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This chapter examines the dialectic of positive and negative utopian tendencies in China Miéville’s Bas-Lag trilogy. Critically acclaimed as a landmark series in the British New Weird subgenre, Perdido Street Station (2000), The Scar (2002), and Iron Council (2004) offer readers rich worldbuilding, blending neo-Victorian steampunk with semi-fascist capitalist oppression. Within the largely negative terrain of Perdido Street Station moments of utopian positivity can nonetheless flourish – most memorably in the inter-species love affair between the scientist protagonist and his insectoid partner. The Scar, which is set on a floating city-state, offers a positive utopian space partly modelled on the social organisation of real-world pirate ships on the eighteenth-century Atlantic. However, it also plays on Ursula Le Guin’s notion of the ‘ambiguous utopia’, with counter-utopian as well as counter-counter-utopian narrative elements. The third novel in the series, Iron Council, sees a transition towards communism, focusing on the political construction of revolutionary utopian ideals. Together, Miéville’s novels present readers with a heady mix of fantastic worldbuilding and Marxist utopian politics, with overt references to the Paris Commune, the Russian Revolution, and, more recently, the anti-globalisation protests at the World Trade Organization conference in Seattle in 1999.
The Conclusion recaps the conceptual themes of the book, emphasising the need for scholars to renew their focus upon the intertwined nature of kinship, class, and capital not only in the empirical study of capitalism on the African continent, but in anthropology where the study of kinship has veered away from questions of inheritance and property since the 1980s, a subject to which it is only now returning. It recaptures the book’s emphasis on the erosion of moral economies under conditions of land’s commodification, and the way this shapes the pauperisation of junior kin.
The Epilogue discusses how the narrative and arguments of the book can help us revisit the debates in Ottoman intellectual historiography over the concept of order (nizam), underlining how labor history and class perspectives can expand the scope of questions and offer new agendas for Ottoman and global histories of the modern era. It offers a conceptual discussion of reform, and highlights the distinctive characteristics of Ottoman Reform in the long nineteenth century, by focusing on its connections with modern capitalism. It emphasizes the capitalist characteristic of the order which the reformist elites struggled to institute throughout the nineteenth century. It underlines how focusing on a specific worksite, and, in particular, studying relations of production within an Ottoman military-industrial site, could help us to reveal these capitalist patterns and class dynamics in Ottoman reform processes. It points to the necessity of the dialogue between labor/social history and intellectual history to better understand how these capitalist practices shaped or were shaped by the mentalities and ideas of Ottoman state elites during this period.
The chapter examines Israeli poetry of the 1980s within its historical context, highlighting the era’s distinctive characteristics. While many critiques of this poetry overlook historical considerations – a phenomenon termed a “dead-end” in national historical thought – the chapter uses Kfir Cohen Lustig’s framework on the interplay between literature, the nation-state, and capitalism, adapting it to the analysis of poetry. The chapter posits that in the 1980s, amid the rise of global capitalism and the prevailing trend of autonomization (notably its dominance over state power), the fundamental poetic form was metonymy. This structure, based on the physical proximity among signifieds, establishes diachronic, horizontal relationships between signifiers. The operation of metonymy is illustrated through two poems by Rammy Ditzanny. Furthermore, by examining several other poets through the lens of various scholars, it is argued that metonymy’s foundational poetic principle underlies the diverse poetic styles of the period, including Imagism, collage poetry, and “object poetry.” This principle frequently coincides with the devaluation or negation of the subject and a rejection of the Oedipal structure.
Modern Hebrew literature has been driven by a call to productivity from its inception. Zionist history was born out of a break with its traditional and religious past, a historical transformation that coincided with the birth and perseverance of the productive Jew. However, even well into twentieth and twenty-first-century Hebrew literature, these tensions remain active. They illuminate not only the ways in which capitalization and secularization are ongoing processes but also latent yet available possibilities of resistance to the demands of productivity. The chapter focuses on the figure of the Shabbat and other forms of inoperativity and nonwork inherent within it in the poetry of Zelda Schneurson. It offers a reading of Zelda’s poetry from a materialist and political-theological perspective to locate her poetry and her depictions of nonwork within the intertwined histories of Zionism, secularism, and capitalism.
Revolution only occurs when people are willing to die for it. The last few days of May 2020 showed that thousands of people were willing to risk their lives in the struggle against the racist capitalist system. Rage at four hundred years of oppression, exploitation, and denigration, at the systemic murder of black, brown, and indigenous people, and at wanton, visible, and permissible police violence could no longer be contained. Between the virus and the economy, there was nothing left to lose.
This article suggests that a “crisis of democracy” can be understood not simply as a deterioration of specific representative institutions but as a repositioning of democratic politics vis-à-vis other principles of social coordination, most notably the capitalist market, and the attendant decline of democratic subjectivity—people’s attunement to claims appealing to the common good. I trace this process to the post–World War II era. I show that the crisis of democracy was shaped by the substantive imperative of fusing democracy with free-market capitalism. Many postwar democratic theorists believed that the welfare state could manage the tension latent in this fusion. But an analysis of Friedrich Hayek’s theory of neoliberal democracy, which recognizes that tension more acutely, reveals that the incorporation of free-market capitalism creates tendencies that undermine democracy from within.
This research examines the role that myths play in sustaining the institutional position of philanthropy in a context of sector reinvention during the COVID-19 recovery. Specifically, we study discourse around the post-pandemic philanthropic sector reforms to the Disbursement Quota (DQ) in Canada. The DQ is the minimum asset payout rate that philanthropic foundations in Canada must maintain to enjoy charitable status and associated tax benefits. We examine submissions to government, media articles, and public statements by philanthropic sector advocates to analyze the ideological work of DQ-related discourses in creating and entrenching philanthropic myths. Our findings coalesce around three philanthropic myths: (1) the Modernization Myth (2) the Goodness Myth; and (3) the Equity Myth. We argue that these philanthropic myths function to maintain the institutional position of philanthropy in this moment of sector reinvention by obscuring the sector’s colonial-capitalist histories and institutional contradictions.
This issue of Democratic Theory aims to contribute to critical social science by bridging the gap between democratic theory and critical political economy (CPE). Despite a common grounding in a normative commitment to emancipation, these fields have lately spoken past each other. Democratic theory is relatively voluntarist, focusing on the realization of normative principles through institutional design. However, it has often overlooked capitalism's influence on democracy, and accepted the artificial separation of the political and economic realms in ways that constrain the possibilities for democratic expansion. CPE, on the other hand, has developed realist and historical analyses of capitalist constraint and dynamism. It can offer a structural compass for democratic theories’ interventionist energies, while also being moved beyond pure critique by them. The central theme of this issue, “democratizing the economy,” shifts the focus toward a deeper exploration of the potential for democratic designs to transform economic structures.
After analyzing the tension between capitalism and liberal democracy, this article explores two ways that the political left has tried to navigate this tension. Both these strategies prevent parties of the left and the center-left from exposing capitalism's undemocratic implications, while also helping to discredit political democracy. Unable to unify working people and ordinary citizens against the suffering that capitalism inflicts on them, the left inadvertently makes it possible for the far right to channel people's discontent in ways that attack liberal democracy and turn working people against each other. Last but not least, the discrediting of democracy that results from these processes gives rise to a vicious cycle by also encouraging the adoption of neoliberal policies, which further intensify the subordination of democratically elected governments to capitalist interests.
This conversation with Nancy Fraser explores her work on the crises of capitalism, democracy, and participation. Fraser has argued that much scholarship in political science and democratic theory on these issues is hampered by “politicism”—an inclination to view the political in separation from other social spheres, which fails to appreciate the structural nature of contemporary crises. Fraser argues that the political arena is important because it is here that collective regulatory powers are exercised, however it needs to be situated within a broader understanding of the social totality to understand how it is affected by crisis dynamics in other spheres and how it might contribute to attenuating, or resolving, these. Our conversation begins by exploring these arguments in relation to Fraser's recent work on the critique of capitalism, and then traces how this relates to her work on the public sphere, participatory parity, and utopian thought.
The global diffusion of sewing machines required concerted efforts from manufacturers, sales agents, and, most significantly, local consumers, who rendered the machine legible and desirable across diverse social settings. As this article shows, however, in politically volatile contexts, it was manufacturers who most decisively shaped these processes. Focusing on the Singer Company—the largest and most influential of its kind—the article examines how this process unfolded in the Ottoman empire during the Armenian massacres of the 1890s. Occurring when ethnic and religious homogeneity was becoming central to the political order, the Ottoman case offers an especially important early example of global firms’ responses to the emerging pressures of exclusionary—and often violent—political and economic reordering. The article traces how Singer tested adaptive strategies that not only sustained its regional presence but also recalibrated its business model. In doing so, it contributes to global history by demonstrating how seemingly localized episodes of political violence became formative sites of adaptation, attuning global corporations to a world increasingly structured by systemic violence, warfare, and demographic homogenization.
The introduction presents the aims, scope and structure of the book and discusses major historiographical issues: the role of empires in global history; that of slavery in the Atlantic world and that of serfdom in Eurasia; the great divergence debate; the historical meanings and practices of emancipation in a global perspective. The introduction then discusses the question of scales; the role of gender and law; the definitions of institutions, empires and capitalism as well as the qualification of coercion, resistance and agency.
This chapter asks how ‘the people’ has been mobilised in contemporary literature as an anti-hegemonic category for imagining collective life in times of crisis. Reading a handful of poems written by Sean Bonney, D. S. Marriot, and Andrea Brady, the chapter’s hypothesis is that poetic address – the axis of communication, the deictic situation that obtains between articulation and understanding – acts as a cipher for the people in moments of social upheaval. Specifically, this chapter shows how poetic form bears witness to the people as an antagonistic social force defined by class, race, and gender, but also as a category that disarticulates – or has been forcefully disarticulated from – labour and its traditions and cultures.
Five Economies of World Literature is a comprehensive revision of nineteenth-century conceptualizations of 'world literature' in view of their intersections with economic thought. The book demonstrates that with a routinized identification of world literature as the cultural manifestation of modern capitalism, recent discussions have lost sight of an important historical and conceptual dynamic. Based on reinterpretations of the work of Goethe, Thomas Carlyle, Fichte, Hugó von Meltzl, and Marx, the chapters center on five economic notions (free trade, the gift, central planning, protectionism, and common ownership) that have shaped the theory and praxis of transnational exchange. At a time of profound reconfigurations in global political, cultural, and economic landscapes, this analysis deepens our historical understanding of cross-cultural encounters and also offers a better grasp of many of our current concerns about the globalization of cultural production and consumption.
This chapter traces the roots of racial capitalism in early modern England. It shows how ideologies of class and race were grounded in the logic of both nationalism and overseas trade and colonialism. It does so by tracing the evolution of the story of Dick Whittington, a fantasy about a poor boy that acquired the status of a fairy tale in English culture. This evolution illustrates how dreams of class mobility at home were shaped by the promises of international wealth; how these promises in turn molded the ideology of nationalism whereby the nobility and the mercantile classes came together despite the tensions between them; how existing geographic differences were rewritten to present European superiority; and finally, how peoples from different parts of the world were represented as both necessary and dangerous to the advancement of the European self.
This essay coins and develops the concept of Longevity Capitalism, a biopolitical and financial regime in which both the condition of living longer and the pursuit of longevity are transformed into frontiers of accumulation. As financialisation extends into the domain of ageing, longevity – once a social and fiscal challenge – has been reframed as an investment opportunity. The essay traces a shift from collective welfare management to individualized risk-bearing, showing how uncertainty about life expectancy is converted into a new asset class. Drawing on examples such as financial instruments that profit from longevity risk, the rise of ‘age-tech’, and Silicon Valley’s ventures in life extension, it shows how biological time is increasingly treated as an economic resource. It also examines the speculative pursuit of ‘longevity escape velocity’, where technological innovation is imagined to outpace ageing and death itself becomes a technical problem. Together, these developments reveal a system in which longer life functions as a perpetually deferred investment cycle – an economy sustained by its own postponement. The essay argues that economic and biological time, wealth and health, are now fused within a single regime of managed futurity, reflecting new forms of power over who – and how – gets to live longer.
The volume outlines modern British literature's relation to global empire from the 16th century to the present. Spanning the interactions between Britain, Europe, and the world outside, in Asia, Africa, Australasia, North America, and the Caribbean, it suggests the centrality of colonial-capitalist empire and global exchanges in the development of major genres of literary fiction, poetry, drama, and non-fiction. Illuminating the vital role of categories such as race, class, gender, religion, commerce, war, slavery, resistance, and decolonization, the twenty-one chapters of the book chart major aspects of British literature and empire. In rigorous yet accessible prose, an international team of experts provides an updated account of earlier and latest scholarship. Suitable for a general readership and academics in the field, the Companion will aid readers in familiarizing with Britain's imperial past and its continuing relevance for the present.
The English weavers who organized what would become a flourishing cooperative business in 1844 remain famous worldwide. In the second half of the nineteenth century, their story traveled through a newly international labor press, inspiring workers to build cooperatives in the template set forth by the so-called “Rochdale Pioneers.” While scholars have detailed the Rochdale model’s impact on the cooperative movement itself, historians have missed its significance as a vector for wider changes in working-class politics. Drawing on cooperative movement literature and organizational records, this essay traces the transnational circulation of the Rochdale story from Britain to the United States from the mid-nineteenth to the early twentieth century. I explore how the Rochdale method’s influence simultaneously standardized cooperative practices, and reflected a protracted shift in anti-capitalist struggles. Against the backdrop of land dispossession and anti-labor violence, the Rochdale experiment captured hopes for a cooperative economic strategy fit to survive in the modern era. Focusing on the rise of consumers’ cooperation in the United States, I show how organizers mobilized a cooperative vision for a post-enclosure world—one consistent with the structure, if not the spirit, of private property and commodity markets. This article explores how the cooperative movement became a vital site for reimagining economic autonomy as industrial capitalism conscripted ever more people into wage labor.
This book places the troubles of ordinary people at the centre of economic change in Mexico, arguing that conflicts over small-scale unpaid debts were a stress test for the economic and political order. Studying malfunction – what happened when contracts broke or soured – exposes the ways in which debt trouble became a driving force in the history of accumulation and justice in the modern world. This concluding chapter offers final thoughts on the book’s core proposal: that a broad sense of fairness and justice provided a bedrock of stability that allowed for massive economic transformation over a long chronological horizon.