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Recent disruptions in technology, geopolitics, and the environment have contested what it means to be human, a source of social and political anxiety about the future. Taking inspiration from African and African diaspora writers and scholars, Lee attends to theories of the human that emerge from contemporary experiences on the African continent. The essay provides a countercanon by centering debates about the human and their attendant attempts to transcend it (more-than-human, posthuman) in African experiences and knowledges. Doing so offers alternative conceptions of human–nonhuman relations that unravel the co-imbrication of colonialism, capitalism, and anti-Black racism that undergird the modern condition.
The Lake Kivu region, which borders Rwanda and the Democratic Republic of the Congo, has often been defined by scholars in terms of conflict, violence, and separation. In contrast, this innovative study explores histories of continuities and connections across the borderland. Gillian Mathys utilises an integrated historical perspective to trace long-term processes in the region, starting from the second half of the nineteenth century and reaching to the present day. Fractured Pasts in Lake Kivu's Borderlands powerfully reshapes historical understandings of mobility, conflict, identity formation and historical narration in and across state and ecological borders. In doing so, Mathys deconstructs reductive historical myths that have continued to underpin justifications for violence in the region. Drawing on cross-border oral history research and a wealth of archival material, Fractured Pasts embraces a new and powerful perspective of the region's history.
Associational life in Cape Town is a mechanism for migrants from the eastern Democratic Republic of Congo (DRC) to find belonging in South Africa. We trace the internal politics of associational membership from 2000 to 2019 to illustrate how membership in eastern Congolese associations has minimized community ties to other foreign Africans and South Africans. An increase in election violence in the DRC, divided into pro- and anti-combattant camps, and the threat of xenophobic violence in South Africa have led to a closing of ranks that presumes only other eastern Congolese can be trusted. In tracing gender, class and language cleavages, we find that eastern DRC associational life reproduces the xenophobia associational membership is intended to ameliorate.
This article explores the interaction between the Conseil de la Concurrence (Competition Council) and the Autorité de Régulation de la Poste et des Communications Électroniques (Telecommunications and Postal Regulatory Authority) (ARPCE) in the Algerian legal system. Algerian policy-makers have given special consideration to the issue of overlapping jurisdiction between these two authorities. The article discusses the Algerian strategy to resolve regulatory overlaps in the electronic communications market and also highlights the intervention of the ARPCE as a competition authority for the electronic communications market. Furthermore, the article analyses the Optimum Telecom Algeria case as a turning point in restoring the Competition Council’s role and highlights the need for systematizing the intervention of the two authorities. Finally, the article provides a forward-looking perspective through proposing a memorandum of understanding to promote cooperation between the Competition Council and the ARPCE.
This chapter traces the recent turn to form in Latinx literary studies. While the field has long privileged the historical in shaping debates and organizing Latinx cultural production, there is a growing group of scholars taking the formal as their point of departure by studying components that range from genre to word choice, from page layout to punctuation. Concerned less with the who, what, and where of literary texts, this new approach focuses more on how. That is, how our privileged objects of study – race and racism, community and coalition, gender and sexuality – are represented on and off the page. Linking these recent approaches to a longer tradition of queer Latinx performance studies, a branch of scholarship long attuned to the importance of gesture, corporality, and affect, this chapter models formal analysis by taking works by Carmen María Machado and Justin Torres as representative case studies.
This chapter situates three Latinx literary organizations – CantoMundo, Letras Latinas, and Undocupoets – in a trajectory of institution building dedicated to the support and development of Latinx poetry and poetics. Moving through organizational origins, concrete support strategies, founding members, and institutional alliances, the chapter maps out the practical as well as philosophical outcomes of developing Latinx poetry and poetics as a diverse, multiform set of voices. Coinciding with greater recognition of Latinx poets in terms of fellowship support, book prizes, and publication numbers, CantoMundo, Letras Latinas, and Undocupoets, as well as organizations that have built alongside and with them, have decisively shaped twenty-first-century Latinx poetry and given it many possible routes for future development.