On the one hand, the tyrants of the archaic age are considered to be demophagoi, the ‘eaters’ of common goods; on the other hand, their reign is praised as the Golden Age of Kronos. This chapter deals with the relationship between tyrants and the people and discusses the connection between dues and benefactions. It establishes the notion that the reign of tyrants as well as the reign of succeeding aristocratic houses were rooted in the tradition of Homeric kings. The garden of the Phaeacian king Alcinoos, where the citizens drew their water, symbolizes ideal ruling. Exactly the same kind of benefactions, the securing of the water supplies, has been attributed to the archaic tyrants. The chapter aims to present the lines of tradition as well as the discontinuities in the early Greek conceptions of generosity and dominion.

This chapter argues that euergetism in Hellenistic poleis was not just a form of benefaction securing kings and wealthy members of the polis symbolic capital, legitimacy and a superior place in the social hierarchy of poleis, but also a means of community building and social peace. The well-known habit of Hellenistic political communities to publish endowment decrees and the regulations concerning their legal execution on stone not only ensured that the assets dedicated to a particular purpose were not poorly managed, embezzled or transferred to another purpose. They were also public monuments of the democratic control over private wealth and its public display. Demonstrating that the people held ultimate power over the smooth running of public endowments, these decrees guaranteed and made visible the democratic commitment to their ‘eternal’ existence, and at the same time propagated the effectiveness of democratic institutions among the whole citizen body as well as vis-à-vis individual wealthy benefactors.

The bookends to this chapter are two watersheds, the collapse of the Mycenaean palatial system and the Battle of Salamis (ca. 1200–480 BC). The chapter explores the landscape of the living and the dead, the emergence of the Athenian polis, and the broader issue that determined and defined the period.

Of all types of Greek benefaction, agonistic festivals – that is, festivals that revolved around athletic, dramatic or cultural contests – may have been the most central to the phenomenon of civic euergetism in the Greek cities of the Hellenistic and Roman period. Core questions of the chapter are: What was the significance of the fact that public festivals were paid and organised by private benefactors? Why did benefactors do this? And what was it that cities stood to gain? The main argument is that agonistic festivals were not simply an object of euergetism but also a medium through which euergetism evolved. They not only were an opportunity for elite benefactors (and athletes) to increase their prestige but were primarily mass events where benefactors and their communities were jointly involved in representing the central social, cultural and political values of the time.

Contrary to common belief, Christian bishops did not simply continue practicing traditional euergetism in Christianized form in cities of the late Roman Near East. From the late fourth century onwards, they had to answer for their use of church resources to an ideologically significant special interest group known as the ptōchoi. Entitled to church resources called the poor fund (ptōchika), this constituency was often comprised not only of the urban poor but of local monastic leaders who had close connections with influential lay donors. This chapter examines the details of three early fifth-century allegations of episcopal lithomania (excessive construction of church buildings) to date the historical emergence of this urban constituency and show how it pressured bishops to spend funds in their interest. It argues that the pressure exerted by this group was crucial in ensuring that episcopal budgets would be spent not just on monumental vanity projects but on philanthropic institutions and services. Hence these ptōchoi were actively involved in the politics that changed the urban landscape of the Roman Near East.

This chapter surveys the major Athenian inscriptional genres as well as their placement and distribution over time, and attempts to convey what it might have meant to a passerby to experience the ‘inscribed’ city.

Is it legitimate to refer to a ‘Christian euergetism’? This is the question posed by this study, by examining a series of representations of benefactors on mosaic floors in the churches of Aquileia, Thessaloniki and Gerasa, from the fourth to the sixth centuries AD. Analysed in the light of their legal and municipal context, the portraits reveal a fundamental evolution of Late Antiquity society. Churches as private entities were the last places, after the reforms of Valentinian I, where it was possible to freely display one’s social prestige. They allowed the municipal elite to remain socially and religiously attractive. They provided a place of expression for the old competition that was at the root of municipal culture. This new form of euergetism took place in a society whose hierarchy of values had been reversed: the recognition of the imperial court and its agents was sought more than that of a people, whose cheers were expected at most.

This chapter considers the ‘vase festivals’ recorded on Hellenistic Delos as benefactions, and then considers the implications of this approach on our chronology for the period. It argues that the vase festival was a socially constrained form of competitive display, one open only to Delians and others who successfully sought and negotiated this privilege. Through the endowment and the associated display, these individuals claimed and performed a distinct superior status: as patrons of the sanctuary. But this was not an exclusive claim. It coexisted with and competed with other claims, both when they were founded and in subsequent years. As such, the dates and periods during which royal (and non-royal) individuals founded these vase festivals (Third Ptolemaea, 246/5 BC, Soteria/Antigonia, 245/4 BC, etc.) can be understood as periods of engagement by those individuals on Delos and the region. But this competitive context indicates that they should not be understood as dates for changes of control. Quite the reverse: if the vase festivals have any implication for our understanding of the broader geopolitical terrain – and they may not – they indicate that these were times when interest in the sanctuary and the region were higher, and when any specific patronage or hegemonic relationships in the sanctuary and the region were particularly contested.

This chapter deals with the Athenian buildings aimed at hosting dramatic performances or related to the world of the theater, one of the most important and enduring legacies of ancient Greece to the Western world. The Late Classical Theater of Dionysos at the southern slopes of the Acropolis (second half of the fourth century BC) and the neighboring Odeion of Perikles (mid-fifth century BC) soon became tangible symbols of the city’s wealth and power.

Besides providing a brief illustrated account of Athens’ influential and widely disseminated Athena/owl silver coinage, this chapter surveys the huge silver mining and processing industry of southeast Attika, the role of coinage in the public and private economies of Athens and in international trade, and the minting of a bronze coinage for use at the Eleusinian festival.

The Athenians believed in the importance of the rule of law and implemented this ideal through their legal procedures. The courts of Athens were based on the principles of equality before the law, fairness in procedure, no punishment without law, and the accountability of officials.

In the shadows of its Classical past, Athens during the Roman period saw a number of changes at the hands of imperial or local individuals, particularly for political and ideological, religious, and cultural and educational motivations. This chapter explores how the city grew and developed under the Romans, creating a unique urban space that expressed a multifaceted identity.

The rediscovery of Athens by Western travelers from the fifteenth century onwards led to an international fascination with the ruins of the city and their relationship with descriptions in ancient literature. The publications and manuscripts of these journeys preserve crucial documentation for the remains of Athens, its temples, topography, and inscriptions, much of which has been lost over the subsequent centuries.

Though millennia of building and rebuilding in the city center have affected archaeologists’ ability to recover domestic architecture and assemblages from the Archaic and Classical periods, the evidence which does survive provides a window into the daily lives of ordinary Athenians. Ancient Athenian houses hosted many activities, including family life, ritual practice, and craft production.