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  • Publisher:
    Cambridge University Press
    Publication date:
    27 February 2026
    14 May 2026
    ISBN:
    9781009674195
    9781009674201
    9781009674249
    Creative Commons:
    Creative Common License - CC Creative Common License - BY Creative Common License - NC
    This content is Open Access and distributed under the terms of the Creative Commons Attribution licence CC-BY-NC 4.0.
    https://creativecommons.org/creativelicenses
    Dimensions:
    (229 x 152 mm)
    Weight & Pages:
    344 Pages
    Dimensions:
    (229 x 152 mm)
    Weight & Pages:
    344 Pages
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Book description

The words 'all rise' announce the appearance of the judge in the thespian space of the courtroom and trigger the beginning of that play we call a trial. The symbolically staged enactment of conflict in the form of litigation is exemplary of legal action, its liturgical and real effects. It establishes the roles and discourses, hierarchy and deference, atmospheres and affects that are to be taken up in the more general social stage of public life. Leading international scholars drawn from performance studies, theatre history, aesthetics, dance, film, history, and law provide critical analyses of the sites, dramas and stage directions to be found in the orchestration of the tragedies and comedies acted out in multiple forums of contemporary legality. This title is also available as open access on Cambridge Core.

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Contents

Full book PDF
  • Performing Law
    pp i-i
  • Law in Context - Series page
    pp ii-viii
  • Performing Law - Title page
    pp ix-ix
  • Actors, Affects, Spaces
  • Copyright page
    pp x-x
  • Contents
    pp xi-xii
  • Figures
    pp xiii-xiv
  • Contributors
    pp xv-xviii
  • Chapter 1 - Introduction
    pp 1-30
  • Part I - Forensis and Forensic Actors
    pp 31-116
  • Chapter 3 - The Poetics of Hypokrisis in Early Modern Judicial Theatre
    pp 58-76
  • Chapter 4 - The Outdoor Stages of Common Law
    pp 77-96
  • Chapter 5 - Law – Text – Performance
    pp 97-116
  • Part II - Affectations
    pp 117-190
  • Chapter 6 - On Dialogue: Or Legal Performance in the Affective Space
    pp 119-145
  • Chapter 7 - Performing for the Audience
    pp 146-164
  • Chapter 8 - Desiring Children
    pp 165-190
  • Vulnerability and the Sex Offender
  • Part III - Transgressions
    pp 191-299
  • Chapter 9 - The Comediography of Law
    pp 193-212
  • Chapter 11 - Oath Taking and Legal Performance
    pp 239-257
  • Appendix 1
    pp 278-278
  • Appendix 2
    pp 278-279
  • Index
    pp 300-324

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