Law, with its seemingly endless paperwork, is almost overwhelmingly textual. From contracts to briefs to opinions to treatises, law lives in its texts. Simultaneously, law requires performances to produce authenticity and authority. Witness testimonies, pleadings, and trials all enact the law through participants’ bodies. There is no law without text. There is no law without performance. Legal texts and performances produce and reproduce each other: Legal texts record or script legal performances; legal performances generate or stage legal texts. Because law entwines text and performance, this chapter considers the law’s material textuality and its theatricality in tandem by probing how law brings performance to book. Drawing on theater studies and the history of dramatic texts, I offer methods for reading legal texts as scripts that precede or follow legal performances. Examples from Anglo-American law reveal that legal documents’ typographical conventions uncover law’s reliance on performance and its anxiety about deviating from textuality. More sophisticated legal attention to the relationship between text and performance would better serve law and, more importantly, justice.