowing mystification of this instrumentality can be the basis for a practicable ethics for living in a fallen world. To pursue this argument, the chapter performs a close reading of the Squire-Franklin link (taking into account the bearing of manuscript evidence), examines key aspects of the tale’s prologue and narrative, and considers the Franklin’s portrait in respect to the social status of franklins in Chaucer’s day. It concludes that the performance formulates a commitment to literary value that not only transcends the vulnerabilities of the preceding tales, but is also precisely the literary value that someone socially situated like Chaucer is best positioned to create.
Chapter 1 argues that the Clerk’s performance, like Chaucer’s earlier House of Fame, presents an array of different and even contradictory conceptions of literary value in order to give Chaucer’s fiction the distinctive meta-value of standing above any one commitment to literary value, playfully and provocatively assessing competing options, and thereby positioning the implied author as a master of the literary game. For the House of Fame this sort of meta-value serves the purpose of imagining the social identity of customs controller as a legitimate and distinctive locus for poetic composition. In the Clerk’s performance Chaucer imagines the university student as a normative masculine occupation for which meta-axiology is an end in itself, and thereby gives his earlier position a more authoritative and traditional institutional home. To pursue this argument, the chapter considers the House of Fame; select features of the Clerk’s prologue, tale, and epilogue, for the tale focusing on specific wording in light of its Petrarchan source; and the Clerk’s portrait, placing it against the backdrop of what we know about the normative function of the university in Chaucer’s day.
After presenting book’s justification, the introduction articulates its central argument: that the four-tale sequence of Clerk, Merchant, Squire, and Franklin enacts a dynamically unfolding, conflicted meditation on how literary value may be construed in a way that justifies the time, energy, and expense devoted to the writing of fiction - a justification made in respect to other activities pertaining to other values, especially to economic value in the sense of making a living. The introduction then considers the metacritical stakes and implications of this argument along the methodological dimension of the bearing of manuscript evidence on the principles of Chaucer interpretation and the conceptual dimension of the problem literary value. The former consideration reviews the manuscript basis for the book’s claim about the four-tale sequence; the latter consideration indicates theoretical debts (to, e.g., Bruno Latour and Georg Simmel) and introduces several key terms used throughout the book (the most important: literary axiology, axiological person, and axiological logic), explaining the relation of these terms to more traditional ones of Chaucer criticism.
Chapter 2 argues that the positioning of the Merchant’s performance as an answer to the Clerk’s stages a stern critique of the naïve escapism of the poet-student occupation as the Clerk’s performance imagines it. In this view, the Clerk’s meta-value is an attempt to avoid confronting the true nature of value in the sublunary realm: the material desires of flesh-and-blood individuals. According to the Merchant’s performance, all discourse is a self-interested instrument of these desires. Yet the chapter also argues that this grim position is not one voiced by a bitter man far removed from Chaucer, but rather that the tale is told with the very narratorial wit and playfulness most characteristic of Chaucer’s fiction, whether in his first-person voice or otherwise. For this reason, the Merchant’s dialectical negation of the Clerk’s notion of literary value represents at once Chaucer’s skepticism about the value of his own craft and his reveling in his mastery over it. To pursue this argument, the chapter performs a close reading of the Merchant’s Prologue, examines key moments in the Merchant’s Tale, and considers the Merchant’s portrait in its historical context.
Chapter 3 argues that the division of the four-tale sequence into two fragments has obscured the pivotal function of the Squire’s performance, and especially of the linking passage that accomplishes the positioning of this performance as the dialectical answer to the Merchant’s response to the Clerk. Negating the Merchant’s negation of the Clerk, the Squire’s performance reinstates literary value as the power of the distinctive discourse of romance fiction: the power to provide a restorative vision of a world governed by exactly the kind of ideals that the Merchant’s view understands as mere smokescreens for material desire. Moreover, by associating this kind of literary value with the normative sociocultural practice of a young aristocrat, the Squire’s performance understands literary discourse as also possessing the concrete value of the cultural capital that helps distinguish the elite from the common. The chapter concludes that the Squire’s response to the Merchant nonetheless collapses, not for dramatic reasons (as one trend in criticism has held), but because of a contradiction at the heart of its view of literary value that Chaucer could not overcome.
Literary authors, especially those with other occupations, must come to grips with the question of why they should write at all, when the world urges them to devote their time and energy to other pursuits. They must reach, at the very least, a provisional conclusion regarding the relation between the uncertain value of their literary efforts and the more immediate values of their non-authorial social identities. Geoffrey Chaucer, with his several middle-strata identities, grappled with this question in a remarkably searching, complex manner. In this book, Robert J. Meyer-Lee examines the multiform, dynamic meditation on the relation between literary value and social identity that Chaucer stitched into the heart of The Canterbury Tales. He traces the unfolding of this meditation through what he shows to be the tightly linked performances of Clerk, Merchant, Franklin and Squire, offering the first full-scale reading of this sequence.
However well-regarded Chaucer’s works were during his lifetime, it was his immediate successors who fashioned him into the ‘father of English poetry’ they then bequeathed to the subsequent English literary tradition. In particular, the poets Thomas Hoccleve and John Lydgate not only represented Chaucer in this manner in their own, widely disseminated works, they were also instrumental in the broad dissemination of Chaucer’s works. Importantly, these activities were motivated not just by admiration but also by a politico-literary context in which Hoccleve and Lydgate, unlike Chaucer, were asked to produce works that spoke both for a prince and to a prince. Their invention of Chaucer’s literary authority cannot then be separated from their intervention into politics, and this conflation they also bequeathed to the English literary tradition, where it remained plainly visible in the works of their own successors, and where it persists, more obscurely, to the present.