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In his book Race of Nation: A Conflict of Divided Loyalties (1925), Italian–American lawyer and diplomat Gino Speranza (1887–1935) focuses on immigrants as a threat to American civilization. While Speranza claims that he holds “no brief for the superiority of Anglo-Saxon civilization,” he claims the US is an Anglo-Saxon country with an Anglo-Saxon civilization and “that people of Anglo-Saxon stock are the best adapted to running its government and shaping its special national life.” Speranza coins the term ‘nation-spiritual’ to distance himself from a very particular material, racialized, and conformist American identity that he details and promotes in his book; the term is, effectively, an ineffable shibboleth that can’t be specified because it is only available to the exclusive class of ‘true Americans’ (like Speranza) who, apparently, know it when they see it, or sense it, or feel it, and who arrogate to themselves the role of ‘decider’ of who ‘counts’ as a true American, and what the ‘essential principles and ideals of American life’ are.
This book presents an innovative, holistic examination of the uses of the written word in early medieval England during a century of political and societal upheaval, culminating in the emergence of the kingdom of the Anglo-Saxons under Alfred the Great and his children, Æthelflæd and Edward the Elder. Through a diverse range of documentary, literary and material evidence, Robert Gallagher explains how literary activity during this period – particularly involving members of the laity – has often been underestimated. He focuses on several innovations in documentary culture that took place in the mid-ninth century, which in turn played a significant role in establishing the cultural conditions for Alfredian cultural renewal. The evidence makes clear that limited personal literacy did not pose a barrier to participation in literary activity. This study thus makes a major new contribution to our understanding of England's ninth- and tenth-century history.
How did the living world – bodies, time, motion, and natural environment – frame the art of early medieval Britain and Ireland? In this study, Heather Pulliam investigates how the early medieval art produced in Britain and Ireland enabled Christian audiences to unite with and be 'dissolved' in an intangible divinity. Using phenomenological and eco-critical methodologies, she probes intersections between art objects, the living world, and the embodied eye. Pulliam analyses a range of objects that vary in scale, form, and function, including book shrines, brooches worn on the body, and reliquaries suspended in satchels. Today, such objects are discussed, displayed, and illustrated as static rather than mobile objects that human bodies wore and that accompanied them as they travelled through landscapes animated by changing weather, seasons, and time. Using the frame as a heuristic device, she questions how art historical studies approach medieval art and offers a new paradigm for understanding the role of sacred objects in popular devotion.
Archaeogenetics, the study of ancient DNA, can reveal powerful insights into kinship and the movement of individuals in (pre)history. Here, the authors report on the identification of two individuals with genetic profiles consistent with recent sub-Saharan African ancestry, both of whom were buried in early-medieval cemeteries in southern Britain. Focusing primarily on a sub-adult female from Updown in Kent, the authors explore the societal and cultural contexts in which these individuals lived and died, and the widening geographic links indicated by their presence, pointing back to the Byzantine reconquest of North Africa in AD 533–534.
Kinship can be difficult to discern in the archaeological record, but the study of ancient DNA offers a useful window into one form of kinship: biological relatedness. Here, the authors explore possible kin connections at the post-Roman site of Worth Matravers in south-west England. They find that, while clusters of genetically related individuals are apparent, the inclusion of unrelated individuals in double or triple burials demonstrates an element of social kinship in burial location. Some individuals also carried genetic signatures of continental ancestry, with one young male revealing recent West African ancestry, highlighting the diverse heritage of early medieval Britain.
This chapter examines the relationship between the Roman Empire and northern European ‘barbarian’ societies from the fourth to the mid seventh century, challenging the view that they were entirely separate. Instead, it argues that these regions remained deeply interconnected with Rome, even after the empire’s collapse. The discussion draws on archaeological evidence – settlements, burial customs and trade patterns – alongside historical sources like Gregory of Tours and Tacitus. Findings reveal growing Roman cultural influence in barbarian lands, reflected in changing burial rites, settlement structures and material culture. Roman imports in Germanic territories and diplomatic payments to frontier leaders further highlight this integration. The chapter contends that Rome’s fall was not a sudden rupture but a gradual transformation that reshaped northern Europe’s political landscape. The rise of new confederacies, including the Franks, Alamanni and Saxons, underscores this shift. Additionally, the chapter explores the spread of Christianity and its role in shaping post-Roman societies. Rather than viewing ‘barbarian migrations’ as simple population movements, the study emphasises a complex interplay of Roman policies, local power struggles and cultural evolution. A key takeaway is that Northern Europe’s integration into the post-Roman world was a fluid process, in which continuity and change coexisted.
The language of Gerard Manley Hopkins’s poetry is notable for its imagistic intensity, for its intricate sonic patterning, and sometimes for its cryptic ambiguity. This chapter surveys several nineteenth-century contexts for Hopkins’s idiosyncratic diction. His interest in philology underlies his imitation of alliterative Anglo-Saxon verse and of the medieval Welsh system of versification known as cynghanedd, which involves complex structures of internal rhyme and consonant repetition. Additionally, like his contemporaries William Barnes and Thomas Hardy, Hopkins draws on regional dialect to capture the essences of certain landscapes, creatures, individuals, and trades. And given his predilection for neologizing and at times for elevating sonic gorgeousness over communicative clarity, he may also be read alongside Victorian nonsense writers such as Edward Lear and Lewis Carroll. Ironically, Hopkins’s interest in the deep roots of English drives his radical linguistic innovation – and his obscure vocabulary can allow him to channel modes of divinely inspired expression.
The people of early England (c. 450–1100 CE) enjoyed numerous kinds of entertainment, recreation and pleasure, but the scattered records of such things have made the larger picture challenging to assemble. This volume illuminates the merrier aspects of early English life, extending our understanding of the full range of early medieval English culture. It shows why entertainment and festivity were not merely trivial aspects of culture, but had important functions, in ritual, in community-building, in assuming power, and in resistance to power. Among the activities explored are child's play; drinking and feasting; music, dance, and performance; the pleasures of literature, festivals and celebrations; hunting and sport; and games.
Investigation of the Bee-nymphs of Mt. Parnassus and the ancestral Indo-European strain and Anatolian strains of divination introduced into European Hellas by migrant pre-Aeolian communities.
The presence of Roman material in early Anglo-Saxon graves in England is well documented, and recent excavations at Scremby in Lincolnshire have revealed a complete copper-alloy enamelled drinking cup in a sixth-century ad female burial. Not only is such a Roman vessel a very rare find, but also its inclusion in an early medieval grave makes it a unique example of the reuse of an antique object in a funerary context. This article presents a typological and metallurgical analysis of the cup and selected comparative examples from England and France are discussed. The context of deposition and the role the cup played as a burial container for animal fat are examined, as are the mechanisms that lay behind the cup's continued life several centuries after its manufacture.
Exogamous marriage alliances involving royal women played a prominent role in the conversion of the Anglo-Saxon kingdoms to Christianity in the seventh century AD. Yet the large number of well-furnished female burials from this period suggests a broader change in the role of women. The authors present the results of isotopic analysis of seventh-century burials, comparing male and female mobility and the mobility of females from well-furnished versus poorly/unfurnished burials. Results suggest increased mobility during the Conversion Period that is, paradoxically, most noticeable among women buried in poorly furnished graves; their well-furnished contemporaries were more likely to have grown up near to their place of burial.
Medieval and modern accounts of old age are notable for the sheer abundance and diversity of the characteristics they identify. This chapter contemplates how contrasting qualities associated with old age actually connect in Old English poetry, dwelling particularly on the relationship between wisdom and sorrow, and introducing a new theoretical framework in the form of trauma theory. It points out the considerable presence of aged poets in the corpus, focusing particularly on Beowulf and Cynewulf’s epilogues. These texts stress that living into old age inevitably constitutes a kind of survival, one which involves witnessing destruction and terrible losses. The subsequently heightened intellectual, verbal, and creative capacity of the elderly sometimes resembles a kind of post-traumatic growth as understood within trauma theory. The parts of old age that are broadly positive (especially wisdom) and those that are negative (grief and loss) therefore emerge as inseparable.
Edited by
Lewis Ayres, University of Durham and Australian Catholic University, Melbourne,Michael W. Champion, Australian Catholic University, Melbourne,Matthew R. Crawford, Australian Catholic University, Melbourne
The Venerable Bede’s epistemology was scholarly and experiential. His work drew on the combined riches of classical and patristic knowledge, as he encountered them at the monasteries of Wearmouth and Jarrow. Supported by lavish patronage, he turned these resources to the teaching, preaching, and exegesis of the scriptures. His writing on pain, pleasure, poverty, and preaching suggests that every faithful Christian has experiential access to unique knowledge. They may taste future joys, enter Christ’s mind, and glimpse the divine nature through embodied practices infused by grace. Yet access to such knowledge is unequal. ‘The perfect’, with their greater understanding and virtue, are best suited for shaping societal and ecclesial life. They meditate unceasingly on holy things, without care or need and with resources beyond the reach of most. Bede’s epistemological emphases were integrated in his self-image, as teacher and monk, and his teaching elaborated an influential ‘inequality regime’.
England was probably the first country in Europe to construct a sense of itself as a nation state, but even as it did so the boundaries of native tradition remained uncertain. In the sixteenth century two competing narratives of nationhood are visible, one British and the other Anglo-Saxon (Warner, Spenser, Drayton), and it is the second, more specifically English narrative that comes to supersede the British story (Shakespeare’s histories). Those narratives are complemented in the field of verse form by a further competition between art, represented by classical metres, and nature, represented by native English ‘rhyme’, in which the latter asserts its claims to literary status and value, and history and prosody then converge in the idea of the long line. The achievement of a sense of English national identity in literature is finally constructed as a triumph of nature over art (Daniel).
From the first century AD, Cambridge was raided, invaded and settled by different groups of people from overseas, for about a thousand years. The author charts how Cambridge changed, grew and shifted geographically: from Roman fort on Castle Hill to Anglo-Saxon town trading on Market Hill; from Viking port by Quayside to Norman stronghold with a motte and bailey castle on Castle Mound, occupied by the much-loathed Sheriff Picot. Local resistance fighters Boudicca and Hereward the Wake are included. Stephanie Boyd draws on evidence ranging from landmarks such as Devil’s Dyke, to local place-names and a rare bed burial at Trumpington Meadows, to piece together a picture of life in the local area more than a thousand years ago.
This chapter begins our examination of the origins of the common law. Many accounts – including that of Maitland – begin just before the Norman Conquest and explore how centralised authority had developed in the late Anglo-Saxon period. This is the focus of this chapter, which explores the debate as to the importance of this period by examining the characteristics of the late Anglo-Saxon legal system. This chapter will explore what the Anglo-Saxon inheritance was. The first section will look at the historical debate as to where the history of English law begins and the importance that should be placed on the Anglo-Saxon period. It will contrast the still influential approach of Maitland with more recent scholars, most notably Patrick Wormald. The second section will then outline what is considered to be the major achievement of the long Anglo-Saxon period as a whole: the move from feud to compensation. The third and final section will then explore how what we would call the legal system had developed by the end of the Anglo-Saxon period. It will ask what did William the Conqueror inherit and to what extent this provided some foundation for the English common law.
The church of St Michael and All Angels, Averham, is largely constructed of counter-pitched rubble and has long been interpreted as being of the early Norman period. Recent archaeological investigations by the authors have revealed conclusive evidence that the date of part of the fabric is pre-Conquest and that the west tower was originally a possible two-storey porch. Ground-based remote sensing has further revealed complex anomalies in the south and east walls of the tower.
This publication explores the interactions between the inhabitants of early medieval England and their contemporaries in continental Europe. Starting with a brief excursus on previous treatments of the topic, the discussion then focuses on Anglo-Saxon geographical perceptions and representations of Europe and of Britain's place in it, before moving on to explore relations with Rome, dynasties and diplomacy, religious missions and monasticism, travel, trade and warfare. This Element demonstrates that the Anglo-Saxons' relations with the continent had a major impact on the shaping of their political, economic, religious and cultural life.
Intentional facial disfigurement is documented in archaeological contexts around the world. Here, the authors present the first archaeological evidence for intentional facial mutilation from Anglo-Saxon England—comprising the removal of the nose, upper lip and possible scalping—inflicted upon a young adult female. The injuries are consistent with documented punishments for female offenders. Although such mutilations do not appear in the written record until the tenth century AD, the instance reported here suggests that the practice may have emerged a century earlier. This case is examined in the context of a wider consideration of the motivations and significance of facial disfigurement in past societies.
Garnet-inlaid metalwork was an emblem of elite culture in the early medieval North Sea world. This study compares three Anglo-Saxon garnet-inlaid brooches that are exceptionally similar in design and appearance. All three date to the seventh century, a period that saw the emergence of leading families that used such deluxe dress items to enhance their political position. The central hypothesis explored here is that the brooches were produced by the same, or by closely linked, goldsmiths working under the patronage of such a family. Integrated analysis was conducted using microscopy, CT scans, XRF and XRD, in part to establish whether the garnets used came from the same or different sources.