The Incas territorial expansion process was motivated not only by ideological, political, and economic factors but also involved the ritual integration of ancient sanctuaries through capacocha offerings. Notable examples include the Sacred Rock (Roca Sagrada) of the Island of the Sun (Lake Titicaca) and the Oracle of Pachacamac (Lurín Valley). The antiquity of these two sanctuaries, combined with their roles as destinations for imperial-scale pilgrimages during the Inca period, underscore their significance and uniqueness and the role of the capacocha ritual to connecting places into the Inca world. The material correlates associated with numerous capacocha rituals recorded in the Andes demonstrate that this ritual adhered to standardized conventions and criteria. The canonical archaeological remains of capacocha are characterized by human sacrifices and specific offerings, particularly anthropomorphic figurines made of precious metals or Spondylus. The absence of human corpses in certain contexts can be attributed to taphonomic factors but also to ritual adaptations specific to the locations where they were discovered. In this article, we develop this adaptive model for two of the major sites of Inca cosmology: Lake Titicaca and Pachacamac, emphasizing their close connection to Cuzco, the imperial capital and center of the Inca world.

In the Nejapa region of Oaxaca, places now categorized by some as archaeological ruins have retained power and meaning through time. Ruins often retain vibrancy and are (and were) typically treated respectfully and carefully. Although many of the sites may no longer be occupied by humans, these ruined or palimpsest places should not be considered entirely abandoned or uninhabited. Some sites in Nejapa, such as Los Picachos and Cerro del Convento, were charged with spiritual valency that inspired people to leave offerings at the sites. Other long unoccupied archaeological sites, such as the ruins of La Baeza, Casa Vieja, and the Pueblo Viejo, were viewed in multiple ways: sometimes approached with trepidation or purposely avoided, and at other times viewed with nostalgia and reverence. Part of what makes ruins powerful and layered with meanings is their association with ancestors and their common connections to memorable, and often difficult, historical events. Thus, ruins play active roles and can at times inspire social actions and at other times entail intentional avoidance.

Archaeological and ethnohistorical investigations in the south of the Colombian Plateau, in the Eastern Highlands, suggest that before European contact Guatavita was an important Muisca chiefdom—largely because of the prestige conferred by the presence of ceremonial centers in their territories, especially around the lakes in the hills surrounding the Guatavita-Guasca Valley. The fame of Lake Guatavita as the most important Muisca shrine was fueled by Spanish chronicles during the sixteenth and seventeenth centuries, which described it as the core of mass offering ceremonies or of lavish rituals for the chief's investiture, which fed both the story and the myth of El Dorado. This article presents the results of the archaeological survey done around the lake. The type and distribution of the material culture suggest that there was a shrine where small-scale ritual offerings took place, rather than conspicuous celebrations.

La adaptación de los mayas postclásicos a las nuevas condiciones de vida surgidas a raíz de la crisis generalizada del final del período Clásico mediante respuestas resilientes se ha convertido en un tema de creciente interés por parte de los investigadores mayistas en las últimas décadas. El estudio de vestigios arqueológicos adscritos al Postclásico puede ayudar a entender por qué ciertas tradiciones fueron abandonadas, mientras que otras han perdurado a lo largo del tiempo, como es el caso de las ceremonias del culto a la lluvia. Ejemplo de ello son los hallazgos de ofrendas y otros vestigios arquitectónicos realizados en Chilonché, un antiguo asentamiento urbano maya fundado en la cuenca del río Mopán (Petén), cuya arquitectura y manifestaciones artísticas son un fiel exponente de la importancia política que tuvo el sitio en su dilatado período de ocupación. Los resultados de esta investigación, que combina los estudios arqueológicos y arquitectónicos con los análisis arqueométricos e iconográficos de las piezas cerámicas exhumadas, permiten afirmar que las ofrendas postclásicas halladas en un palacio de la acrópolis de Chilonché están íntimamente ligadas al acto de verter agua y a la imagen de Chaahk, y por lo tanto a rituales vinculados a la lluvia.