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The conclusion brings together the findings of the previous chapters. It reiterates the importance of the mid-ninth century, since the written word was used more extensively than in prior decades to uphold and confirm social, political and economic transactions. This provides an important context for understanding the extraordinary literary endeavours of Alfred’s later reign: in the generation before Alfred, both lay and ecclesiastic people were already experimenting with – and thinking about – the social values of literary culture. It must be stressed, however, that developments were not uniform across Kent, Mercia and Wessex. Literary culture was not limited to a single agency or context, and competing visions and practices existed throughout the ninth and early tenth centuries. One of the most striking aspects to this is that, in some contexts, resources and Latin literacy levels appear to have been limited, yet documentary production continued. If anything, such limited resources intensified the value of the written word as a commodity. The Conclusion also considers what follows in the mid- and late tenth century. Several strands of continuity are identified, though social and institutional changes need to be borne in mind.
This chapter considers a range of Latin documentation and poetry composed in the late ninth and early tenth centuries, with a particular focus on the social settings in which the material was produced, consumed and performed. The chapter opens with an overview of the contemporary charter corpus, which is a rich mix of Latin and Old English documents drawn up in the names of royal, non-royal, ecclesiastic and lay individuals. This survey provides several points of comparison with the material examined in Chapters 2 and 3, and it allows us to consider the possible impact of Alfredian education reform. Consideration is given to the linguistic dynamics of the corpus and to examples that employ Latin specifically to enhance the performative potential of the document. Two sets of Latin poetry are then introduced – acrostic verses in praise of King Alfred and the ‘Metrical Calendar of Hampson’ – both of which were most probably composed within, and for, the milieu of the West Saxon court. The authorship, transmission and possible sources of inspiration for this poetry are considered. It is then argued, through a comparative discussion, that the performances of this Latin documentary and poetic material were critical to their value.
Chapter 4 opens Part II of the study with an overview of literary activity during the late ninth and early tenth centuries, and the political backdrop of the emergent kingdom of the Anglo-Saxons. A summary of the kingdom of the Anglo-Saxons itself is provided, followed by discussion of three categories of evidence: epistolary correspondences, the corpus of Alfredian Old English literature, and Asser’s Life of King Alfred. Throughout, several points of continuity with earlier decades of literary activity are stressed, particularly the continued importance of letter-writing and international communication. It is also emphasised that contemporary investment in vernacular literary production was extraordinary, yet Latin remained a valued commodity as well. Just as there would have been competing political visions within the kingdom of the Anglo-Saxons, so too there would have been preferences for literary patronage of Latin or Old English. The decision specifically to compose the Life of King Alfred in Latin is assessed, particularly in light of Asser’s intended audiences. The overview provided by this chapter sets the scene for the case studies explored in the subsequent two chapters.
Calvin and Perception in Early Modern Visual Culture is the first monograph to return John Calvin's Institutes of the Christian Religion (1559) to its original visual culture. AnnMarie Bridges draws on early modern optics, art theory, rhetoric, psychology, and religion to reconstruct the perceptual assumptions of Calvin's earliest readers. Her study reveals the Institutes' unrecognized concern with 'perception'-pre-conscious processing believed to occur in the imagination, capable of distorting sense experience before conscious thought could even occur. Illuminating Calvin's most striking visual metaphors-from the spectacles of scripture to the factory of idols-and through close readings of topics like accommodation, idolatry, faith, and Calvin's Latin prose, Bridges advocates a paradigm shift in how we read Calvin's most cited work, displacing 'knowledge' in favor of 'perception versus delusion.' In so doing, her study invites reflection on perceptual instability in our own cultural moment, where the challenge is not only to know what is true, but even to perceive what is real.
A cosmopolis may be understood as a durable, cross–regional cultural–political order in which a prestigious bridge language provides the central anchor and the shared medium for knowledge, cultural authority and institutional practice across multilingual settings. In this article I hypothesise that, in the early 21st century, English in international employ is beginning to occupy a socio–cultural position comparable in certain respects to that of the pre‑modern formations associated with Sanskrit, Latin and Classical Arabic. To examine this possibility, I begin with a deliberately broad, first‑pass identification of the most salient cosmopolis features, limiting the analysis to the characteristic profile of the prestige bridge language that underwrites each cosmopolis. I then consider whether a comparable profile plausibly holds for global modern English, drawing on existing research on its global role. The results are preliminary, but they suggest that this perspective may offer a useful analytical lens for investigating English in its present sociolinguistic position, and that it merits more systematic follow‑up work.
This paper presents a corpus-based investigation of Latin volo ‘to want’, arguing that it exhibits previously overlooked reportative uses from at least the 1st century BCE, whereby speakers attribute beliefs, opinions, or statements to an external source. Focusing on third-person present-tense forms (vult, volunt) across a corpus spanning from the 3rd century BCE to the 2nd century CE, the study analyses the semantic, pragmatic, and morphosyntactic properties of these constructions, as well as their diachronic development. Reportative volo is shown to emerge from ambiguous contexts where volition and doxastic stance overlap – especially in small-clause constructions with subject coreferentiality or passive infinitives of verbs of opinion. Diachronically, it is proposed that the doxastic component – implicit in volitional uses and anchored in the volitional subject – becomes explicit, when the anchoring of an external doxastic source shifts from outside (i.e. the opinion of others) to the volitional subject, who is then reinterpreted as an evidential source. Comparisons with German wollen (and to a lesser extent with French vouloir) contextualise this development within a broader grammaticalisation path from volition to evidentiality. While wollen is already grammaticalised as a reportative marker, Latin volo offers novel diachronic and structurally distinct evidence for this cross-linguistic trajectory.
This chapter offers a new outlook on the history of Scots, a minority language related to English, up to 1700. Scots and its history have been a subject of pioneering work in historical linguistics, especially in historical dialectology and digital approaches to language change. The chapter takes stock of previous scholarship and the extra-linguistic events which shaped the linguistic situation in Scotland from the medieval period till the early eighteenth century. It then highlights problematic areas and questions related to constructing a narrative for a history of an unstandardised minority language, with special focus on defining Scots as a language of written communication, its family tree, periodisation and status, as well as metalinguistic perspectives. The discussion finishes with an overview of the most recent research on various aspects of structure and language use, and a summary of available resources for the study of historical Scots.
Scholarship on Scandinavian linguistics has long recognised an indigenous metalinguistic tradition, rooted in runic writing and skaldic poetry, that developed independently of Latin influence. This tradition coexisted with Latin learning in a dynamic interplay often termed ‘two cultures’, culminating in the Icelandic grammatical treatises (12th to 14th centuries). While debates persist over the treatises’ indigenous versus foreign influences, the methods of Latin teaching in medieval Iceland remain underexamined. Though recent work has addressed Latin textual presence and educational structures, the pedagogical techniques themselves – how Latin was taught – have yet to be explored. This study aims to fill this gap, analysing methods and techniques of teaching Latin in medieval Iceland and offering new insights into the negotiation of vernacular and Latin traditions.
The article discusses why Classics is important and why its study benefits not just university students but also young children. It was runner-up in the Intermediate Category for a Classical Association competition in 2025. The article explores the value of Classics as a wonderfully diverse subject involving the study of history, archaeology, architecture, art, and literature. Classics enables students to study over a thousand years of history, to uncover cultural values, to discover how language operates, to develop critical analysis skills, and to delight in its timeless literature. The article explores how the study of Classics can benefit young students’ reading and writing proficiency and can be especially beneficial for those with special educational needs. It explores how Latin translation builds code cracking and cognitive skills, not only developing grammatical knowledge but also encouraging problem-solving suited to science, technology, engineering, and mathematics (STEM)-based subjects such as computer science and maths. The article looks at the interdisciplinary nature of the subject and the benefits of learning Latin and Greek vocabulary for language learning and science.
Drawing on their classroom experiences, five secondary school language educators present how training in linguistics has positively impacted their pedagogical practices and increased student engagement, enjoyment, and motivation. These teachers of French, German, Latin, and Spanish describe how they bring linguistics into the L2 classroom, giving concrete examples of how the metalinguistic and social awareness that comes with “doing linguistics” can help students learn new languages by drawing on their L1 strengths, as well as gain an appreciation of the beauty and complexity of language, contributing to a welcoming classroom for students of all language backgrounds. These examples, alongside the student feedback described in the chapter, demonstrate that training teachers in linguistics has the potential to keep students curious and motivated, improving both student retention and learning outcomes in secondary L2 classes.
Latin poetry has always been defined by its relationships with poetry in other languages – first with poetry in ancient Greek, more recently with poetry in the European vernaculars. The Introduction defines the book less as a literary history of Latin poetry across languages, as such, than as a set of essays that offer test cases, sometimes limit cases, for such a literary history. What is promised is a book of intertextual juxtapositions, moving between extreme close-ups and broader treatments of intercultural relationality. A special interest is expressed in the possibilities of two-way poetic conversation across languages. The Introduction concludes with trailers for the book’s seven chapters.
The use of Latin alongside Greek in Roman soldiers’ private documents on papyrus or tablet has already been approached by modern scholarship. However, new evidence allows a further exploration of this topic and a reassessment of some of the results reached so far. Therefore, this chapter investigates three case studies based on this new evidence: the use of the tribal designation, the use of Latin in marriage agreements, and the use of Latin in Roman testaments. The following questions are addressed: What kind of Latin did Roman soldiers and veterans use? Under what circumstances? And why? What can we learn from new evidence? Does it strengthen or challenge traditional hypotheses? The investigation contributes to our understanding of the significance of written documentation in the daily lives of Roman soldiers and veterans and of the usages of the Latin language, script, or culture in their private documents. The new evidence considered sometimes strengthens and at other times challenges traditional hypotheses, showing how complex the relationship was between the Latin and Greek languages, scripts, and cultures in the Graeco-Roman eras.
The twelfth century witnessed an unprecedented scholarly effort to access and assimilate new corpora of knowledge by translating Greek as well as Arabic sources into Latin. This chapter surveys the various translations, discusses the role of those who mediated them to the Latin tradition, and finally focuses on the reception of the texts at the University of Paris during the first decades of the thirteenth century.
This article investigates the syntactic properties of deponents in finite and nonfinite contexts in several Indo-European languages (Vedic Sanskrit, Ancient Greek, Latin, Hittite, Modern Greek) and proposes a novel definition of deponency: deponents are morphologically nonactive verbs with noncanonical agent arguments that are merged below VoiceP. Since VoiceP is spelled out with nonactive morphology in those languages if it does not introduce an external argument itself, the result is a surface mismatch between morphological form and syntactic function. This proposal predicts that only certain nonfinite forms of deponents will surface with the syntax/morphology mismatch, namely, those that include VoiceP. Nominalizations without VoiceP will appear to suspend the voice mismatch. These predictions are shown to be correct with respect to the behavior of deponent participles in the languages under study.
This article explores a novel approach to Latin instruction grounded in the principles of the natural semantic metalanguage (NSM) and the Minimal Languages framework. Whilst recent developments in Latin pedagogy have increasingly embraced communicative methods, the selection of appropriate target vocabulary remains a critical challenge, especially when traditional frequency lists prioritise terms ill-suited for active use. This, in turn, complicates the implementation of communicative approaches, which depend on accessible and contextually relevant language. We propose Minimal Latin (ML), a minimal language based on a universal lexicon derived from NSM principles and governed by a simplified grammar. ML offers a principled solution for vocabulary selection and lexical sequencing. It also facilitates in-language definitions and the explanation of cultural concepts without recourse to translation. The article outlines the theoretical foundations of NSM and Minimal Languages, presents a Latin version of NSM, and proposes ML as a pedagogical tool for Latin teaching across multiple instructional contexts.
This volume gathers 25 chapters focused on Latin texts on papyrus, exploring them from multi- and cross-disciplinary perspectives. It serves as a companion to the texts published in The Corpus of Latin Texts on Papyrus (Cambridge, forthcoming). The chapters provide in-depth analyses of the chosen texts from literary, philological, linguistic, and historical perspectives, or offer methodological reflections on Latin texts on papyrus, promoting innovative approaches. They cover topics ranging from palaeography and philology to Latin literature and from ancient law to ancient and medieval history, and brilliantly demonstrate the potential of Latin texts on papyrus to inspire and illuminate the field of Classics.
This paper discusses the benefits of prose and free composition following the implementation of both styles in Year 7 Latin classrooms. While prose composition is an optional feature in GCSE and A Level exams in the UK, free composition is rarely part of Latin teaching in the UK – and yet it can have benefits for students equal to or exceeding those of prose composition. Any composition is a useful diagnostic tool for grammar, but free composition seems a more enjoyable and creative experience for students. For this research, I experimented with both styles of composition and observed the teaching implications as well as the students’ reception of both.
This article explores an innovative case study in classical language education, focusing on a high school student who independently designed an educational video game inspired by Greek mythology. The project illustrates how digital creativity can effectively support the teaching and learning of Latin and ancient Greek. Three key aspects are examined: student autonomy and creativity in classical studies, the educational potential of merging classical content with digital media, and the implications for reimagining the role of Classics in modern curricula.
The initiative combines classical themes with interactive gameplay, transforming the learning process into an engaging, active experience. Rather than simply transmitting knowledge, the game reinterprets ancient content through digital storytelling and mechanics. This approach promotes critical thinking, interdisciplinary skills, and aligns with science, technology, engineering, art, and maths (STEAM) education principles. The teacher’s role shifts from traditional instructor to facilitator, enabling authentic and student-driven learning. Overall, the study demonstrates how digital tools can foster immersive and meaningful engagement with classical languages and cultures. It presents a replicable model for curriculum innovation, showing that integrating technology with humanistic content can revitalise Classics education. The project positions ancient languages not as static relics, but as dynamic fields open to reinterpretation and creativity through contemporary digital means.