What is a legal culture, and how do we understand and describe it? Historians have done a good job, over the past century, of describing legal institutions. They have been less successful at understanding legal cultures. Yet the eastern Roman Empire is suffused with attempts to articulate understandings of state power and capacity in the language of law. The current "institutional" approach does very little to explain why law was meaningful to subjects of empire: it merely attempts to explain "how it worked," hypothesizing that decent functioning incentivizes the use of the system. This is problematic: it relies anachronistically on a positivist understanding of law. Instead, law is shown to be implicated in multiple acts of community self-definition, in public rituals, and in popular consciousness. This raises the questions: why did legality play such an important role in the provincial imagination? And with what effects on the state itself?

Chapter 5 (Sex and the Bad Faith Argument): In this chapter, I focus on the shifting relationship that ancient authors imagined between sex and the worship of other gods. Within the Hebrew Bible, I argue, sex precedes such “transgressive” worship and leads to it causally, whereas in the literature of the late Second Temple and tannaitic periods pagan worship precedes sex and is performed only as a means to achieve sex.

In Chapter 3 knowledge from sociocultural psychology is integrated with other disciplines within psychology such as cognitive, social, and neuro psychology, and outside psychology such as sociology, visual studies, and philosophy, to tackle the power of images to influence our seeing, thinking, feeling, and remembering.

In this concluding chapter, we give community strategy its due place in sustainability governance and recapitulate key insights from the previous chapters. Narrative appears in a variety of roles yet is unlikely to do its work as a catalyst of community action if it does not take its place within strategy. Such institutionalization does come with risk, including ossification and the introduction of blind spots. We coin a new leadership function, tightly coupled with the role of strategist: The management of goal dependencies and reality effects associated with community strategy. Strategy appears appropriate as a topic to conclude our interpretive account of sustainability leadership as it is, in part, a narrative itself and as the building of strategic capacity in a community is the culminating point of leadership work, requiring other features of good sustainability to be in place.

In this chapter, we delve deeper into the realm of stories, or narratives. This endeavor is particularly worthwhile if we acknowledge that our knowledge of the world is largely shaped by narratives. We discuss several functions of narrative which are relevant to our study of sustainability leadership, in and through governance. Narratives create meaning, they define problems, solution and methods and they connect values, feelings and ideas. Even more fundamentally, narratives create community, which involves patterns of openness and closure, of inclusion and exclusion. We develop a succinct theory of interpretation to extend our understanding of stories and their roles in governance and community, with special emphasis on the concepts of genre, audience and medium, the structuring of time through stories and the position of stories that select other stories and keep them in place: master narratives.

Philosophical and conceptual understandings of time underpin Bowen’s writing, and often these are expressed through experiments with form and narrative. Focusing on Bowen’s novels, this chapter examines how her characters are shown in scalar relation to bigger historical moments or developments, even while the writer holds on to the primacy and singularity of individual experience. It discusses the relationship between history and affect or individual feeling through three interrelated narrative tropes: the temporality of loss, typically broached through themes of adolescence and innocence lost; textual time, or the ‘multitemporal’ qualities of words and letters; and time capsules, or the irruption of the past into the present or future, particularly as a felt experience of wartime. Reading Bowen in context not only emphasises the important issues of her time; it also illuminates the reader’s relationship to her time, and how one might feel and understand intimate attachments to the world in contemporary times.

This chapter situates trans autobiography in the history of American gay autobiography. I trace an incomplete lineage of popular United States transgender autobiographies from Christine Jorgensen to Janet Mock – a roughly seventy-year chronology. Referring to autobiographies both canonical and lesser-known, I document trends in trans self-narration, consider the ways in which trans autobiographers variably give accounts of what it means to be or to have a gender, and suggest the ways in which the genre of trans autobiography, though calcified around specific notions of medico-juridical legibility, might in fact move beyond the inherently and paradoxically restrictive genre restrictions that seem to inhere in its production. Trans gender autobiography emerged from, I argue, both the medical imperative for narrative accounts of transness and autobiographers’ desires to serve as sources of helpful and hopeful information for trans and non-trans people alike.

This chapter argues that any critical or historical study of life-narrative, memoir, or autobiography by “gay Latino male” writers in the United States must attend to questions or problems unique to the intersecting fields of queer and Latinx literary studies. At the level of genre, such an analysis must address the decades-long influence of testimonio theory coursing through both Latin American and Latina/o/x literary studies as a destabilizing element in any discussion of genre as a tool for understanding literature, or “the literary” per se, especially in its grounding relationship to any claim to historical knowledge, through the modes of either fiction or nonfiction. At the level of gender, such an analysis must address the recent emergence of the self-interrogating mark of the “x” in Latinx (in the mid-2020s perhaps ceding finally to the “e” in Latine) as the refusal to accept the binary logic of gender as imbedded in the orthography and grammar of conventional Spanish. These considerations destabilize but do not disable the possibility of curating a collection of texts that have since the mid-twentieth century comprised an archive of “Gay Latino American Autobiography.”

Chapter 7 considers the ‘performative’ version presented in various ways by Paul Moser, Stuart Devenish, Rowan Williams, and Stanley Hauerwas. Here sainthood is understood in terms of intentional personal witness to the reality of God, and evidence is understood in performative terms as somehow ‘personified’ or enacted over the course of a whole life narrative. However, this chapter also includes a discussion of Jean Vanier and considers the possibility that ‘performances’ can count against and thus undermine the evidence for specific religions such as Christianity.

Lyrics in folk songs – defined as those ‘most folks are fond of singing’, to quote Phillips Barry (1939 – shape the mysterious processes by which a song can remain widely known as people hear it, re-create it, and keep it singing, sometimes for generations. I identify prevalent strategies in folk-song words – repetition and familiar imagery, rhetorical framings, parodic echoing and interjection, evocation of childhood and youth, voicing catastrophe and grief, formulaic (yet flexible) structural patterning, and call-and-response engagement – that enable people to carry songs onward and also to be carried by them, by creating shared identification, belonging, emotion, humor, participation, and more. Examples include ballads, lyric songs, and hymns from the U.S. Ozark mountains; a French children’s song; commercial 1960s and 1990s pop hits in English; disaster songs about a Pacific Northwest volcanic eruption, a Mississippi flood, an Oregon shipwreck, and a Spanish mine explosion; and Shona responsorial and improvising songs from Zimbabwe.

Beginning with the Paolo and Francesca episode from Dante’s Inferno, this chapter focuses on rewritings of the episode by Hunt in The Story of Rimini and by Byron in Don Juan and ‘Francesca of Rimini’. These rewritings provide insight into the erotics of shared reading and the subsequent uncertainty surrounding Francesca’s claim that, when she and Paolo settled down to read together, they did so ‘without suspicion’. Teasing out the ambiguities in Dante’s text, Hunt and Byron suggest that reading allows desire to be acknowledged in tacit ways that invite or evade self-awareness (or self-suspicion). Their interpretations of Francesca’s speech also offer reflections on their own poetic styles, with Hunt questioning the difference between naturalness and artfulness, and Byron questioning the sincerity of veiled self-disclosure.

In this chapter, Jon Boden of the band Bellowhead confronts a pervasive element of folk performance that affects reception and yet often escapes notice: spoken introductions. He points out that as a conversational and informal art, folk music shares much with humour. Introductions, he argues, can serve several important purposes, including framing narratives, providing historical context, distancing, and offering a partisan viewpoint. Folk performers often have to balance an audience’s desire for a sense of personal accessibility and communality with the equally necessary demands of entertainment professionalism.

In the genre of images known as the Mass of Saint Gregory the central drama is the living body of Christ on the altar. To one side of that drama, if one looks closely, can be found a single book, opened but not legible (Plate 6). By the fifteenth century, depending on the church, one might find a range of different kinds of books for the liturgy in its library, its choir stalls, or sacristy: antiphonaries, graduals, psalters, hymnals, or breviaries. Only one liturgical book, the missal, the book for the celebrant of the Eucharist, would have been found on the altar. That object is the focus of this chapter.

A detailed commentary which covers matters of literary and historical interest in book VII in the context of Herodotos’ History as a whole. Issues treated include style, dialect, language, text (where necessary), political, religious and social history, both Greek and Persian, prosopography, ethnicity and geography.